So You Think You Know Philip Larkin

Nothing seemed to escape the eyes of Philip Larkin, a contemporary English poet who achieved acclaim on the strength of a small body of work. While lyrically exploring the human experience, Larkin’s candid perceptions were enlivened by his acute power of observation—a unique literary talent that prompted his recognition as England’s other Poet Laureate. In a fascinating quiz book that will appeal to both Larkin scholars and lovers of poetry and literature, retired English professor M. R. Sethi shares more than six hundred questions (with answers) that offer an opportunity to test knowledge regarding the life and works of the famous poet. Scholars and others will be tested on Larkin’s physical shortcomings, his first jobs, what he wore while mowing the lawn, why he once threatened to jump out a window, who was not one of his friends at Oxford, and much more that includes detailed questions regarding many of his poems. So You Think You Know Philip Larkin? is a volume of questions and answers shared to test the knowledge of both scholars and poetry and literature aficionados about a famous, contemporary poet.

Philip Larkin met Monica Jones at University College Leicester in autumn 1946, when they were both twenty-four; he was the newly-appointed assistant librarian and she was an English lecturer. In 1950 Larkin moved to Belfast, and thence to Hull, while Monica remained in Leicester, becoming by turns his correspondent, lover and closest confidante, in a relationship which lasted over forty years until the poet's death in 1985. This remarkable unpublished correspondence only came to light after Monica Jones's death in 2001, and consists of nearly two thousand letters, postcards and telegrams, which chronicle - day by day, sometimes hour by hour - every aspect of Larkin's life and the convolutions of their relationship.

Letters Home gives access to the last major archive of Larkin's writing to remain unpublished: the letters to members of his family. These correspondences help tell the story of how Larkin came to be the writer and the man he was: to his father Sydney, a 'conservative anarchist' and admirer of Hitler, who died relatively early in Larkin's life; to his timid depressive mother Eva, who by contrast, lived long, and whose final years were shadowed by dementia; and to his sister Kitty, the sparse surviving fragment of whose correspondence with her brother gives an enigmatic glimpse of a complex and intimate relationship- But it was the years during which he and his sister looked after their mother in particular that shaped the writer we know so well: a number of poems written over this time are for her, and the mood of pain, shadow and despondency that characterises his later verse draws its strength from his experience of the long, lonely years of her senility. One surprising element in the volume, however, is the joie de vivre shown in the large number of witty and engaging drawings of himself and Eva, as 'Young Creature' and 'Old Creature', with which he enlivens his letters throughout the three decades of her widowhood.This important edition, meticulously edited by Larkin's biographer, James Booth, is a key piece of scholarship that completes the portrait of this most cherished of English poets.

