Stays And Body Image In London

This book fills a significant gap in the literature on eighteenth-century social and cultural history. Starting with their production and trade, Sorge-English looks at the intricacies of the staymaker’s craft, the role of gender in the design and manufacture of stays and the changing shape of stays over time.

The second half of the eighteenth century brought important changes in attitudes towards shaping the body. New expectations of polite conduct, deportment and demeanour were projected onto the body, with emphasis laid upon neatness, elegance and a 'natural' body shape. Deformities were to be concealed, whilst bodily surfaces were managed to convey a harmonious whole. A large number of 'technologies of the body' were involved in this process, including wooden legs, elastic trusses, and even wigs. But the introduction of a new type of steel - cast steel - around 1750, offered new material possibilities for shaping the body. The physical properties of steel transformed the design and function of many instruments, from postural devices to spectacles, and even the smallest daily items of toilette. By no means was steel the only material involved in transforming the body. Neither did it simply sweep away all that had gone before. But, as an 'enlightened metal', cast steel was a key material in the refinement of the body.

From rumps and stays to muffs and handkerchiefs, underwear and accessories were critical components of the 18th-century woman's wardrobe. They not only created her shape, but expressed her character, sociability, fashionability, and even political allegiances. These so-called ephemeral flights of fashion were not peripheral and supplementary, but highly charged artefacts, acting as cultural currency in contemporary society. The Modern Venus highlights the significance of these elements of a woman's wardrobe in 1770s and 1780s Britain and the Atlantic World, and shows how they played their part in transforming fashionable dress when this was expanding to new heights and volumes. Dissecting the female silhouette into regions of the body and types of dress and shifting away from a broad-sweeping stylistic evolution, this book explores these potent players within the woman's armoury. Marrying material, archival and visual approaches to dress history, and drawing on a rich range of sources – including painted portraiture, satirical prints, diaries, memoirs – The Modern Venus unpacks dress as a medium and mediator in women's lives. It demonstrates the importance of these overlooked garments in defining not just a woman's silhouette, but also her social and cultural situation, and thereby shapes our understanding of late 18th-century life. With over 125 color images, The Modern Venus is a remarkable resource for scholars, students and costume lovers alike.

What people wore in the distant past is often challenging to determine, owing to the disintegration of natural textiles and materials over time. Yet when new findings from archaeological excavations are compared with documentation about early Acadia, a fascinating picture of the society’s early fashions is revealed. Fashioning Acadians is a history of clothesmaking and dress in Acadia from 1650 to 1750. Through the analysis of four Acadian settlements in what is now Nova Scotia, Hilary Doda uncovers the regional fashions and trends that had begun to emerge prior to the violence of the deportations of 1755. Men’s and women’s wardrobes are described from head to toe, from headdresses and hairstyles down to stockings and shoes, along with accessories such as buttons, buckles, and jewellery. While Acadians retained many aspects of the fashion systems of France, New France, and New England, a distinctive Acadian identity can be seen to take shape as their dress evolved and was influenced by other regional styles. Exploring the possibilities of a new methodology for identifying lost or decayed garments, Doda argues that surviving notions, sewing tools, and accessories – the small finds of archaeological sites – are important sources of information not only about domestic life, but about manufacturing processes, dress and textile cultures, and the influence of intersecting fashion systems in colonial spaces. Fashioning Acadians expands our understanding of Acadian lives and their connections to both the Atlantic world of goods and the landscapes of Nova Scotia.

