Solid Light Book Ii

Solid Light Book II starts where the first book ends and continues to the final conclusion of the elimination of evil and hell itself. Learn more of the Guardians and their protectors and who they are as Edward Joseph Rousselle becomes one of them through death. Learn of the final conquest of the habitable planets in the Milky Way and Andromeda galaxies and the final battle and destruction of the Evil one. Learn what happens to the souls in hell and how even they, too, could be cleansed of evil over time. More importantly, learn the power of love, how life could and was meant to have been, and what will be.

"In Hard Light Michael Crummey retells and reinvents his father's stories of outport Newfoundland and the Labrador fishery of a half century ago. Speaking through generations of storytellers, he conjures a world of hard toil and heavy weather, shot through with stoicism, grim humour, endurance, and love."--publisher's website.

This book, which serves as the second installment in a trilogy, compiles the miniature photography works of the author. It features in depth explanations regarding the conception and realization of concepts and ideas into impactful photographs. The book offers a comprehensive examination of all elements pertaining to miniature photography.

S. Chand's ICSE Chemistry for Class X is strictly in accordance with the latest syllabus prescribed by the Council for the Indian School Certificate Examinations (CISCE), New Delhi. The book aims at simplifying the content matter and give clarity of concepts, so that the students feel confident about the subject as well as the competitive exams.

In Studio Anywhere 2: Hard Light, photographer and author Nick Fancher builds on the success of his previous book (Studio Anywhere: A Photographer’s Guide to Shooting in Unconventional Locations) as he continues to offer candid, practical, and valuable lessons on how to create successful and fresh photographs armed with only minimal gear, a resourceful mind, and a creative spirit. The heart and soul of Studio Anywhere 2: Hard Light resemble its predecessor, but this time Nick focuses his approach on hard light, demonstrating how to use it in innovative and flattering ways, working with subjects ranging from products to people. You’ll learn: • How to work with both available light (e.g., the sun) and manufactured light (such as inexpensive small flash) • How to shape, bounce, and manipulate your unmodified flash to get the results you want • The importance of proper light placement and ambient balance • How to create dramatic, intentional photographs with hard light • DIY techniques for making your own gobos and photo hacks (such as with a reflector) • How to incorporate colored gels into your work to create expressive and innovative imagery • Post-processing tricks and techniques that Nick uses to achieve the final look of the image Included in the book are behind-the-scenes photos, lighting diagrams, and Lightroom settings for every scenario, so the reader can follow along from idea through the shoot and on to the final edit. There is also a feature throughout the book called “Making a Scene” where, upon being presented with an “empty” scene, you’re challenged to figure out where you might place your subject and your light(s) in order to achieve a specific effect or result. At the back of the book, Nick shows you how he chose to tackle each scenario. The goal is to train yourself to look at the everyday, commonplace locations and scenarios you encounter and begin to see them full of photographic potential.

Anthony McCall's Line Describing a Cone has long been a classic of American avant-garde cinema, but because it was most often screened in dusty Soho lofts in the past, the piece was little known to a wider audience. The inclusion of Line Describing a Cone,1973 in the Whitney Museum of American Art exhibition "Into the Light: the Projected Image in American Art, 1964-1977" has opened McCall's work to a great deal of interest both in America and abroad. While curators are only now beginning to mine the history of the projected image in art, McCall continues to be one of the most important of the Post-Minimalist artists to use projected film. This book includes a major essay by Branden Joseph, an interview with the artist by Jonathan Walley, and the first photo-documentation ever made of his pieces as well as diagrams of related works. Additional biographical and bibliographic materials are included in the book to provide a baseline for further scholarly research in the area, as well as 100 never-before-seen reproductions of historical photographs, sketches, and diagrams from the artist's archive. New photography of the never-before-photographed Long Film For Four Projectors, 1974 was commissioned for this book. Anthony McCall: The Solid Light Films and Related Works is a co-publication with the New Art Trust in San Francisco, California.

A poetic story rhyme that is a compilation of scripted youthful times. Within these pages is a shard from a greater story that chronicles the legacy of characters meant for the entertainment, each individually purposed for a grand design. And as the wheels of fate turn, each character will play their part, unable to understand the greater role they partake in within the great theatrics of the world play. Each figure within this are pulled from historical sources, past and present, with subtle liberties to flesh out the true nature of their character. So as disparate destined paths cross into the other and intersect, the fiery ambition they posses will become their sword while the purity of their immortal soul will become their shield, individually designed to protect a sincere dream, while defending their outer shell from being torn away from this mortal coil. And as each soul delves beyond the grip of the unfamiliar of their opening acts, a threshold would demand to be crossed as they individually, with warm hearts and open minds, yearn for meaning, as they individually await a glimpse of their true purpose, escaping the confines of ephemeral restraints to push to a space that exists beyond sight.

Sue had been though a world of pain already. Surviving re-entry to this planet in a powerless escape pod. Learning to speak with telepathic canines that had become the dominant sentient beings on Earth. Finding she could shape-shift and cause illusions. She brought the end to a civil war between their pack and those nearby. Peace on Earth - at least this little part. By learning only a tiny bit of the unknown skills she possessed. One warm summer's night, a messenger brought her to meet a greater being than she thought existed. That being told her about a single key datum. All she wanted to do was rescue her family - only 240 thousand miles away - on the moon. And that single key could unlock what she needed most... Get Your Copy Now.