Soul Rebels

. . . a cult, a deviant subculture, a revolutionary movement . . . these descriptions have been commonly used in the past to identify the Rastafari, a group perhaps best known to North American readers for their gift of reggae music to the world. With both compassion and a sharp sense of reality, anthropologist William Lewis suggests alternative perspectives and reviews existing social theories as he reports on the diverse world of the ganja-smoking Rastafari culture. He carefully examines this culture in its confrontations with the law, its growing ambivalence about itself as well as the continued conflict between many Rasta and contemporary middle-class values. Characterized by rich ethnographic detail, an engaging writing style, and thoughtful commentary, Soul Rebels uncovers the complex inner workings of the Rasta movement and offers a critical analysis of the meaning of Rastafari commitment and struggles. Soul Rebels offers a solid historical overview of the movement, an excellent picture of diversity within the faith, fair and accurate discussions of sexism among the Rasta, engaging life history material, and rich descriptions of what actually goes on in a reasoning session. Lewiss treatment of Rastafari populations in a Jamaican fishing village, an Ethiopian market town, and an urban neighborhood in the northeastern United States sets his ethnography in the cross-cultural and comparative framework central to anthropological analysis.

The Ultimate History of Northern Soul. Young Soul Rebels is the intimate story of Britain's most fascinating underground music scene – northern soul. Stuart Cosgrove has been a well-known collector on the scene for decades, and here he takes the reader on a rollercoaster journey to the heart of this secret society: the iconic clubs – The Twisted Wheel, The Torch, Wigan Casino and the Blackpool Mecca, the infamous bootleggers, and the DJs and crate-digging collectors who voyaged to America to unearth rare sounds. The book sweeps across fifty years of social and cultural history, taking in the rise of amphetamine culture, the brutal policing of the youth scene, the north–south divide, the rise of Thatcherism and the miners' strike, and concludes with a picture of northern soul today: as popular now as it was in its 1970s heyday.

Dexys Midnight Runners were one of the most misunderstood and overlooked groups of the 1980s. At the centre of it all, their front man and originator, Kevin Rowland, had a reputation for maintaining control and domination over Dexys at all costs. In the first comprehensive history of the band, author, Richard White, has conducted in-depth interviews with former members on the experience of being a Midnight Runner. Shedding light on the Dexys legend, including the fractious period of writing and recording the classic Come on Eileen, one of the biggest selling singles in UK history and its parent album Too Rye Ay. While celebrating their achievements on record and on stage, this book also uncovers aspects of Rowland's working methods in the studio and the latest Dexys re-invention, championed on a triumphant tour in 2003.

The author of Detroit 67 captures Northern England’s underground music scene of the 1970s and ‘80s in this candid memoir of late nights and heavy beats. Young Soul Rebel is a compelling and intimate story of northern soul, Britain's most fascinating musical underground scene. Author Stuart Cosgrove takes the reader on a personal journey through the iconic clubs that made it famous, like The Twisted Wheel, The Torch, Wigan Casino, Blackpool Mecca and Cleethorpes Pier. He also details the bootleggers that made it infamous, the splits that threatened to divide the scene, the great unknown records that built its global reputation and the crate-digging collectors that travelled to America to unearth unknown sounds. A sweeping memoir that covers fifty years of British life, Young Soul Rebel places the northern soul scene in a larger social and historical context that includes the rise of amphetamine culture, the policing of youth culture, the north-south divide, the decline of coastal Britain, the Yorkshire Ripper inquiry, the rise of Thatcherism, the miners' strike, the rave scene and music in the era of the world wide web.

In the shadow of the Civil War, a circle of radicals in a rowdy saloon changed American society and helped set Walt Whitman on the path to poetic immortality. Rebel Souls is the first book ever written about the colorful group of artists- regulars at Pfaff's Saloon in Manhattan-rightly considered America's original Bohemians. Besides a young Whitman, the circle included actor Edwin Booth; trailblazing stand-up comic Artemus Ward; psychedelic drug pioneer and author Fitz Hugh Ludlow; and brazen performer Adah Menken, famous for her Naked Lady routine. Central to their times, the artists managed to forge connections with Ralph Waldo Emerson, Mark Twain, and even Abraham Lincoln. This vibrant tale, packed with original research, offers the pleasures of a great group biography like The Banquet Years or The Metaphysical Club. Justin Martin shows how this first bohemian culture-imported from Paris to a dingy Broadway saloon-seeded and nurtured an American tradition of rebel art that thrives to this day.

Roll With It is a firsthand account of the precarious lives of musicians in the Rebirth, Soul Rebels, and Hot 8 brass bands of New Orleans. These young men are celebrated as cultural icons for upholding the proud traditions of the jazz funeral and the second line parade, yet they remain subject to the perils of poverty, racial marginalization, and urban violence that characterize life for many black Americans. Some achieve a degree of social mobility while many more encounter aggressive policing, exploitative economies, and a political infrastructure that creates insecurities in healthcare, housing, education, and criminal justice. The gripping narrative moves with the band members from back street to backstage, before and after Hurricane Katrina, always in step with the tap of the snare drum, the thud of the bass drum, and the boom of the tuba.

Three sisters from the South wrestle with orthodoxies of race, sexuality, and privilege. Descendants of a prominent slaveholding family, Elizabeth, Grace, and Katharine Lumpkin grew up in a culture of white supremacy. But while Elizabeth remained a lifelong believer, her younger sisters chose vastly different lives. Seeking their fortunes in the North, Grace and Katharine reinvented themselves as radical thinkers whose literary works and organizing efforts brought the nation’s attention to issues of region, race, and labor. In Sisters and Rebels, National Humanities Award–winning historian Jacquelyn Dowd Hall follows the divergent paths of the Lumpkin sisters, who were “estranged and yet forever entangled” by their mutual obsession with the South. Tracing the wounds and unsung victories of the past through to the contemporary moment, Hall revives a buried tradition of Southern expatriation and progressivism; explores the lost, revolutionary zeal of the early twentieth century; and muses on the fraught ties of sisterhood. Grounded in decades of research, the family’s private papers, and interviews with Katharine and Grace, Sisters and Rebels unfolds an epic narrative of American history through the lives and works of three Southern women.

The Stooges Brass Band always had big dreams. From playing in the streets of New Orleans in the mid-1990s to playing stages the world over, they have held fast to their goal of raising brass band music and musicians to new heights—professionally and musically. In the intervening years, the band’s members have become family, courted controversy, and trained a new generation of musicians, becoming one of the city’s top brass bands along the way. Two decades after their founding, they have decided to tell their story. Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game is a collaboration between musician and ethnomusicologist Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present. It is the culmination of five years of interviews, research, and writing. Told with humor and candor, it’s as much a personal account of the Stooges’ careers as it is a story of the city’s musicians and, even more generally, a coming-of-age tale about black men in the United States at the turn of the twenty-first century. DeCoste and the band members take readers into the barrooms, practice rooms, studios, tour vans, and streets where the music is made and brotherhoods are shaped and strengthened. Comprised of lively firsthand accounts and honest dialogue, Can’t Be Faded is a dynamic approach to collaborative research that offers a sensitive portrait of the humans behind the horns.