Sleigh Rides Jingle Bells And Silent Nights

When Bing Crosby’s "White Christmas" debuted in 1942, no one imagined that a holiday song would top the charts year after year. One of the best-selling singles ever released, it remains on rotation at tree lighting ceremonies across the country, in crowded shopping malls on Black Friday, and at warm diners on lonely Christmas Eve nights. Over the years, other favorites have been added to America’s annual playlist, including Elvis Presley’s "Blue Christmas," the King Cole Trio’s "The Christmas Song," Gene Autry’s "Rudolph the Red-Nosed Reindeer," Willie Nelson’s "Pretty Paper," and, of course, Elmo & Patsy’s "Grandma Got Run Over by a Reindeer." Viewing American holiday values through the filter of familiar Christmas songs, Ronald Lankford examines popular culture, consumerism, and the dynamics of the traditional American family. He surveys more than seventy-five years of songs and reveals that the “modern American Christmas” has carried a complex and sometimes contradictory set of meanings. Interpreting tunes against the backdrop of the eras in which they were first released, he identifies the repeated themes of nostalgia, commerce, holiday blues, carnival, and travesty that underscore so much beloved music. This first full-length analysis of the lyrics, images, and commercial forces inextricably linked to Yuletide music hits the heart of what many Americans think Christmas is--or should be.

Thirty-nine big note piano arrangements. Titles: * Angels We Have Heard on High * The First Noel * Jingle Bells * Jolly Old St. Nicholas * O Holy Night * Santa Claus Is Comin' to Town * We Wish You a Merry Christmas

In some respects, the contrasts of Christmas are what make it the most delightful time of the year. It is a time of generosity, kindness and peace on earth, with broad permission to indulge in food, drink and gifts. On the other hand, Christmas has become a battleground for raging culture wars, marred by debates about how it should be celebrated and acknowledged as a uniquely Christian holiday. This text argues that much of the animosity is based on a fundamental misunderstanding of the holiday's core character. By tracing Christmas's origins as a pagan celebration of the winter solstice and its development in Europe's Christianization, this history explains that the true "reason for the season" has as much to do with the earth's movement around the sun as with the birth of Christ. Chapters chronicle how Christmas's magic and misrule link to the nativity, and why the carnival side of the holiday appears so separated from traditional Christian beliefs.

"Jingle Bells," composed by James Pierpoint in 1857, is one of the most popular Christmas songs of all time. During the winter in pre-automobile days, a horse-drawn sleigh was the typical way to get around town. To avoid collisions at blind intersections, it was common to adorn horses' harnesses with straps that had bells attached. Inspired by this popular Christmas song, Jingle Bells will engage children's imaginations as they take a magical sleigh ride in the snow at Christmastime. Also, Jingle Bells features new verses that give meaning to the wonderful traditions of Christmas and a caroling choir that sings the favorite song.

A week before Christmas, city girl Hope McKinnon finds herself snowbound with rugged rancher and all round do-gooder Blake Nelson. What is it about this handsome, generous man that has her blood boiling and her pulse racing? Blake knows his ranch is the last place that Hope wants to be, but somehow her presence feels so right! Hope is the first woman guarded Blake has wanted to be around for a long time. Her visit may be temporary, but he has one more night to convince her to stay….

When the season rolls around and the carolers sing out, how often do we actually know the story behind the song? Songs of Christmas provides fascinating and sometimes surprising enlightenment for every reader who cherishes our most beloved holiday hymns and carols. From Silent Night to Jingle Bells, Joy to the World to Sleigh Ride, the Christmas songs detailed here will delight readers everywhere with their amazing origins and varied creators. A holiday classic for every family library.

This collection of essays provides the first in-depth examination of camp as it relates to a wide variety of twentieth and twenty-first century music and musical performances. Located at the convergence of popular and queer musicology, the book provides new research into camp’s presence, techniques, discourses, and potential meanings across a broad spectrum of musical genres, including: musical theatre, classical music, film music, opera, instrumental music, the Broadway musical, rock, pop, hip-hop, and Christmas carols. This significant contribution to the field of camp studies investigates why and how music has served as an expressive and political vehicle for both the aesthetic characteristics and the receptive modes that have been associated with camp throughout twentieth and twenty-first-century culture.

What is Italian pop culture? This volume provides an answer to this question, offering an insight into some of the most recent and interesting developments in the field of pop culture. The reader will find essays on a variety of topics including literature, theater, music, social media, comics, politics, and even Christmas. Each contribution here places stress on the popular. The main reference points guiding the chapters are, in fact, the pioneering works by Antonio Gramsci and Umberto Eco. The result is, therefore, a portrait of a country where mass participation in cultural events always accompanies some form of reflection on the national identity and other related issues. Historians and sociologists, as well as musicologists and philosophers (in addition to pop culture aficionados), will find the text an engaging and indispensable read.