Splendide Mendax

The three books of Horace's Odes were published in 23 BC and gained him his reputation as the greatest Latin lyric poet. This book provides the Latin text (from the Oxford Classical Text series) of the third book together with a new translation by David West which attempts to be close to the Latin while catching the flavour of the original. There is also a commentary which explains the poems aimed at students of Latin literature and Roman history, whether or not they know Latin.

The Collected Works of G.K. Chesterton is an ongoing project, edited by many of the most prominent Chesterton scholars in the world, including Dale Ahlquist, Denis Conlon, George Marlin, Lawrence Clipper, and many others. These handsome editions include explanatory footnotes, introductory essays, and much more.

Gulliver's Travels by Jonathan Swift is one of the greatest satirical works ever written. Through the misadventures of Lemuel Gulliver, his hopelessly "modern" protagonist, Swift exposes many of the follies of the English Enlightenment, from its worship of science to its neglect of traditional philosophy and theology. In Swift's eighteenth century, as in our twenty-first, a war being fought between the "ancients"and the "moderns", between those rooted in the traditions of the West and those seeking to uproot tradition to make way for dangerous and ultimatcly destructive new ideas. Swift's satire on the threats posed by the Enlightenment and the embryonic spirit of secular fundamentalism makes Gulliver's Travels priceless reading for today's defenders of tradition. Yet Swift's subtlety has bemused many modern critics, with the lamentable of result that this classic of western civilization is often misread and misunderstood. This new critical edition, edited by Dutton kearney of Aquinas College in Nashville, contains detailed notes to the text, bringing it to life for today's reader, and a selection of tradition-oriented essays by some of the finest contemporay Swift scholars. The Ignatius Critical Editions Series represents a tradition-oriented approach to reading the Classics of world literature. While many modern critical editions have succumbed to the fads of modernism and post-modernism, this series concentrates on critical examinations informed by our Judco-Christian heritage as passed down through the ages---the same heritage that provided the crucible in which the great authors formed these classic works. Edited by acclaimed literary biographer Joseph Pearce, the lgnatius Critical Editions ensure that readings of the works are filtered through the richness of Western tradition, meeting the authors in their clement, instead of the currently popular method of deconstructing a classic to fit a modern mindsct---a lamentable flaw that often proliferates in other series of critical editions. The Series is ideal for anyone wishing to understand the great works of Western Civilization, enabling the modern reader to enjoy these classics in the company of some of the finest literature professors alive today.

Scholars for centuries have regarded fakes and forgeries chiefly as an opportunity for exposing and denouncing deceit, rather than appreciating the creative activity necessary for such textual imposture. But should we not be more curious about what is spurious? Many of these long-neglected texts merit serious reappraisal, when considered as artifacts with a value beyond mere authenticity. We do not have to be fooled by a forgery to find it fascinating, when even the intention to deceive can remind us how easy it is to form beliefs about texts. The greater difficulty is that once beliefs have been formed by one text, it is impossible to approach the next without preconceptions potentially disastrous for scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes and forgeries. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship when the forger is regarded as "splendide mendax" - splendidly untruthful.