Uncovers sources from the parish pauper to the gentlewoman to consider relationships with clothing across the social hierarchy in the long eighteenth century.Descriptions of women's clothing increasingly circulated across textual genres and beyond in eighteenth-century England. This book explores the significance of these descriptions across a range of sources including wills, newspapers, accounts, court records, and the records of the old poor law.Attention has rested on women literate and wealthy enough to leave behind textual or material traces, but this book ranges from the parish pauper to the gentlewoman to consider descriptive languages, rhetorical strategies, and relationships with clothing across the social hierarchy. It explores how women described their own clothing, but also looks at how it was described by overseers, family members, retailers, and even strangers. It shows that we must look beyond isolated descriptions to how, why, and who was describing clothing to understand its role. Chapters uncover themes of material obligation, expectation, and entitlement.This book also contributes to our understanding of the material literacy of eighteenth-century consumers. It traces the role of textual description in this dissemination of knowledge about clothing, but also alerts us to what was happening beyond the written word, drawing attention to the communication of multisensory information. Above all, it demonstrates that there remains much still to be unpicked from textual sources.ncover themes of material obligation, expectation, and entitlement.This book also contributes to our understanding of the material literacy of eighteenth-century consumers. It traces the role of textual description in this dissemination of knowledge about clothing, but also alerts us to what was happening beyond the written word, drawing attention to the communication of multisensory information. Above all, it demonstrates that there remains much still to be unpicked from textual sources.ncover themes of material obligation, expectation, and entitlement.This book also contributes to our understanding of the material literacy of eighteenth-century consumers. It traces the role of textual description in this dissemination of knowledge about clothing, but also alerts us to what was happening beyond the written word, drawing attention to the communication of multisensory information. Above all, it demonstrates that there remains much still to be unpicked from textual sources.ncover themes of material obligation, expectation, and entitlement.This book also contributes to our understanding of the material literacy of eighteenth-century consumers. It traces the role of textual description in this dissemination of knowledge about clothing, but also alerts us to what was happening beyond the written word, drawing attention to the communication of multisensory information. Above all, it demonstrates that there remains much still to be unpicked from textual sources.

Although it is most likely never intentional, many couples in long-term relationships often lose sight of their own needs and desires. The good news is that the simple act of dressing in just the right clothing can make a woman feel confident, sexy, in charge, and with the power to rekindle the romance and sexual excitement either in a current relationship or while on a search for lasting love. Lynn Sorge, PhD, relies on her expertise on historical stays and corsets to guide both couples and single women to rediscover passion and intimacy. In the first section, Dr. Sorge shares the fictional story of Sophie and her husband, Ty, as they struggle in a passionless marriage. Although both feel the loss, Sophie unintentionally takes the lead when she makes an enormous discovery that changes everything. Part two shares wisdom and concepts to help single women searching for the perfect mate develop a winning mindset, build confidence, identify qualities in a potential partner, and rediscover sexuality. Included is a suggested romantic musical playlist to be used during scenes of seduction. Corsets and Romance is a two-part story and guide that helps couples rediscover passion and romance, and leads singles of all ages to find lasting love.

Highly Commended, Society for Renaissance Studies Biennial Book Prize 2022 In sixteenth and seventeenth-century England, the female silhouette underwent a dramatic change. This very structured form, created using garments called bodies and farthingales, existed in various extremes in Western Europe and beyond, in the form of stays, corsets, hoop petticoats and crinolines, right up until the twentieth century. With a nuanced approach that incorporates a stunning array of visual and written sources and drawing on transdisciplinary methodologies, Shaping Femininity explores the relationship between material culture and femininity by examining the lives of a wide range of women, from queens to courtiers, farmer's wives and servants, uncovering their lost voices and experiences. It reorients discussions about female foundation garments in English and wider European history, arguing that these objects of material culture began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in the early modern period, influencing enduring Western notions of femininity. Beautifully illustrated in full colour throughout, Shaping Femininity is the first large-scale exploration of the materiality, production, consumption and meanings of women's foundation garments in sixteenth and seventeenth-century England. It offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture and consumption, and the history of the body, as well as curators and reconstructors.

The Routledge History of Disease draws on innovative scholarship in the history of medicine to explore the challenges involved in writing about health and disease throughout the past and across the globe, presenting a varied range of case studies and perspectives on the patterns, technologies and narratives of disease that can be identified in the past and that continue to influence our present. Organized thematically, chapters examine particular forms and conceptualizations of disease, covering subjects from leprosy in medieval Europe and cancer screening practices in twentieth-century USA to the ayurvedic tradition in ancient India and the pioneering studies of mental illness that took place in nineteenth-century Paris, as well as discussing the various sources and methods that can be used to understand the social and cultural contexts of disease. Chapter 24 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. https://www.routledgehandbooks.com/doi/10.4324/9781315543420.ch24