Staging Holiness The Case Of Hospitaller Rhodes Ca 1309 1522

The open access publication of this book has been published with the support of the Swiss National Science Foundation. In Staging Holiness: The Case of Hospitaller Rhodes (ca. 1309-1522) Sofia Zoitou offers a study of the history of relic collections, devotional rituals, and sites invested with special meaning on Rhodes, during a time when the island became one of the most frequented ports of call for ships carrying pilgrims from Venice to the Holy Land. Scrutinizing late medieval travel reports by pilgrims from all over Europe along with extant historical, archaeological, visual, and material evidence, Sofia Zoitou traces the various forms of the Rhodian cultic sites’ evolution and perception, ultimately considered as an overall artistic strategy for the staging of the sacred.

In 1522, the Ottomans attacked the island of Rhodes and, after a six-month siege, the Hospitallers surrendered on terms. The Knights Hospitaller had ruled Rhodes since 1309, and the Ottomans had attempted to capture the island 40 years before in 1480, but were defeated by the Knights. The Ottoman victory in 1522 resulted in the Knights being expelled from the island and eventually settling in Malta, Gozo, and Tripoli and the Ottomans obtaining domination over the Eastern Mediterranean and its trade. This collection of essays, published on the 500th anniversary of the siege, explores such question as why Suleiman the Magnificent attacked Rhodes, what made the 1522 siege successful, and how the Rhodian population, the Knights Hospitaller, the Eastern and Western Mediterranean, and Europe in general were affected by the loss of Rhodes. The answers to these questions are explored in new research by expert historians and archaeologists in their field. This book will appeal to all those interested in the Knights Hospitaller, Ottoman History, Crusader Studies, and Early Modern European History.

In the 88 years between its establishment by the victorious armies of the First Crusade and its collapse following the disastrous defeat at Hattin, the Latin Kingdom of Jerusalem was the site of vibrant artistic and architectural activity. As the crusaders rebuilt some of Christendom's most sacred churches, or embellished others with murals and mosaics, a unique and highly original art was created. Focusing on the sculptural, mosaic, and mural cycles adorning some of the most important shrines in the Kingdom (such as the Church of the Holy Sepulchre, The Basilica of the Annunciation, and the Church of the Nativity), this book offers a broad perspective of Crusader art and architecture. Among the many aspects discussed are competition among pilgrimage sites, crusader manipulation of biblical models, the image of the Muslim, and others. Building on recent developments in the fields of patronage studies and reception theory, the book offers a study of the complex ways in which Crusader art addressed its diverse audiences (Franks, indigenous eastern Christians, pilgrims) while serving the intentions of its patrons. Of particular interest to scholars and students of the Crusades and of Crusader art, as well as scholars and students of medieval art in general, this book will appeal to all those engaging with intercultural encounters, acculturation, Christian-Muslim relations, pilgrimage, the Holy Land, medieval devotion and theology, Byzantine art, reception theory and medieval patronage.

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon, images of Mary Magdalene were altered over time to satisfy the changing needs of her patrons as well as her audience. By shedding light on the relationship between the Magdalene and her patrons, both corporate and private, as well as the religious institutions and regions where her imagery is found, this anthology reveals the flexibility of the Magdalene’s character in art and, in essence, the reinvention of her iconography from one generation to the next.

Dalmatia and the Mediterranean. Portable Archaeology and The Poetics of Influence proposes a reading of early modern Dalmatian and Mediterranean coastal exchanges focused on the arts that thrusts portability and translations across artistic media into the foreground

In The Wandering Throne of Solomon: Objects and Tales of Kingship in the Medieval Mediterranean Allegra Iafrate analyzes the circulation of artifacts and literary traditions related to king Solomon, particularly among Christians, Jews and Muslims, from the 10th to the 13th century. The author shows how written sources and objects of striking visual impact interact and describes the efforts to match the literary echoes of past wonders with new mirabilia. Using the throne of Solomon as a case-study, she evokes a context where Jewish rabbis, Byzantine rulers, Muslim ambassadors, Christian sovereigns and bishops all seem to share a common imagery in art, technology and kingship.

In World History as the History of Foundations, 3000 BCE to 1500 CE, Michael Borgolte investigates the origins and development of foundations from Antiquity to the end of the Middle Ages. In his survey foundations emerge not as mere legal institutions, but rather as “total social phenomena” which touch upon manifold aspects, including politics, the economy, art and religion of the cultures in which they emerged. Cross-cultural in its approach and the result of decades of research, this work represents by far the most comprehensive account of the history of foundations that has hitherto been published.

Like the ancient inquiries into the nature of things, contemporary continental realism and materialism, from Deleuze to the Speculative Realists, embraces a commitment to investigate beings, without subordinating it to analyses of language, consciousness, texts or the social. This pensée brute, traditionally known as metaphysics, dares to question the one and the many, the potential and the actual, the material and immaterial and the world itself. This apparent kinship is not merely thematic, since contemporary thinkers explicitly and repeatedly return to the texts and figures of the Greco-Roman world. In this volume, leading philosophers address these varied, volatile, and novel interactions and themselves contribute to reconceiving and redeploying the problems of ancient metaphysics. Alongside this are 2 original and previously unpublished translations of essays by Gilles Deleuze and Pierre Aubenque.