Soul Anarchy 1 4

Compendium of the first four soul anarchy books/journals.

My 4th Journal/Paradox Work. Some of it was created before Soul Anarchy #3 but most of it came afterwards. As close to printing cost as I can get it. Enjoy: )

Second volume of paradoxes. I recommend reading Soul Anarchy I before this because those came before these. These are pretty hardcore existential stuff so be sure you want to put these there before putting them there. Enjoy: D/ Good Searchin, Ace

This work marks the recent passing of the 100th Anniversary of Du Bois' classic of African American literature. More than fifty events and celebrations were held in cities and universities around the country. It poignantly explores the relationship of Du Bois, the man, to his writings. It is written by expert team of authors including the prominent Manning Marable. "The Souls of W. E. B. Du Bois" explores the relationship of W. E. B. Du Bois' seminal book, "The Souls of Black Folk", to other works in his scholarly portfolio and to his larger project concerning race, racial identity, and the social objectives of scholarly engagement. Prominent authors consider why the classic book remains so relevant today.

This strikingly original work presents an integral and inclusive explanatory model for the elusive narrative strategies of Gogol's Dead Souls; in the process, it draws larger conclusions about Gogol's creative methods and aesthetic concerns. Throughout his career, Gogol manifests two seemingly contradictory urges: the urge toward order, system, clarity and wholeness, and the urge toward disorder, disruption, obscurity, and fragmentation. The author seeks to make a system, an anatomy, of Gogol's impulses toward disorder and disruption in Dead Souls in all their various and distinctive aspects. In anatomizing Gogolian disorder, she explores the mythology of creativity and lying in Gogol; his (at least literary) fear of the family; the relation between the uses of obscurity in Dead Souls and the poetry of Russian Sentimentalism, especially Zhukovskii's; Dead Souls as parable; and the mutually subversive relation between ¹ction and non¹ction in Gogol.