Snail Mail No More

Elizabeth and Tara*Starr are best friends living in totally different parts of the country. They used to write letters to each other, but now they're both addicted to e-mail. Now they can share their problems instantly . . . and lately they've needed to do that a lot. Responsible, shy Elizabeth is getting used to her parents' separation and the way her family is spinning out of control. Loud, melodramatic Tara*Starr is dealing with some serious sister issues, as well as the growing differences between her and Elizabeth.Will the distance tear their friendship apart forever?

Twelve-year-old best friends Elizabeth and Tara*Starr continue their friendship through letter-writing after Tara*Starr's family moves to another state, in a complex and emotionally rich novel about two friends coping with overwhelming change.

A long, long time ago, before email and texting, the mail was delivered in a much slower way-it was called Snail Mail (because some thought it was delivered by a snail). Although it took much longer, everyone agreed that letters were a little more special when they were delivered by Snail Mail. They might be handwritten. They might include a drawing. They might even contain a surprise inside! One such letter was sent by a Girl to the Boy she loved, and it was up to four special snails to deliver her card across the country. The snails trek across the country-through desert heat and dangerous blizzards, across mountains and plains, through cities and forests-and along the way, they find that taking time to slow down and look around makes the journey all the more beautiful. Snail Mail's playful and educational story encourages kids to have slow living, and to approach life with determination and wonder. Julia Patton's rich illustrations showcase America's diverse terrain and national monuments from coast to coast. Kids and parents alike will delight in this celebration of America's beauty and the power of a simple handwritten letter.

When Ann M. Martin was asked to write the first four Baby-sitters Club books in 1985, she had no way of knowing she was about to change the face of children's publishing.

Since the beginning of his poetic career in the 1990s, derek beaulieu has created works that have challenged readers to understand in new ways the possibilities of poetry. With nine books currently to his credit, and many works appearing in chapbooks, broadsides, and magazines, beaulieu continues to push experimental poetry, both in Canada and internationally, in new directions. Please, No More Poetry is the first selected works of derek beaulieu. As the publisher of first housepress and, more recently, No Press, beaulieu has continually highlighted the possibilities for experimental work in a variety of writing communities. His own work can be classified as visual poetry, as concrete poetry, as conceptual work, and beyond. His work is not to be read in any traditional sense, as it challenges the very idea of reading; rather, it may be understood as a practice that forces readers to reconsider what they think they know. As beaulieu continues to push himself in new directions, readers will appreciate the work that he has created to date, much of which has become unavailable in Canada. With an introduction by Kit Dobson and an interview with derek beaulieu by Lori Emerson as an afterword, Please, No More Poetry offers readers an opportunity to gain access to a complex experimental poetic practice through thirty-five selected representative works.

Obesity in a world where thin is endlessly in vogue, pros and cons of tattoos and body piercing, and family blending. This guide leads you to quality literature that inspires students to read and discover more about these and many other issues they find relevant. Booktalks for more than 100 titles are accompanied by motivational activities and lists of related works. In addition, pithy book summaries and bibliographic information are given. Fiction and nonfiction titles, most published since 1995, were selected with curriculum connections in mind and are arranged topically.