Sport Leisure And Culture In The Postmodern City

The widespread concept of the 'postmodern city' is frequently linked to the decline of traditional manufacturing industries and a corresponding wane of white working-class culture. In place of these appear flexible working practices, a diversified workforce, and a greater emphasis on consumption, leisure, and tourism. Illustrated by an interdisciplinary study of Leeds, a typical postmodern city, this volume examines how such cities have reinvented themselves - commercially, politically and spatially - over the past two decades. The work addresses issues like cultural policy, city-centre development, sport, leisure and identity, and explores different urban processes in relation to changing configuration of class, gender and ethnicity in the postmodern city.

'Sense of place' has become a familiar phrase, used to describe emotional attachment to a particular location. Here, a diverse range of practitioners from NGO, agency and cultural heritage/archaeology backgrounds review the meanings of the concept, and assess its usefulness in heritage management practice. The book breaks new ground, addressing place attachment from a cultural heritage perspective, and drawing on local and national interests from a diversity of cultural situations.

Northernness, Northern culture and Northern narratives are a common aspect of popular culture, and the North of England, like other Northernnesses in Europe, is a collection of narratives, myths, stereotypes and symbols. In politics and everyday culture, Northern culture is paradoxically a site of resistance against an inauthentic South, a source of working-class identity, and a source of elite marginalisation. This book provides a key to theorising about Northernness, and a platform to scholars working away at exposing the North in different aspects of culture. The aims of this book are twofold: to re-theorise ‘the North’ and Northern culture and to highlight the ways in which constructions of Northernness and Northern culture are constituted alongside other gender, racial and regional identities. The contributions presented here theorise Northernness in relation to space, leisure, gender, race, class, social realism, and everyday embodied practices. A main thematic thread that weaves the whole book together is the notion that Northernness and ‘the North’ is both an imagined discursive construct and an embodied subjectivity, thus creating a paradox between the reality of ‘North’ and its representation. This book was originally published as a special issue of the Journal for Cultural Research.

"There are textbooks galore, but there aren’t many crafted as intelligently as this one. This book will change the way that students understand leisure. It will give them an easier entry to that place where difficult ideas fuse into something intelligible, where real understanding sits and the educated imagination is stirred." - Tony Blackshaw, Sheffield Hallam University Peter Bramham and Stephen Wagg provide a foundation for those studying within the broad field of leisure studies. The book gives students an accessible and engaging introduction to leisure studies and leisure research, encouraging students to engage in reflexive analysis of their common sense understandings of everyday life and enabling them to develop an understanding of contemporary leisure studies and changing leisure practices.

The Bloomsbury Handbook of Popular Music and Youth Culture provides a comprehensive and fully up-to-date overview of key themes and debates relating to the academic study of popular music and youth culture. While this is a highly popular and rapidly expanding field of research, there currently exists no single-source reference book for those interested in this topic. The handbook is comprised of 32 original chapters written by leading authors in the field of popular music and youth culture and covers a range of topics including: theory; method; historical perspectives; genre; audience; media; globalization; ageing and generation.

This multidisciplinary collection examines different dimensions of the interrelationships between sport and the arts. It is a consequence of the Fields of Vision initiative that challenges their typical separation into distinct realms. Whether at school or in the highest realms of public life people struggle to reconcile the two; they lack the necessary conceptual vocabulary. Worse, there are entrenched positions characterised by mutual suspicion, distrust and denigration. In contrast, the contributors to this book challenge the creativity/competition binary and highlight the potential for collaboration in theoretical discourse, policy, education and professional practice. In doing so, the authors draw strength from the Olympian ethos of the Greeks and the vison of the founder of the modern Olympic movement, Pierre de Coubertin. The book seeks to ‘problematise, interrogate and provoke’. The papers shed new light on sport and the arts as representations of cultural identity and embodying processes of social change. This book is a significant new contribution to understanding both sports and the arts, not just in their separate contexts, but also in amalgam. It represents a valuable resource for researchers and advanced students of Sports, Visual Art, Literature, History, Sociology, Social Theory and Cultural Studies. It was originally published as a special issue of Sport in Society.

Drinking and drunkenness have become a focal point for political and media debates to contest notions of responsibility, discipline and risk; yet, at the same time, academic studies have highlighted the positive aspects of drinking in relation to sociability, belonging and identity. These issues are at the heart of this volume, which brings together the work of academics and researchers exploring social and cultural aspects of contemporary drinking practices. These drinking practices are enormously varied and are spatially and culturally defined. The contributions to the volume draw on research settings from across the UK and beyond to demonstrate both the complexity and diversity of drinking subjectivities and practices. Across these examples tensions relating to gender, social class, age and the life course are particularly prominent. Rather than align to now long-established moral discourses about what constitutes ‘good’ and ‘bad’ drinking, sociological approaches to alcohol foreground the vivid, lived, nature of alcohol consumption and the associated experiences of drunkenness and intoxication. In doing so, the volume illuminates the controversial yet important social and cultural roles played by drink for individuals and groups across a range of social contexts.