Some People Need Killing

New York Times Book Review Editors’ Choice • A “journalistic masterpiece” (The New Yorker) about a nation careening into violent autocracy—told through harrowing stories of the Philippines’ state-sanctioned killings of its citizens—from a reporter of international renown “Tragic, elegant, vital . . . Evangelista risked her life to tell this story.”—Tara Westover, #1 New York Times bestselling author of Educated ONE OF THE NEW YORK TIMES BOOK REVIEW’S TEN BEST BOOKS OF THE YEAR A BEST BOOK OF THE YEAR: The New Yorker, Time, The Economist, Chicago Public Library “My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.” Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.” A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.

Get the Summary of Patricia Evangelista's Some People Need Killing in 20 minutes. Please note: This is a summary & not the original book. "Some People Need Killing" by Patricia Evangelista is a poignant exploration of the human cost of President Rodrigo Duterte's war on drugs in the Philippines. The book follows the story of Lady Love, an eleven-year-old girl from Manila's slums, whose parents are killed by masked gunmen enforcing Duterte's anti-drug campaign. Evangelista, a Filipino journalist, documents the violence and devastation wrought by the campaign, from political assassinations to the deaths of innocent children...

LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION ONE OF THE NEW YORK TIMES' BEST BOOKS OF 2023 ONE OF THE ECONOMIST'S BEST BOOKS OF 2023 ONE OF THE NEW YORKER'S BEST BOOKS OF 2023 ONE OF BARACK OBAMA'S BEST BOOKS OF 2023 TIME MAGAZINE'S #1 NONFICTION BOOK OF THE YEAR 'A journalistic masterpiece' David Remnick, New Yorker My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don't wait very long. Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista's meticulously reported and deeply human chronicle of the Philippines' drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte's war on drugs - a war that has led to the slaughter of thousands - immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: 'I'm really not a bad guy,' he said. 'I'm not all bad. Some people need killing.' A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.

DISCLAIMER This book does not in any capacity mean to replace the original book but to serve as a vast summary of the original book. Summary of Some People Need Killing by Patricia Evangelista:A Memoir of Murder in My Country IN THIS SUMMARIZED BOOK, YOU WILL GET: Chapter astute outline of the main contents. Fast & simple understanding of the content analysis. Exceptionally summarized content that you may skip in the original book Patricia Evangelista's "journalistic masterpiece" is a detailed account of the Philippines' state-sanctioned killings of its citizens. The book, which was published by The New Yorker, is a deeply humane chronicle of the country's drug war. Evangelista, who came of age after a street revolution, documented the killings carried out by police and vigilantes under President Rodrigo Duterte's regime. The book captures the atmosphere of fear created when an elected president decides to prioritize certain lives over others. It also delves into the grammar of violence and human impulses to dominate and resist.

We all understand that there are people who work with dependent children, children who are physically abused, sexually abused, neglected, or abandoned. We may be familiar with programs such as protective services or foster care. This book concerns one particular group in the dependency continuum less well known, abuse investigators. When a call comes into the Abuse Hotline, anywhere in this country, they are the ones who actually hit the streets, immediately or within twenty-four hours, to go into the home, make an assessment, and need to be right 100% of the time. They carry notepads instead of guns and keep their wits about them even in the face of real danger, real heartbreak, and agonizing frustrations. Almost always challenging, interesting, and even fun, the work seems to attract strong men and women of character who are committed to what they are doing. Hopefully, I was able to tell their story, to honor them for their dedication and service. This is a work of fiction and a little over the top to keep the pages turning. Adults, both male and female, who are looking for a good read, a rolicking thriller laced with social issues, cops, murder, sex, and fun should enjoy this book. No one wants to read a depressingly sad book anyway. I sincerely hope that the reader comes away with a better appreciation for these men and women and the extremely important job they do out there every day to help protect children

The High Ground draws on the author’s personal experiences as a combat leader to illustrate examples of successful and inspiring leadership in military organizations at all levels. Many of the essays contained in this volume focus on specific military personalities that portray effective leader behaviors in both peacetime and combat settings from the tactical to the strategic. Others describe key leadership characteristics and attributes of successful leaders, from small-unit level to the Pentagon. Throughout the author provides specific and compelling leadership advice and suggestions to new soldiers, new lieutenants, staff officers and commanders. The author served over thirty years in the post-Vietnam Army, rising from private to colonel and serving in the invasion of Grenada and in Somalia, the US response to the Rwandan genocide, in Bosnia and Kosovo, in peacekeeping operations in the Sinai, and in combat in Iraq and Afghanistan. He commanded a paratrooper company, battalion and brigade and served in the continental US, Latin America, Europe, the Middle East, Africa, and Southwest Asia. The High Ground describes his observations and interactions with military leaders at all levels, in battle and in garrison, to describe and portray military leader development and leader excellence in all its many and varied dimensions. Gripping and fast-paced, these leadership vignettes will carry the reader from peacetime into battle with the American Soldier.

The Ninth Circle: US Customs, Operation Calico, and Their Fall of the Cali Cartel (HB) A Critical Interpretation of the Military, Law Enforcement, and Our Society By: Mitchell Henderson In this adventurous story, we follow the journey of a solider and cop who risks his life going to Colombia alone, with no back up, to successfully infiltrate the Cali Cartel. This brave man meets with the cartel’s bosses and develops the case that put the cartel bosses in jail. The story of this hero reveals how political correctness and cultural Marxism have destroyed law enforcement and the military in America. This is a wake-up call for all Americans and the truth no one wants to tell you.

NAMED A RECOMMENDED BOOK OF 2018 BY Buzzfeed • The Wall Street Journal • The Millions • Southern Living • Bustle • Esquire • Entertainment Weekly • Nylon• Mashable • Libary Journal • Thrillist “Cassaras’s propulsive and profound first novel, finding one’s home in the world—particularly in a subculture plagued by fear and intolerance from society—comes with tragedy as well as extraordinary personal freedom.” -- Esquire A gritty and gorgeous debut that follows a cast of gay and transgender club kids navigating the Harlem ball scene of the 1980s and ’90s, inspired by the real House of Xtravaganza made famous by the seminal documentary Paris Is Burning It’s 1980 in New York City, and nowhere is the city’s glamour and energy better reflected than in the burgeoning Harlem ball scene, where seventeen-year-old Angel first comes into her own. Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning inside of her to help create family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone. As mother of the house, Angel recruits Venus, a whip-fast trans girl who dreams of finding a rich man to take care of her; Juanito, a quiet boy who loves fabrics and design; and Daniel, a butch queen who accidentally saves Venus’s life. The Xtravaganzas must learn to navigate sex work, addiction, and persistent abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient, and determined to control their own fates, even as they hurtle toward devastating consequences. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit.