Sting Fields Of Gold Songbook

(Piano/Vocal/Guitar Artist Songbook). Chords and notation for 14 of Sting's best: All This Time * Be Still My Beating Heart * Englishman in New York * Fields of Gold * Fortress Around Your Heart * Fragile * If I Ever Lose My Faith in You * If You Love Somebody Set Them Free * Russians * They Dance Alone (Cueca Solo) * This Cowboy Song * We'll Be Together * When We Dance * Why Should I Cry for You?

(Piano/Vocal/Guitar Artist Songbook). The Best Of Sting 1984-1994 Matching folio to his greatest hits album featuring 14 songs: Fortress Around Your Heart * If I Ever Lose My Faith In You * We'll Be Together * When We Dance * and more.

(Harp). Sting first recorded the beautiful song "Fields of Gold" in 1993 on his album Ten Summoner's Tales . It became very popular, and has been recorded by many other artists. This song is still often requested for weddings today. This sheet music includes two arrangements by Sylvia Woods that are playable on either lever or pedal harp. Each arrangement is 4 pages long, and includes fingerings and chord symbols. Both versions are in the key of C and there are no lever or pedal changes required. The harp range needed for the intermediate arrangement is 22 strings, or 3 octaves from C to C. The easier advanced beginner arrangement needs 19 strings from F up to C. If you have a small harp, you may need to play the music an octave higher than written. BOTH arrangements are included in this sheet music.

(Piano/Vocal/Guitar Artist Songbook). One of pop music's biggest names, Sting has maintained a strong fan following for a quarter of a century, from his days as a member of the Police and throughout his magnificent solo career. This collection features 31 of his definitive hits, including: Brand New Day * Englishman in New York * Fields of Gold * If I Ever Lose My Faith in You * If You Love Somebody Set Them Free * Message in a Bottle * Russians * Shape of My Heart * They Dance Alone (Cueca Solo) * We'll Be Together * and many more.

(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.

(Guitar Chord Songbook). 50 favorites from Sting and the Police presented in chords & lyrics for strumming fun: Brand New Day * Can't Stand Losing You * Don't Stand So Close to Me * Driven to Tears * Every Breath You Take * Fields of Gold * Fortress Around Your Heart * King of Pain * Message in a Bottle * Roxanne * We'll Be Together * more.

(Easy Piano Personality). Pianists will love these easy arrangements of 13 Sting songs: All This Time * Brand New Day * Desert Rose * Don't Stand So Close to Me * Englishman in New York * Every Breath You Take * Fields of Gold * If I Ever Lose My Faith in You * King of Pain * Message in a Bottle * Roxanne * Shape of My Heart * Wrapped Around Your Finger.

From the first Police album, Outlandos D'Amour, through Sacred Love, here are the collected lyrics written by Sting, along with his commentary. “Publishing my lyrics separately from their musical accompaniment is something that I’ve studiously avoided until now. The two, lyrics and music, have always been mutually dependent, in much the same way as a mannequin and a set of clothes are dependent on each other; separate them, and what remains is a naked dummy and a pile of cloth. Nevertheless, the exercise has been an interesting one, seeing perhaps for the first time how successfully the lyrics survive on their own, and inviting the question as to whether song lyrics are in fact poetry or something else entirely. And while I’ve never seriously described myself as a poet, the book in your hands, devoid as it is of any musical notation, looks suspiciously like a book of poems. So it seems I am entering, with some trepidation, the unadorned realm of the poet. I have set out my compositions in the sequence they were written and provided a little background when I thought it might be illuminating. My wares have neither been sorted nor dressed in clothes that do not belong to them; indeed, they have been shorn of the very garments that gave them their shape in the first place. No doubt some of them will perish in the cold cruelty of this new environment, and yet others may prove more resilient and become perhaps more beautiful in their naked state. I can’t predict the outcome, but I have taken this risk knowingly and, while no one in their right mind should ever attempt to set “The Waste Land” to music, in the hopeful words of T. S. Eliot, These fragments I have shored against my ruins.” —Sting, from the Introduction