Speculations Of War

Late 19th century science fiction stories and utopian treatises related to morals and attitudes often focused on economic, sociological and, at times Marxist ideas. More than a century later, science fiction commonly depicts the inherent dangers of capitalism and imperialism. Examining a variety of conflicts from the Civil War through the post-9/11 era, this collection of new essays explores philosophical introspection and futuristic forecasting in science fiction, fantasy, utopian literature and film, with a focus on the warlike nature of humanity.

The Art of Speculation during Civil War - Sun Tzu Meets Jesse Livermore offers a compelling choice: remain asleep or wake up to the truth; accept whatever major media say or understand how the economy, government, and society are manipulated for the profit of a few and at the expense of the majority. Slavery is dependent upon the consent of the slave. Oppression, to succeed, requires the sanction of the oppressed. No regime, be it democratic, monarchic, socialist, communist, or fascist, can exist for long without the public's consent, irrespective of how that consent is manufactured. If consent is withdrawn, the regime falls. The Art of Speculation during Civil War aims to hasten the day when individuals, communities, countries, and the world withdraw consent from those who would manipulate them for the aggrandizement of their power. This book invites its readers to awaken to the truth and profit from the knowledge and freedom gained. The truth is a solid foundation for any economic activity. Anyone can profit from the truth and extraordinary profits are possible for those who understand why Sun Tzu meets Jesse Livermore.

This provocative and unique work reveals the remarkably influential role of futuristic literature on contemporary political power in America. Tracing this phenomenon from its roots in Victorian Britain, Rumors of War and Infernal Machines offers a fascinating exploration of how fictional speculations on emergent or imaginary military technologies profoundly influence the political agendas and actions of modern superpower states. Gannon convincingly demonstrates that military fiction anticipated and even influenced the evolution of the tank, the development of the airplane, and also the bitter political battles within Britain's War Office and the Admiralty. In the United States, future-fictions and Cold-War thrillers were an officially acknowledged factor in the Pentagon's research and development agendas, and often gave rise_and shape_to the nation's strategic development of technologies as diverse as automation, atomic weaponry, aerospace vehicles, and the Strategic Defense Initiative ('Star Wars'). His book reveals a striking relationship between the increasing political influence of speculative military fiction and the parallel rise of superpower states and their technocentric ideologies. With its detailed political, historical, and literary analysis of U.S. and British fascination with hi-tech warfare, this lively and revealing study will appeal to students, literary and cultural scholars, military and history enthusiasts, and general readers.

A powerful and provocative exploration of how war has changed our society—for the better. "War! . . . . / What is it good for? / Absolutely nothing," says the famous song—but archaeology, history, and biology show that war in fact has been good for something. Surprising as it sounds, war has made humanity safer and richer. In War! What Is It Good For?, the renowned historian and archaeologist Ian Morris tells the gruesome, gripping story of fifteen thousand years of war, going beyond the battles and brutality to reveal what war has really done to and for the world. Stone Age people lived in small, feuding societies and stood a one-in-ten or even one-in-five chance of dying violently. In the twentieth century, by contrast—despite two world wars, Hiroshima, and the Holocaust—fewer than one person in a hundred died violently. The explanation: War, and war alone, has created bigger, more complex societies, ruled by governments that have stamped out internal violence. Strangely enough, killing has made the world safer, and the safety it has produced has allowed people to make the world richer too. War has been history's greatest paradox, but this searching study of fifteen thousand years of violence suggests that the next half century is going to be the most dangerous of all time. If we can survive it, the age-old dream of ending war may yet come to pass. But, Morris argues, only if we understand what war has been good for can we know where it will take us next.

