Soldiers Don T Go Mad

A brilliant and poignant history of the friendship between two great war poets, Siegfried Sassoon and Wilfred Owen, alongside a narrative investigation of the origins of PTSD and the literary response to World War I From the moment war broke out across Europe in 1914, the world entered a new, unparalleled era of modern warfare. Soldiers faced relentless machine gun shelling, incredible artillery power, flame throwers, and gas attacks. Within the first four months of the war, the British Army recorded the nervous collapse of ten percent of its officers; the loss of such manpower to mental illness – not to mention death and physical wounds – left the army unable to fill its ranks. Second Lieutenant Wilfred Owen was twenty-four years old when he was admitted to the newly established Craiglockhart War Hospital for treatment of shell shock. A bourgeoning poet, trying to make sense of the terror he had witnessed, he read a collection of poems from a fellow officer, Siegfried Sassoon, and was impressed by his portrayal of the soldier’s plight. One month later, Sassoon himself arrived at Craiglockhart, having refused to return to the front after being wounded during battle. Though Owen and Sassoon differed in age, class, education, and interests, both were outsiders – as soldiers unfit to fight, as gay men in a homophobic country, and as Britons unwilling to support a war likely to wipe out an entire generation of young men. But more than anything else, they shared a love of the English language, and its highest expression of poetry. As their friendship evolved over their months as patients at Craiglockhart, each encouraged the other in their work, in their personal reckonings with the morality of war, as well as in their treatment. Therapy provided Owen, Sassoon, and fellow patients with insights that allowed them express themselves better, and for the 28 months that Craiglockhart was in operation, it notably incubated the era’s most significant developments in both psychiatry and poetry. Drawing on rich source materials, as well as Glass’s own deep understanding of trauma and war, Soldiers Don't Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the human psyche. Writing beyond the battlefields, to the psychiatric couch of Craiglockhart but also the literary salons, halls of power, and country houses, Glass charts the experiences of Owen and Sassoon, and of their fellow soldier-poets, alongside the greater literary response to modern warfare. As he investigates the roots of what we now know as post-traumatic stress disorder, Glass brings historical bearing to how we must consider war’s ravaging effects on mental health, and the ways in which creative work helps us come to terms with even the darkest of times.

Til brug i engelskundervisningen: ‘Soldiers Don’t Go Mad’, makes it possible to study The Great War from a great variety of literary angles, and at levels from the intermediate to the most advanced. In the course of four years, the British Empire sent almost 9 million of its young men into the mud and horror of the First World War. Nearly a million died. Why did they go? How did they deal with the unexpected realities of the first full-scale industrialized war? Why did shellshocked become an important new word in the English language? What roles are assigned to the women behind the lines? How could the gap between the Home Front and the real frontline be bridged? Why did a war-torn Britain make a cult of male comradeship while at the same time punishing male homosexuality as a criminal offense? Why did the English Parliament in 1998 consider posthumous pardons for the 303 World War I soldiers who were shot at dawn for cowardice and desertion – and why was this pardon not given? These questions are among those addressed by the poetry, short stories, essays, newspaper articles and novel excerpts of this anthology. The focus, of course, is on the time of the Great War; but texts ranging from the famous Agincourt speech by Shakespeare’s ‘Henry V’ to modern day editorials provide background and perspective. Recruiting posters, paintings and photographs add to the portrait of a society ravaged by a war without precedent. For students and teachers, exercises and a full Danish glossary offer help and inspiration, with a special section devoted to reading suggestions for Pat Barkers WWI novel ‘Regeneration’. All in all, ‘Soldiers Don’t Go Mad’, makes it possible to study The Great War from a great variety of literary angles, and at levels from the intermediate to the most advanced.

WARS CHANGE, WARRIORS DON'T We are all warriors. Each of us struggles every day to define and defend our sense of purpose and integrity, to justify our existence on the planet and to understand, if only within our own hearts, who we are and what we believe in. Do we fight by a code? If so, what is it? What is the Warrior Ethos? Where did it come from? What form does it take today? How do we (and how can we) use it and be true to it in our internal and external lives? The Warrior Ethos is intended not only for men and women in uniform, but artists, entrepreneurs and other warriors in other walks of life. The book examines the evolution of the warrior code of honor and "mental toughness." It goes back to the ancient Spartans and Athenians, to Caesar's Romans, Alexander's Macedonians and the Persians of Cyrus the Great (not excluding the Garden of Eden and the primitive hunting band). Sources include Herodotus, Thucydides, Plutarch, Xenophon, Vegetius, Arrian and Curtius--and on down to Gen. George Patton, Field Marshal Erwin Rommel, and Israeli Minister of Defense, Moshe Dayan.

