Solitude In Poetry

In the first comprehensive selection and translation of Dulce María Loynaz's poetry, James O'Connor invites us to hear the haunting voice of Cuba's celebrated poet, whom the Nobel Laureate Juan Ramón Jiménez terms in his Foreword, "archaic and new...tender, weightless, rich in abandon." Widely published in Spain during the 1950s, Loynaz's poetry was almost forgotten in Cuba after the Revolution. International recognition came to her late: at the age of ninety she was living in seclusion in Havana when the Royal Spanish Academy awarded her the 1992 Cervantes Prize, the highest literary accolade in the Spanish language. The first English publication of her work, Absolute Solitude contains a selection of poems from each of Loynaz's books, including the acclaimed prose poems from Poems with No Names, a selection of posthumously published work. From the Trade Paperback edition.

We are a species fueled by obsessions. Every human achievement, and every infamy, is the result of an obsession that tormented, possessed and consumed. This is a selection of poetry about solitude and other obsessions that have distracted, driven, destroyed and / or defined us. Spanning genres, styles, emotions, time & place, these works by a collective of 5 poets are a glimpse into the obsessions that have become us.

The poet and author’s “beautiful . . . wise and warm” journal of time spent in her New Hampshire home alone with her garden, her books, the seasons, and herself (Eugenia Thornton, Cleveland Plain Dealer). “Loneliness is the poverty of self; solitude is richness of self.” —May Sarton May Sarton’s parrot chatters away as Sarton looks out the window at the rain and contemplates returning to her “real” life—not friends, not even love, but writing. In her bravest and most revealing memoir, Sarton casts her keenly observant eye on both the interior and exterior worlds. She shares insights about everyday life in the quiet New Hampshire village of Nelson, the desire for friends, and need for solitude—both an exhilarating and terrifying state. She likens writing to “cracking open the inner world again,” which sometimes plunges her into depression. She confesses her fears, her disappointments, her unresolved angers. Sarton’s garden is her great, abiding joy, sustaining her through seasons of psychic and emotional pain. Journal of a Solitude is a moving and profound meditation on creativity, oneness with nature, and the courage it takes to be alone. Both uplifting and cathartic, it sweeps us along on Sarton’s pilgrimage inward. This ebook features an extended biography of May Sarton.

"The classic Wordsworth poem is depicted in vibrant illustrations, perfect for pint-sized poetry fans."

Poet Luis (Lucho) Hernández is legendary in his native Peru, and virtually unknown outside it. His short, tragic life–haunted by addiction and periodic reclusion in rehabilitation centers–and the mysterious circumstances surrounding his death, have made him a cult figure. Exceptionally gifted in his youth, his only three books of poetry were published by the time he was twenty-four. Until his untimely death at age thirty-six in Argentina, Luis Hernández didn’t publish another book. Yet, he did not fall silent. He wrote in cheap, school-boy notebooks, filling them with poems, musical notations, quotes (attributed and unattributed), notes to himself, translations, musings, clippings from newspapers and comic strips, and drawings, all in different colored pencils and pens. The present selection of Hernández’s poetry, the first ever in English, is drawn from these notebooks. All the original texts have been transcribed directly from the manuscript sources, correcting errors and mistranscriptions that have crept into a number of the published versions. Several poems are published here for the first time in any language. These moving poems are born under the sign of Melancholy and Nostalgia. Hernández’s unique voice evokes an irrevocably distant past from a desolate site in the present. Happiness and joy, love and fulfillment, are remembered in poetic scraps and fragments, recollected in silence, contemplated in sadness, solitude, and dream.

In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.

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