Slated For Death

When the body of well-liked and respectable Glenda Roberts is discovered at the bottom of a former slate mine, now a busy tourist attraction, pandemonium erupts in the North Wales town of Llanelen. Penny Brannigan finds herself drawn into the investigation when jars of her house-brand hand cream are found among counterfeit inventory Glenda and her sister were selling. Police are convinced that the mine operator whose asthmatic son suffered an almost-fatal attack due to the merchandise is responsible for Glenda's death. But Penny's not so sure. A visit to Glenda's mother only deepens her conviction that a hidden family secret is the real reason for the murder. Elizabeth J. Duncan's Slated for Death is a wonderful traditional mystery with snappy dialogue, lively characters and an enchanting setting.

A prisoner on death row in Indiana, Donald Ray Wallace, Jr undergoes a spiritual journey from crime to redemption. But Wallace is slated for death. Whether Wallace had an unidentified accomplice in the murders that condemned him remains an unsolved question. In any case, four people died as a result of the robbery Wallace was attempting to commit.

An examination of what can be learned by looking at the journals and diaries of Jews living during the Holocaust. What are the effects of radical oppression on the human psyche? What happens to the inner self of the powerless and traumatized victim, especially during times of widespread horror? In this bold and deeply penetrating book, Amos Goldberg addresses diary writing by Jews under Nazi persecution. Throughout Europe, in towns, villages, ghettos, forests, hideouts, concentration and labor camps, and even in extermination camps, Jews of all ages and of all cultural backgrounds described in writing what befell them. Goldberg claims that diary and memoir writing was perhaps the most important literary genre for Jews during World War II. Goldberg considers the act of writing in radical situations as he looks at diaries from little-known victims as well as from brilliant diarists such as Chaim Kaplan and Victor Kemperer. Goldberg contends that only against the background of powerlessness and inner destruction can Jewish responses and resistance during the Holocaust gain their proper meaning. “This is a book that deserves to be read well beyond Holocaust studies. Goldberg’s theoretical insights into “life stories” and his readings of law, language and what he calls the “epistemological grey zone” . . . provide a stunning antidote to our unthinking treatment of survivors as celebrities (as opposed to just people who have suffered terrible things) and to the ubiquity of commemorative platitudes.” —Times Higher Education “Every decade or so, an exceptional volume is born. Provocative and inspiring, historian Goldberg’s volume is one such work in the field of Holocaust studies. . . . Highly recommended.” —Choice “Amos Goldberg’s Trauma in First Person: Diary Writing During the Holocaust is an important and thought-provoking book not only on reading Holocaust diaries, but also on what that reading can tell us about the extent of the destruction committed against Jews during the Holocaust.” —Reading Religion “Amos Goldberg’s work offers an innovative approach to the subject matter of Holocaust diaries and challenges well-established views in the whole field of Holocaust studies. This is a comprehensive discussion of the phenomenon of Jewish diary writing during the Holocaust and after.” —Guy Miron. Author of The Waning of Emancipation: Jewish History, Memory, and the Rise of Fascism in Germany, France, and Hungary “This is an important contribution to trauma studies and a powerful critique of those who use the “crisis” paradigm to study the Holocaust.” —Dovile Budryt, Georgia Gwinnett College, Holocaust and Genocide Studies

MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.

What is the mysterious region between photography and the phenomenon of narrative cinema, between the photogram - a single film frame - and the illusion of motion we recognise as movies?.

Misinformation has had dramatic and dangerous effects, as evidenced by numerous events of the late 2010s and early 2020s. Reading a steady stream of misinformation leads to distrust, potentially leading to conflict in one's family and workplace, and even to civil unrest. At the heart of many such matters is scientific illiteracy. Many people enjoy a life of ease and convenience because of science--and since science also crosses courtrooms, classrooms and cultures, it has great potential to debunk misinformation and untangle the confusion on such issues as vaccines, sexual identity, race and evolution, alternative medicine, and human reproduction. This book addresses those issues and the popular stories, conspiracies, and misleading headlines that circulate across media platforms. Bringing accurate knowledge into people's agendas is challenging, and this book uses science and facts as a basis of every deliberation over laws and policies. The chapters weave together history, politics, human biology, and law, and demonstrate how our lives are dependent on understanding the nature of things.

Death on Demand explores the polarizing role of Jack Kevorkian—“Dr. Death”—as the most visible leader of the right-to-die movement. From a feature on the cover of Time magazine to interviews on shows like 60 Minutes, Kevorkian was a high-profile figure in the right-to-die movement, capturing constant media attention as he helped more than one hundred people kill themselves. The book opens with the death of Janet Adkins in 1990—Kevorkian’s first assisted suicide—then travels back to Kevorkian’s medical school days and follows his nearly four decades as a lone activist. Death on Demand draws on Kevorkian’s interviews and published work as well as newspaper and magazine articles to describe the doctor’s publicity stunts, criminal trials, years in prison, and activities after he was paroled. Author Michael DeCesare examines Kevorkian’s actions in the context of the right-to-die movement to understand his crucial role in bringing the controversial practice of assisted suicide into the public conversation.