“Highly detailed and fast-paced, Charles Glass’s They Fought Alone is a must-read for those whose passion is the Resistance literature of World War II.” —Alan Furst, author of A Hero of France From the bestselling author of Americans in Paris and The Deserters, the astounding story of Britain's Special Operations Executive, one of World War II's most important secret fighting forces As far as the public knew, Britain's Special Operations Executive (SOE) did not exist. After the defeat of the French Army and Britain's retreat from the Continent in June 1940, Prime Minister Winston Churchill created the top-secret espionage operation to "set Europe ablaze." The agents infiltrated Nazi-occupied territory, parachuting behind enemy lines and hiding in plain sight, quietly but forcefully recruiting, training, and arming local French résistants to attack the German war machine. SOE would not only change the course of the war, but the nature of combat itself. Of the many brave men and women conscripted, two Anglo-American recruits, the Starr brothers, stood out to become legendary figures to the guerillas, assassins, and saboteurs they led. While both brothers were sent across the channel to organize against the Germans, their fates in war could hardly have been more different. Captain George Starr commanded networks of résistants in southwest France, cutting German communications, destroying weapons factories, and delaying the arrival of Nazi troops to Normandy by seventeen days after D-Day. Younger brother Lieutenant John Starr laid groundwork for resistance in the Burgundy countryside until he was betrayed, captured, tortured, and imprisoned by the Nazis in France and sent to a series of concentration camps in Germany and Austria. Feats of boldness and bravado were many, but appalling scandals, including George's supposed torture and execution of Nazis prisoners, and John's alleged collaboration with his German captors, overshadowed them all. At the war's end, Britain, France, and the United States awarded both brothers medals for heroism, and George would become one of only three among thousands of SOE operatives to achieve the rank of colonel. Yet, their battle honors did little to allay postwar allegations against them, and when they returned to England, their government accused both brothers of heinous war crimes. Here, for the first time, is the story of one of the great clandestine organizations of World War II, and of two heroic brothers whose ordeals during and after the war challenged the accepted myths of Britain's wartime resistance in occupied France. Written with complete and unrivaled access to only recently declassified documents from Britain's SOE files, French archives, family letters, diaries, and court records, along with interviews from surviving wartime Resistance fighters, They Fought Alone is a real-life thriller. Renowned journalist and war correspondent Charles Glass exposes a dramatic tale of spies, sabotage, and the daring men and women who risked everything to change the course of World War II.

The author had enlisted in 1901 in the Royal Welsh Fusiliers and was a reservist when the First World War broke out. He rejoined his old, 2nd Battalion and landed in France with them on 11 August 1914. He went right through the war with the battalion, never missing a battle, winning the D.C.M. and M.M. Here is a typical soldier of the pre-1914 regular army, and this book is a delight, written in his own unpolished manner. Fighting, scrounging, gambling, drinking, dodging fatigues, stolidly enduring bombardment and the hardships of trench warfare, always getting his job done. This is one of the finest of all published memoirs of the Great War, truly a classic of its kind. A tribute to the army that died on the Western Front.

An unprecedented view of Green Beret training, drawn from the year Dick Couch spent at Special Forces training facilities with the Army’s most elite soldiers. In combating terror, America can no longer depend on its conventional military superiority and the use of sophisticated technology. More than ever, we need men like those of the Army Special Forces–the legendary Green Berets. Following the experiences of one class of soldiers as they endure this physically and mentally exhausting ordeal, Couch spells out in fascinating detail the demanding selection process and grueling field exercises, the high-level technical training and intensive language courses, and the simulated battle problems that test everything from how well SF candidates gather operational intelligence to their skills at negotiating with volatile, often hostile, local leaders. Chosen Soldier paints a vivid portrait of an elite group, and a process that forges America’s smartest, most versatile, and most valuable fighting force.

At the age of twelve, Ishmael Beah fled attacking rebels in Sierra Leone and wandered a land rendered unrecognizable by violence. By thirteen, he'd been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts. At sixteen, he was removed from fighting by UNICEF, and through the help of the staff at his rehabilitation center, he learned how to forgive himself, to regain his humanity, and, finally, to heal. This is an extraordinary and mesmerizing account, told with real literary force and heartbreaking honesty.