Spanish Without Words

You don’t need words to speak Spanish. All you really need is this unique "phrase book" of the most common Spanish expressions, complete with authentic Spanish gestures and body language. It's the fastest and funniest way to learn Spanish ever published. You don’t need words to speak Spanish. You don't have to study Spanish, or travel to Spain or Latin America to communicate in Spanish, either. All you really need is this unique "phrase book" of the most common Spanish expressions, complete with authentic Spanish gestures and body language. It's the fastest and funniest way to learn Spanish ever published. Now, even if you don't know a single word of Spanish, you can learn the most common greetings and expressions, dinner-table comments, hot vows of love, bargaining tricks, insults, threats and curses. This book shows you how. There's no faster or funnier way to learn how to communicate in Spain or Latin America, in Spanish, Mexican, Puerto Rican or Argentinian restaurants, with your grandparents or your friends.

Use the English you already know to quickly learn the basics of Spanish with this unique, accessible guide featuring original illustrations by Andy Warhol—from one of America’s most prominent language teachers. Read, write, and speak Spanish in only a few short weeks! Even the most reluctant learner will be astonished at the ease and effectiveness of Margarita Madrigal’s unique method of teaching a foreign language. Completely eliminating rote memorization and painfully boring drills, Madrigal’s Magic Key to Spanish is guaranteed to help you: • Learn to speak, read, and write Spanish quickly and easily • Convert English into Spanish in an instant • Start forming sentences after the very first lesson • Identify thousands of Spanish words within a few weeks of study • Travel to Spanish-speaking countries with confidence and comfort • Develop perfect pronunciation, thanks to a handy pronunciation key With original black-and-white illustration by Andy Warhol, Madrigal’s Magic Key to Spanish will provide readers with a solid foundation upon which to build their language skills.

The history of writing, or so the standard story goes, is an ascending process, evolving toward the alphabet and finally culminating in the "full writing" of recorded speech. Writing without Words challenges this orthodoxy, and with it widespread notions of literacy and dominant views of art and literature, history and geography. Asking how knowledge was encoded and preserved in Pre-Columbian and early colonial Mesoamerican cultures, the authors focus on systems of writing that did not strive to represent speech. Their work reveals the complicity of ideology in the history of literacy, and offers new insight into the history of writing. The contributors--who include art historians, anthropologists, and literary theorists--examine the ways in which ancient Mesoamerican and Andean peoples conveyed meaning through hieroglyphic, pictorial, and coded systems, systems inseparable from the ideologies they were developed to serve. We see, then, how these systems changed with the European invasion, and how uniquely colonial writing systems came to embody the post-conquest American ideologies. The authors also explore the role of these early systems in religious discourse and their relation to later colonial writing. Bringing the insights from Mesoamerica and the Andes to bear on a fundamental exchange among art history, literary theory, semiotics, and anthropology, the volume reveals the power contained in the medium of writing. Contributors. Elizabeth Hill Boone, Tom Cummins, Stephen Houston, Mark B. King, Dana Leibsohn, Walter D. Mignolo, John Monaghan, John M. D. Pohl, Joanne Rappaport, Peter van der Loo

Change the world one trip at a time. In this illuminating collection of stories and lessons from the road, acclaimed travel writer Rick Steves shares a powerful message that resonates now more than ever. With the world facing divisive and often frightening events, from Trump, Brexit, and Erdogan, to climate change, nativism, and populism, there's never been a more important time to travel. Rick believes the risks of travel are widely exaggerated, and that fear is for people who don't get out much. After years of living out of a suitcase, he still marvels at how different cultures find different truths to be self-evident. By sharing his experiences from Europe, Central America, Asia, and the Middle East, Rick shows how we can learn more about own country by viewing it from afar. With gripping stories from Rick's decades of exploration, this fully revised edition of Travel as a Political Act is an antidote to the current climate of xenophobia. When we travel thoughtfully, we bring back the most beautiful souvenir of all: a broader perspective on the world that we all call home. All royalties from the sale of Travel as a Political Act are donated to support the work of Bread for the World, a non-partisan organization working to end hunger at home and abroad.

How can you stand up for yourself if you can’t say your own name? New high school, same old taunts. Once again branded “C-c-claire,” volleyball-obsessed Claire vows to skip the small talk and prove herself on the court, but when she and her teammates-turned-friends each face their own trials, silence is not an option. Beth Jones’s hot new boyfriend adds much-needed spice to her life as a sibling chauffeur, but becoming “Jeff’s girl” might mean renouncing her friends. At six-foot-six, Maite Restrepo can punch out whatever she can’t laugh off, but her fists can’t heal her abuela’s mystery illness. Everyone says Saafi Khalif will be America’s first Muslim president, but does she have the courage to confront the guys who threatened her student group? Claire and her friends define team with the word family, but at home, Claire’s family is falling apart. When her bitter aunt threatens eviction and tragedy sparks another family feud, can Claire speak up for herself? Told in four parts, Speak Without Words may be read by itself or as Book 1 in the Healing Bonds series.