Prismatics: Larry Levis & Contemporary American Poetry is a collection of the full-length transcriptions of the extended interviews Gregory Donovan and Michele Poulos conducted with a group of America’s most notable poets—including two U.S. Poet Laureates—in making the documentary film A Late Style of Fire: Larry Levis, American Poet. These discussions cover not only their relationships with Levis and his poetry, but also more wide-ranging commentaries on a broad spectrum of American literary life. Prismatics reflects the multiple angles of perception provided by its fourteen participating poets, including David St. John (who also contributed the foreword), Philip Levine, Charles Wright, Norman Dubie, Gerald Stern, Carolyn Forché, Stanley Plumly, Colleen McElroy, David Wojahn, Carol Muske-Dukes, Kathleen Graber, Peter Everwine, Charles Hanzlicek, and Gail Wronsky. The book’s title points out that Levis’s personal and professional life as a writer provides a prism which leads these discussions to range broadly into a wider portrait of a highly influential era of poets and poetics, personified not only in Levis, but in each of the poets interviewed. In these lively, spontaneous conversations, Prismatics provides an informed and intimate portrait of the risks and triumphs of a life in poetry, a discussion of distinct intellectual, practical, and historical value that’s also emotionally involving—and quite entertaining. Advance Praise Should some Hollywood biopic ever be inspired by Michele Poulos’ stupendous documentary and these marvelous interviews, the great problem will be finding someone to play the inimitable Larry Levis. These transcriptions double as oral histories, flash memoirs, and spontaneous poetics essays not only about Levis, but about contemporary American poetry in the years spanning his larger-than-life life: 1946-1996. In one interview Carolyn Forché says, “Larry’s poems are suffused with an awareness of human presence.” The same must be said of this rich and spirited collection. —Terrance Hayes, author of American Sonnets for My Past and Future Assassin Larry Levis was the genius of our generation; he was the star risen out of a constellation of poets coming from Fresno. In Prismatics, many of our most notable poets offer insightful, personal, and detailed responses to and assessments of Larry’s life and work. Especially touching and salient are the interviews with Philip Levine, Peter Everwine, C.G. Hanzlicek, and David St. John, Fresno poets and friends who knew him best and who knew Larry from the start. They testify to his talent, humanity, and unmatched originality and voice. For lovers of Larry’s poetry, of contemporary poetry, this is an invaluable collection. —Christopher Buckley, author of A Condition of the Spirit As I read through the interviews in Prismatics, I found myself pausing in the middle of chapters, rather than between them, so as to savor the feeling of always being immersed in a rich and rewarding conversation. I love the cumulative warmth of this book, of so many poets speaking affectionately and thoughtfully about one of the great American poets of the 20th century—as friend, colleague, lover, co-conspirator, and cynosure. But more than a commemoration of Larry Levis, Prismatics offers meditations on passion, creativity, self-destruction, ambition, and the nature of literary legacy. It’s a book as capacious and complex as the poetry of Levis itself. —Nicky Beer, author of The Octopus Game and The Diminishing House

Thom Gunn served as a mouthpiece for his time, illustrating the social, cultural, and historical transformations that have characterized western civilization from World War II until today. Starting with theoretical premises drawn from philosophy, anthropology, and sociology, this work examines Thom Gunn's entire poetic career. In Gunn's early poetry, the author argues, the predominant theme is the desire for freedom from the painful prison of the intellect and from the masks that the individual feels compelled to wear even in his sexual relationships. In Gunn's later poetry, the author notes a gradual opening to human relationships and to Nature, which is also Gunn's vindication and reevaluation of his own nature and the liberation of his long repressed and hidden homosexuality.

Philip Larkin's Required Writing, a selection from his miscellaneous prose from 1953-82, was highly praised and enjoyed when it appeared in 1983. Further Requirements gathers together many other interviews, broadcasts, statements and reviews. Some of them date from the period after he had chosen the contents of Required Writing; others come from obscure publications, including some early pieces. This second edition of Further Requirements includes two more essays by Larkin: 'Operation Manuscript' and his Introduction to Earth Memories by Llewelyn Powys.

An elegant and intimate insight into the personal and practical processes of writing, Andrew Cowan’s The Art of Writing Fiction draws on his experience as a prize-winning novelist and his work with emerging writers at the University of East Anglia. As illuminating for the recreational writer as for students of Creative Writing, the twelve chapters of this book correspond to the twelve weeks of a typical university syllabus, and provide guidance on mastering key aspects of fiction such as structure, character, voice, point of view, and setting, as well as describing techniques for stimulating creativity and getting the most out of feedback. This new edition offers extended consideration to structure, point of view, and the organisation of time in the novel, as well as the conduct of the Creative Writing workshop in the light of the decolonising the curriculum movement. It features additional writing exercises, as well as an afterword with invaluable advice on approaching agents and publishers. The range of writers surveyed is greatly expanded, finding inspiration and practical guidance in the work of Margaret Atwood, Ayanna Lloyd Banwo, Richard Beard, Tsitsi Dangarembga, Richard Ford, Ashley Hickson-Lovence, Anjali Joseph, James Joyce, James Kelman, Ian McEwan, Arundhati Roy, Sam Selvon, Vikram Seth, and Ali Smith, among many others. With over 80 writing exercises and examples taken from dozens of novels and short stories, the new edition of The Art of Writing Fiction is enriched by the author’s own experience as a novelist and lecturer, making it an essential guide for readers interested in the theory, teaching, and practice of Creative Writing.