Now, available for the first time together in a single volume: a digital-only, value-priced omnibus edition of the Helen Trilogy: Fever Dream, Cold Vengeance, and Two Graves-featuring Special Agent Pendergast--by #1 New York Times bestselling authors Preston & Child. FEVER DREAM:Yesterday, Special Agent Pendergast still mourned the loss of his beloved wife, Helen, who died in a tragic accident in Africa twelve years ago. Today, he discovers she was murdered. Tomorrow, he will learn her most guarded secrets, leaving him to wonder: Who was the woman I married? Why was she murdered? And, above all . . . Who murdered her?Revenge is not sweet: It is essential. COLD VENGEANCE:Devastated by the discovery that his wife, Helen, was murdered, Special Agent Pendergast must have retribution. But revenge is not simple. As he stalks his wife's betrayers--a chase that takes him from the wild moors of Scotland to the bustling streets of New York City and the darkest bayous of Louisiana--he is also forced to dig further into Helen's past. And he is stunned to learn that Helen may have been a collaborator in her own murder. Peeling back the layers of deception, Pendergast realizes that the conspiracy is deeper, goes back generations, and is more monstrous than he could have ever imagined--and everything he's believed, everything he's trusted, everything he's understood . . . may be a horrific lie.Nothing is what it seems. TWO GRAVES:For twelve years, he believed she'd died in an accident. Then, he was told she'd been murdered. Now, FBI Special Agent Aloysius Pendergast discovers that his beloved wife, Helen, is alive. And Pendergast must embark on a furious cross-country chase to rescue her. But all this turns out to be mere prologue to a far larger plot: one that unleashes a chillingly--almost supernaturally--adept serial killer on New York City. His pursuit of the murderer will take Pendergast deep into the trackless forests of South America, to a hidden place where the evil that has blighted both his and Helen's lives lies in wait . . . a place where he will learn all too well the truth of the ancient proverb:Before you embark on a journey of revenge, dig two graves.

Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes and forgeries.

NAMED A NEW YORK TIMES NOTABLE BOOK OF 2017#1 New York Times and #1 Wall Street Journal bestseller! A five-hundred-year-old legend. An ancient curse. A stunning medical mystery. And a pioneering journey into the unknown heart of the world's densest jungle. Since the days of conquistador Hernán Cortés, rumors have circulated about a lost city of immense wealth hidden somewhere in the Honduran interior, called the White City or the Lost City of the Monkey God. Indigenous tribes speak of ancestors who fled there to escape the Spanish invaders, and they warn that anyone who enters this sacred city will fall ill and die. In 1940, swashbuckling journalist Theodore Morde returned from the rainforest with hundreds of artifacts and an electrifying story of having found the Lost City of the Monkey God-but then committed suicide without revealing its location. Three quarters of a century later, bestselling author Doug Preston joined a team of scientists on a groundbreaking new quest. In 2012 he climbed aboard a rickety, single-engine plane carrying the machine that would change everything: lidar, a highly advanced, classified technology that could map the terrain under the densest rainforest canopy. In an unexplored valley ringed by steep mountains, that flight revealed the unmistakable image of a sprawling metropolis, tantalizing evidence of not just an undiscovered city but an enigmatic, lost civilization. Venturing into this raw, treacherous, but breathtakingly beautiful wilderness to confirm the discovery, Preston and the team battled torrential rains, quickmud, disease-carrying insects, jaguars, and deadly snakes. But it wasn't until they returned that tragedy struck: Preston and others found they had contracted in the ruins a horrifying, sometimes lethal-and incurable-disease. Suspenseful and shocking, filled with colorful history, hair-raising adventure, and dramatic twists of fortune, THE LOST CITY OF THE MONKEY GOD is the absolutely true, eyewitness account of one of the great discoveries of the twenty-first century.

Sir Robert Peel (1788-1850) was one of the most significant political figures in nineteenth-century Britain. He was also one of the most controversial. In this new, three-volume edition, Dr Richard Gaunt, an authority on Peel’s life and work, brings together a range of contemporary perspectives considering Peel’s life and achievements. From the first observation of Peel’s precocious talent as an Oxford undergraduate to his burgeoning reputation as a cabinet minister, the volumes draw together sources on Peel’s forty-year political career. The edition pays particular attention to the most controversial aspects of his political life – the granting of Catholic Emancipation in 1829, his ‘founding’ of the Conservative Party during the 1830s and the achievements of his landmark government of 1841-6, culminating in the repeal of the corn laws in 1846. It also considers Peel’s post-1846 career, and the unusual position he occupied in British politics before his untimely death in 1850. Combining perspectives from different parts of the political spectrum, the collection will be of use to a wide range of researchers, with interests in history, politics, religion, economics and political biography.