Spalpeens And Tattie Hokers

Of the countries that remained neutral during the Second World War, none was more controversial than Ireland, with accusations of betrayal and hypocrisy poisoning the media. Whereas previous histories of Ireland in the war years have focused on high politics, That Neutral Island brings to life the atmosphere of a country forced to live under rationing, heavy censorship and the threat of invasion. It unearths the motivations of those thousands who left Ireland to fight in the British forces and shows how ordinary people tried to make sense of the Nazi threat through the lens of antagonism towards Britain.

Professor Dermot Keogh's Twentieth-Century Ireland, the sixth and final book in the New Gill History of Ireland series, is a wide-ranging, informative and hugely engaging study of the long twentieth century, surveying politics, administrative history, social and religious history, culture and censorship, politics, literature and art. It focuses on the consolidation of the new Irish state over the course of the twentieth century. Professor Keogh highlights the long tragedy of emigration, its effect on the Irish psyche and on the under-performance of the Irish economy. He emphasises the lost opportunities for reform of the 1960s and early 70s. Membership of the EU had a diminished impact due to short-term and sectionally motivated political thinking and an antiquated government structure. Professor Keogh looks at how the despair of the 1950s revisited the country in the 1980s as almost an entire generation felt compelled to emigrate, very often as undocumented workers in the United States. Professor Keogh also argues that the violence in Northern Ireland from the late 1960s was an Anglo-Irish failure which was turned around only when Britain acknowledged the role of the Irish government in its resolution. He extends his analysis of the twentieth-century to include a wide-ranging survey of the most contentious events—financial corruption, child sexual abuse, scandals in the Catholic Church—between 1994 and 2005. Twentieth-Century Ireland: Table of Contents - A War without Victors: Cumann na nGaedheal and the Conservative Revolution - De Valera and Fianna Fáil in Power, 1932–1939 - In the Time of War: Neutral Ireland, 1939–1945 - Seán MacBride and the Rise of Clann na Poblachta - The Inter-Party Government, 1948–1951 - The Politics of Drift, 1951&1959 - Seán Lemass and the 'Rising Tide' of the 1960s - The Shifting Balance of Power: Jack Lynch and Liam Cosgrave, 1966–1977 - Charles Haughey and the Poverty of Populism - Ireland in the New Century

A new departure in Scottish and Irish migration studiesThe Scottish diasporic communities closest to home-those which are part of what we sometimes term the 'near Diaspora'-are those we know least about. Whilst an interest in the overseas Scottish diaspora has grown in recent years, Scots who chose to settle in other parts of the United Kingdom have been largely neglected. This book addresses this imbalance.Scots travelled freely around the industrial centres of northern Britain throughout the nineteenth and early twentieth centuries and Belfast was one of the most important ports of call for thousands of Scots. The Scots played key roles in shaping Belfast society in the modern period: they were essential to its industrial development; they were at the centre of many cultural, philanthropic and religious initiatives and were welcomed by the host community accordingly.Yet despite their obvious significance, in staunchly Protestant, Unionist, and at times insular and ill at ease Belfast, individual Scots could be viewed with suspicion by their hosts, dismissed as 'strangers' and cast in the role of interfering outsiders.Key FeaturesThe only book-length scholarly study of the Scots in modern Ireland.Brings to light the fundamental importance of Scottish migration to Belfast society during the nineteenth century.Advances our knowledge and understanding of Scotland's 'near diaspora.'Highlights areas of tension in Ulster-Scottish relations during the Home Rule era.Puts forward a new agenda for a better understanding of British in-migration to Ireland in the modern period.

Women and Pilgrimage presents scholarly essays that address the lacunae in the literature on this topic. The content includes well-trodden domains of pilgrimage scholarship like sacred sites and holy places. In addition, the book addresses some of the less-well-known dimensions of pilgrimage, such as the performances that take place along pilgrims' paths; the ephemeral nature of identifying as a pilgrim, and the economic, social and cultural dimensions of migratory travel. Most importantly, the book's feminist lens encourages readers to consider questions of authenticity, essentialism, and even what is means to be a "woman pilgrim". The volume's six sections are entitled: Questions of Authenticity; Performances and Celebratory Reclamations; Walking Out: Women Forging Their Own Paths; Women Saints: Their Influence and Their Power; Sacred Sites: Their Lineages and Their Uses; and Different Migratory Paths. Each section will enrich readers' knowledge of the experiences of pilgrim women. The book will be of interest to scholars of pilgrimage studies in general as well as those interested in women, travel, tourism, and the variety of religious experiences.

This established study focuses on the most important phase of Irish migration, providing analysis of why and how the Irish settled in Britain in such numbers. Updated and expanded, the new edition now extends the coverage to 1939 and features new chapters on gender and the Irish diaspora in a global perspective.

Poetry, Geography, Gender examines how questions of place, identity and creative practice intersect in the work of some of Wales' best known contemporary poets, including Gillian Clarke, Gwyneth Lewis, Ruth Bidgood and Sheenagh Pugh. Merging traditional literary criticism with cultural-political and geographical analysis, Alice Entwistle shows how writers' different senses of relationship with Wales, its languages, history and imaginative, as well as political, geography feeds the form as well as the content of their poetry. Her innovative critical study thus takes particular interest in the ways in which author, text and territory help to inform and produce each other in the culturally complex and confident small nation that is twenty-first century Wales.