Skinfolk A Memoir

A haunting, poignant story of growing up in a mixed-race family in 1970s New Jersey, in the tradition of The Color of Water. Race is made, not born. It can materialize with a thunderous suddenness. It can happen to you in moments that will be cauterized into memory as if into flesh. Could a picturesque white house with a picket fence save the world? What if it was filled with children drawn together from around the globe? And what if, within the yard, the lines of kin and skin, of family and race, were deliberately knotted and twisted? In 1970, a wild-eyed dreamer, Bob Guterl, believed it could. Bob was determined to solve, in one stroke, the problems of overpopulation and racism. The charming, larger-than-life lawyer and his brilliant wife, Sheryl, a former homecoming queen, launched a radical experiment to raise their two biological sons alongside four children adopted from Korea, Vietnam, and the South Bronx—the so-called war zones of the American century. They moved to rural New Jersey with dreams of creating what Bob described as a new Noah’s ark, filled with “two of every race.” While the venture made for a great photograph, with the proverbial “casseroles and potato chips out for everyone,” the Brady Brunch façade began to crack once reality seeped into the yard, adding undue complexity to the ordinary drama of a big family. Neighbors began to stare. Vacations went wrong. Joy and laughter commingled with discomfort and alienation. Familial bonds inevitably buckled. In the end, this picture-perfect family was no longer, and memories of the idyllic undertaking were marred by tragedy. In lyrical yet wrenching prose, Matthew Pratt Guterl, one of the children, narrates a family saga of astonishing originality, in which even the best intentions would prove woefully inadequate. He takes us inside the clapboard house where Bob and Sheryl raised their makeshift brood in a nation riven then as now by virulent racism and xenophobia. Chronicling both the humor and pathos of this experiment, he “opens a door to our dreams of what the idea of family might make possible.” In the tradition of James McBride’s The Color of Water, Skinfolk exposes the joys and constraints of love, blood, and belonging, and the persistent river of racial violence in America, past and present.

The SFWA Grand Master’s award-winning collection “combines a richly textured multicultural background with incisive storytelling” (Library Journal). In Skin Folk, with works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, Nalo Hopkinson is at her award-winning best, spinning tales like “Precious,” in which the narrator spews valuable coins and gems from her mouth whenever she attempts to talk or sing. In “A Habit of Waste,” a self-conscious woman undergoes elective surgery to alter her appearance; days later she’s shocked to see her former body climbing onto a public bus. In “The Glass Bottle Trick,” the young protagonist ignores her intuition regarding her new husband’s superstitions—to horrifying consequences. Hopkinson’s unique pacing and vibrant dialogue sets a steady beat for stories that illustrate why she received the John W. Campbell Award for Best New Writer. Entertaining, challenging, and alluring, Skin Folk is not to be missed. Praise for Nalo Hopkinson and the World Fantasy Award–winning Skin Folk “Hopkinson’s prose is vivid and immediate.” —The Washington Post Book World “An important new writer.” —The Dallas Morning News “Her descriptions of ordinary people finding themselves in extraordinary circumstances ring true, the result of her strong evocation of place and her ear for dialect.” —Publishers Weekly “A marvelous display of Nalo Hopkinson’s talents, skills and insights into the human conditions of life, especially of the fantastic realities of the Caribbean . . . Everything is possible in her imagination.” —Science Fiction Chronicle

An alluring new collection from the author of the New York Times Notable Book, Midnight Robber Nalo Hopkinson (Brown Girl in the Ring, The Salt Roads, Sister Mine) is an internationally-beloved storyteller. Hailed by the Los Angeles Times as having "an imagination that most of us would kill for," her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are filled with striking imagery, unlikely beauty, and delightful strangeness. In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall with unfulfilled ghosts, or herding chickens that occasionally breathe fire, Hopkinson continues to create bold fiction that transcends boundaries and borders.

