Song For A Scarlet Runner

The fantastic story of a young girl who must run for her life because she has brought bad luck to her village... classic adventure-fantasy by an author with a fabulous and original storytelling voice.

WINNER: 2016 QLD Premier's Literary Awards, Children's Books SHORT-LISTED: 2016 CBCA Book of the Year, Crichton Award for New Illustrators KidGlovz is a musical genius. His gift is so precious that he's kept under lock and key. But when a young thief helps him escape, Kid must embark on a perilous journey through which he will discover the terrifying nature of his talent. A spellbinding graphic fable about friendship and freedom.

Part of the ancient Appalachians and just a few miles up the road from a massive metropolitan area, the Catskills have been home to the variety of people who have made the history of the New World. The songs collected here reflect this history. They are songs of rafting and lumbering, war and railroads, prison and hard times, and nonsense and drinking. And they are songs of love—tragic love, thwarted love, foolish love—and sometimes even true love. Collecting the songs began in 1941 when educator Norman Studer and composer Herbert Haufrecht led a group of young people on folklore trips through the mountains. The distinguished musician Norman Cazden continued the collection, adding his research and scholarship. The book is the cumulative work of these three colleagues. Useful as an annotated archive of regional lore, Folk Songs of the Catskills traces roots to early Scottish, Irish, Welsh, English, and American sources. Both texts and musical structure are compared to other traditional songs. Extended search for tune relatives is directed towards tracing the known use of each tune strain, whether in variants with similar texts or quite different texts. Some of the Catskill versions of tunes have not been found elsewhere, and others are rarely encountered. Whether related to others or unique to the Catskills, the commentary on the songs in this collection contributes to a more general theory of the nature of traditional tunes and their transformation. The late composer/musicologist and university professor, Norman Cazden, worked meticulously over a period of many years to trace traditional melodies and texts. Both Cazden and fellow composer Herbert Haufrecht were music directors of Camp Woodland, a unique summer school in the Catskill Mountains which acquainted students with the folklore of this musically rich region. The late Norman Studer, one of the founders and for many years the director of Camp Woodland, was also an ardent folklorist who spent much of his life in the hills and hollows of the Catskills looking for folksingers and yarnspinners. Together, these devoted scholars have created a work that is as enjoyable as it is rare.

FROM THE AWARD-WINNING AUTHOR OF SONG FOR A SCARLET RUNNER On his deathbed, Ellie's pop reveals a secret - a magical button-box. It's a musical instrument from the Gleam country - a land far from Spit Farm and the mountains, with talking goats, sweet grass and corn that grows so high you have to fell it with an axe. But the button-box's magic is sinister. When Ellie plays it, flowers bloom and crops spring up overnight - but soon the farm is cursed by drought and her beloved oma is gravely ill. To save her oma and discover the truth about her own identity, Ellie must embark on a dangerous journey to the Gleam country - the only place where the evil button-box can be destroyed.

The story of Ireland—its graces and shortcomings, triumphs and sorrows—is told by ballads, dirges, and humorous songs of its common people. Music is a direct and powerful expression of Irish folk culture and an aspect of Irish life beloved throughout the rest of the world. Incredibly, the largest single gathering of Irish folk songs had been almost inaccessible because, originally newspaper based, it was available in only three libraries, in Belfast, Dublin, and Washington D.C. Sam Henry's “Songs of the People” makes the music available to a wider audience than the collector ever imagined. Comprising nearly 690 selections, this thoroughly annotated and indexed collection is a treasure for anyone who performs, composes, studies, collects, or simply enjoys folk music. It is valuable as an outstanding record of Irish folk songs before World War II, demonstrating the historical ties between Irish and Southern folk culture and the tremendous Irish influence on American folk music. In addition to the songs themselves and their original commentary, Sam Henry's “Songs of the People” includes a glossary, bibliography, discography, index of titles and first lines, melodic index, index of the original sources of the songs and information about them, geographical index of sources, and three appendixes related to the original song series in the Northern Constitution.