In the early years of the twentieth century, O.G. Sonneck, the father of American musicology, decried the state of musical bibliography in this country, encouraging musical scholars to dedicate themselves to preserving, cataloging, and promoting the use of America’s musical ephemera, especially newspapers and magazines. Despite his century-old calls, much work in this area remains undone. This volume responds to Sonneck’s call for action by creating a bibliography of periodicals that document the use and place of the guitar in a little-known segment of America’s musical culture in the final decades of the nineteenth century through the first third of the twentieth century. Between 1880 and the mid-1930s, a unique musical movement grew and flourished in this country. Focused on the promotion of so-called “plectral instruments,” this movement promoted the banjo, the mandolin, and the guitar as cultivated instruments on a par with the classical violin or piano. The Banjo, Mandolin and Guitar (BMG) community consisted of instrument manufacturers, music publishers, professional teachers and composers, and amateur students. While some professional soloists achieved national recognition, the performing focus of the movement was ensemble work, with bands of banjos, mandolins and guitars ranging from quartets and quintets (modeled on the violin-family string ensembles) to festival orchestras of up to 400 players (mimicking the late romantic symphony orchestra). The repertoire of most ensembles included popular dances of the day as well as light classics, but more ambitious ensembles tackled Mozart, Haydn, Beethoven, and even Wagner. Although this movement straddled both popular and cultivated (classical) music-making, its elitist pretensions contributed to its demise in the wake of the explosive growth of modern American popular music linked to Tin Pan Alley or the blues. While the movement’s heyday spanned the early years of audio recording, only a handful of active BMG performers made recordings. As a result few musical scholars are aware of the BMG movement and its contribution to American musical culture, especially its influence on the physical and technical development of America’s instrument, the guitar The movement did, however, leave extensive traces of itself in periodicals produced by manufacturing and publishing concerns. Beginning in 1882, the leadership of the BMG movement fell to the publishers, editors, and contributors from these promotional journals, which were dedicated to the “interests of Banjoists, Mandolinists and Guitarists” While advertising dominated the pages of most of these periodicals, nearly all offered product and publication reviews, historical surveys, biographical sketches, and technical advice. In addition, the BMG magazines not only documented performances with reviews and program lists but also contained musical scores for solo instruments and plucked-string ensembles. These magazines are the primary sources which document this vibrant expression of America’s musical life. While one or two of the BMG magazines have been known by guitar scholars, most have not seen the light of day in decades. Similarly, a few of the leading guitar figures of the BMG movement—principally William Foden, Vahdah Olcott-Bickford, and George C. Krick—have been acknowledged and documented but many more remain completely anonymous. This bibliography offers access to the periodicals which help document the story of the guitar in America’s progressive era—a story of tradition and transformation—as lived and told by the guitar’s players, teachers, manufacturers, composers, and fans in the BMG movement. The bibliography consists of two large sections. The first contains a chronological list of articles, news items, advertisements, illustrations, and photographs as well as a list of musical works for guitar published in the BMG magazines. The second section of the bibliography is a series of indices which link names and subjects to the lists. With nearly 5500 entries and over 100 pages of indices, this bibliography offers researchers access to a musical world that has been locked away on library shelves for the past century.

"This hilarious Spanish "phrase book" contains common gestures that will enable anyone to communicate nonverbally in Spanish"--

Have you always been fond of learning Spanish but just never felt confident enough to learn a new language? Are you curious to understand those hit Latino songs without looking at the lyrics? Watch your favorite Netflix series without subtitles, without taking long-hour Spanish lessons or spending an extended amount of time in a Spanish-speaking country? Don't waste your time on useless lessons that teach you only about the theory. With our new revolutionary course, you have the opportunity to learn from native Spanish speakers about the secret of learning the language, and the truly useful tips to be able to write and speak Spanish in everyday life. The traditional method taught does not give you efficient results. Hours and hours of studying the rules would only make you lost. Think about how you learned your native language... When you were finally able to speak the first few words... Did you study the theory? Or you simply listened and emulated what your parents said to you? The fast and steady growth of the Spanish speaking population has made Spanish a necessity in business and a key language, with more than 400 million native speakers all over the world and as second language in the USA and Europe. That's what you will learn: You will understand the basics of the Spanish language, such as spelling and pronunciation You will focalize on the important parts of speech A list of fundamental verbs Discover the four types of sentences The authentic ways to communicate in Spanish Improve your ninja kit useful baggage of words to order food, ask information in the airport, find the best deal while shopping, and manage any emergency or health issues. Over 1,000 common Spanish phrases that you can learn on your downtime. Practical exercises for everyday life And much, much more... Even if you never open a language book before or you were never involved in any Spanish classes, the practical approach of this book together with the practical exercises will guide you step by step in learning Spanish. In less than no time, without even realizing it, you will begin to understand the texts in the songs, movies, and talking in Spanish. SO, WHAT ARE YOU WAITING FOR? A FEW DOLLARS SPENT ARE THE VALUE OF YOUR EDUCATION?