“Should be required reading for anyone interested in preserving our 246-year experiment in self-government.” —The New York Times Book Review * “Well researched and eloquently presented.” —The Atlantic * “Delivers Cormac McCarthy-worthy drama; while the nonfictional asides imbue that drama with the authority of documentary.” —The New York Times Book Review A celebrated journalist takes a fiercely divided America and imagines five chilling scenarios that lead to its collapse, based on in-depth interviews with experts of all kinds. The United States is coming to an end. The only question is how. On a small two-lane bridge in a rural county that loathes the federal government, the US Army uses lethal force to end a standoff with hard-right anti-government patriots. Inside an ordinary diner, a disaffected young man with a handgun takes aim at the American president stepping in for an impromptu photo-op, and a bullet splits the hyper-partisan country into violently opposed mourners and revelers. In New York City, a Category 2 hurricane plunges entire neighborhoods underwater and creates millions of refugees overnight—a blow that comes on the heels of a financial crash and years of catastrophic droughts—and tips America over the edge into ruin. These nightmarish scenarios are just three of the five possibilities most likely to spark devastating chaos in the United States that are brought to life in The Next Civil War, a chilling and deeply researched work of speculative nonfiction. Drawing upon sophisticated predictive models and nearly two hundred interviews with experts—civil war scholars, military leaders, law enforcement officials, secret service agents, agricultural specialists, environmentalists, war historians, and political scientists—journalist Stephen Marche predicts the terrifying future collapse that so many of us do not want to see unfolding in front of our eyes. Marche has spoken with soldiers and counterinsurgency experts about what it would take to control the population of the United States, and the battle plans for the next civil war have already been drawn up. Not by novelists, but by colonels. No matter your political leaning, most of us can sense that America is barreling toward catastrophe—of one kind or another. Relevant and revelatory, The Next Civil War plainly breaks down the looming threats to America and is a must-read for anyone concerned about the future of its people, its land, and its government.

The elders could see nothing but smoke until they turned the corner onto the street where the fire was. And then, both of them stopped. ?The synagogue!? Elder Thomas said. It had never occurred to him that anyone ? even the Nazis ? would do such a thing.Elder Thomas got his camera out. He snapped the shot but then heard someone say, in German, ?What are you doing there??He tucked the camera inside his coat, under his arm. He tried to appear normal, but his heart was suddenly beating hard. A man was crossing the narrow street and coming toward them.?Making pictures?? the man asked as he walked closer. Elder Thomas took a better look. He saw what he feared: the black uniform with silver trim and braided hat. Gestapo.Elder Alex Thomas wants only to teach the gospel to the people of Germany. But it soon becomes obvious that he will never complete his mission. War is coming, and that will affect not only Elder Thomas but also his family back home in Salt Lake City.In the family is Wally, Elder Thomas?s younger brother, who usually just wants ot have a good time, but lately doesn?t seem to care much about anything. There?s his sister Bobbi, who is supposed to marry Phil Clark, the most eligible bachelor in the Salt Lake Valley. The problem is, she can?t ignore her attraction to Dr. Stinson, a University of Utah professor who?s not a member of the Church. And there are Elder Thomas?s parents, D. Alexander Thomas, stake president and his wife, Bea, who want their children to be true to the values and ideals they?ve taught them. But President and Sister Thomas are finding they can?t just tell their children what to do anymore, and they?re worried about what will happen when the United States enters a war that no one seems able to stop.In Rumors of War, the first volume of the series Children of the Promise, author Dean Hughes recreates the era of World War II in stunning detail. But more than that, he shows how the war affects an ordinary family of Latter-day Saints. If you?re interested in Church or world history, or if you?re simply looking for a powerful LDS novel, you won?t want to miss Rumors of War.

There has been a great deal of speculation recently concerning the likely impact of the 'Information Age' on warfare. In this vein, much of the Revolution in Military Affairs (RMA) literature subscribes to the idea that the Information Age will witness a transformation in the very nature of war. In this book, David Lonsdale puts that notion to the test. Using a range of contexts, the book sets out to look at whether the classical Clausewitzian theory of the nature of war will retain its validity in this new age. The analysis covers the character of the future battlespace, the function of command, and the much-hyped concept of Strategic Information Warfare. Finally, the book broadens its perspective to examine the nature of 'Information Power' and its implications for geopolitics. Through an assessment of both historical and contemporary case studies (including the events following September 11 and the recent war in Iraq), the author concludes that although the future will see many changes to the conduct of warfare, the nature of war, as given theoretical form by Clausewitz, will remain essentially unchanged.

The twenty-first century has witnessed an explosion of speculative fiction in translation (SFT). Rachel Cordasco examines speculative fiction published in English translation since 1960, ranging from Soviet-era fiction to the Arabic-language dystopias that emerged following the Iraq War. Individual chapters on SFT from Korean, Czech, Finnish, and eleven other source languages feature an introduction by an expert in the language's speculative fiction tradition and its present-day output. Cordasco then breaks down each chapter by subgenre--including science fiction, fantasy, and horror--to guide readers toward the kinds of works that most interest them. Her discussion of available SFT stands alongside an analysis of how various subgenres emerged and developed in a given language. She also examines the reasons a given subgenre has been translated into English. An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.