Literary Nonfiction. African & African American Studies. When Did You First Realize You Were Black? Provoked by the fraught relationship between the African continent and American culture in Chimamanda Ngozi Adichie's Americanah, acclaimed Nigerian-American novelist Tochi Onyebuchi takes an emotional and intellectual journey through his own education in Blackness--his first loves, his introduction to politics, and his eventual commitment to the struggle. Ranging from Paris to a Connecticut boarding school to a harrowing walk through the streets of Palestine, and touching on lessons from Frantz Fanon, Sylvia Wynter, Mohsin Hamid, August Wilson, Dear White People, and Black Panther, Onyebuchi blends memoir and cultural criticism to explore the ways in which identities, like diamonds, are pressurized into existence by suffering, and how "the other side of suffering is self-determination." (S)KINFOLK culminates in a trip to Nigeria, the homeland, where the author realizes that "we share a future," as Black Americans and Africans, on this "asymptotic journey" toward self-actualization.

NewsLady is the memoir of a trailblazing African American woman journalist whose life is about firsts. Carole Simpson was the first woman to broadcast radio news in Chicago, the first African American woman to anchor a local newscast in the same city, the first African American woman national network television correspondent, the first African American woman to anchor a national network newscast and the first woman or minority to moderate a presidential debate. Hers is a story of survival in a male-dominated profession that placed the highest premium on white males. In this book she recounts how she endured and conquered sex discrimination and racial prejudice to reach the top ranks of her profession. Along the way she covered some of the most important news events over the four decades of her illustrious broadcasting career. Her inspirational story is for all trying to succeed in a corporate environment.

In Blue Sky Dream: A Memoir of America’s Fall from Grace, award-winner David Beers offers a powerful, personal vision of the rise and fall of the American middle class. Here is a dazzling literary chronicle of a family, a people, and a nation: the “blue sky tribe” of ever-optimistic middle-class Americans who believed in something called the American Dream, then woke up one day to discover it was gone. Blue Sky Dream is a book incredibly rich in ideas, in ways of seeing the recent past with stunning clarity. David Beers explores issues that define our times—downsizing, middle-class anxiety, the profound anger with government, the sense that something has gone awry with the United States—with such skill, personal immediacy, and compassion that readers will see their own histories in his prose. Blue Sky Dream can rightly be called a communal memoir, because in telling his family’s tale—growing tensions and disillusionment in their suburban paradise, a son rejecting his parents’ values, one sudden and inexplicable moment of violence—Beers tells the story of his people, the blue sky tribe “who imagined ourselves to be living the inevitable future, and are very surprised today to discover we were but a strange and aberrant moment that is now receding into history.”

A People Pick! “One of the year’s must-reads.” –ELLE “[A] provocative, heart-breaking, and frequently hilarious collection.” –GLAMOUR “Essential, vital, and urgent.” –HARPER’S BAZAAR In the vein of Roxane Gay’s Bad Feminist and Issa Rae’s The Misadventures of Awkward Black Girl, but wholly its own, a provocative, humorous, and, at times, heartbreaking collection of essays on what it means to be black, a woman, a mother, and a global citizen in today's ever-changing world. Black women have never been more visible or more publicly celebrated than they are now. But for every new milestone, every magazine cover, every box office record smashed, every new face elected to public office, the reality of everyday life for black women remains a complex, conflicted, contradiction-laden experience. An American journalist who has been living and working in London for a decade, Kenya Hunt has made a career of distilling moments, movements, and cultural moods into words. Her work takes the difficult and the indefinable and makes it accessible; it is razor sharp cultural observation threaded through evocative and relatable stories. Girl Gurl Grrrl both illuminates our current cultural moment and transcends it. Hunt captures the zeitgeist while also creating a timeless celebration of womanhood, of blackness, and the possibilities they both contain. She blends the popular and the personal, the frivolous and the momentous in a collection that truly reflects what it is to be living and thriving as a black woman today.

When my son Sean was born with special needs, his mother and I were told he would never be “normal” and we mourned for the life we had imagined for him. We thought we would have to be his teacher and protector, more so than the typical child. However, we quickly learned that lessons can come from the most unlikely places and that our world would be changed for the better in ways we could have never envisioned. . . all because of Sean. Before he died on Father’s Day 2019, Sean taught me valuable life lessons that only became more pronounced upon his passing. He taught me how to build strong, authentic relationships. He taught me how to live in the moment. He taught me how to feel gratitude. Mostly, he taught me how to live like Sean, and these lessons are his legacy.