Stone Architecture

The readers of the first two editions of Stone: Properties, Durabi lity in Man's Environment, were mostly architects, restoration architects of buildings and monuments in natural stone, profes sionals who sought basic technical information for non-geologists. The increasing awareness of rapidly decaying monuments and their rescue from loss to future generations have urged this writer to update the 1973 and 1975 editions, now unavailable and out of print. Due to the 20-year-Iong interval, extensive updating was necessary to produce this new book. The present edition concentrates on the natural material stone, as building stone, dimension stone, architectural stone, and decorative field stones. Recently, the use of stone for thin curtain walls on buildings has become fashionable. The thin slabs exposed to anew, unknown complexity of stresses, resulting in bowing of crystalline marble, has attracted much negative pUblicity. The costs of replacing white slabs of marble on entire buildings with its legal implications have led construction com panies into bankruptcy. We blame many environmental problems on acid rain. Does acid rain really accelerate stone decay that much? Stone preservation is being attempted with an ever-increasing number of chemicals applied by as many specialists to save crumbling stone. Chemists filled this need during a time of temporary job scarcity, while the general geologist missed this opportunity; he was too deeply involved in the search for fossil fuels and metals.

Stone is a fascinating, fresh and insightful global tour of the world's oldest and most beautiful building material Featuring more than 170 structures, from prehistory through to today, the book includes an incredible range of buildings: awe-inspiring Neolithic monuments and the epic Pyramids of Giza feature alongside the work of twentieth-century icons, from Mies van der Rohe's seminal Barcelona Pavilion to Marcel Breuer's daring Met building in New York. There are also projects by the world's best contemporary architects, from Snøhetta's angular Norwegian National Opera and Ballet in Oslo to Kengo Kuma's sculptural Chokkura Plaza in Japan and David Chipperfield's geometric Museo Jumex in Mexico City. Arranged to promote comparison and discussion, each project includes an extended caption providing a perceptive commentary on the building. An elegant and informative visual exploration, Stone demonstrates the remarkable variety of creative and innovative structures the material has inspired around the world.

A discussion of stone construction and the nature of stone as a material. Aimed at practising architects and students, this study describes the new technologies that make the new stone forms possible. This is followed by 33 case studies from around the world.

A Heritage of Stone offers a fascinating new perspective on the histories of many leading communities of south-western Ontario. It celebrates the many fine stone buildings which are the pride of these cities and towns.

Building with stone requires a commitment to permanence, like the extraordinary, almost citywide conviction of builders in Santa Barbara from the 1870s through the 1930s. As Santa Barbara was evolving from a dusty little port and outlying resort into a vibrant and growing city, there occurred an extraordinary era of stone construction. This was made possible by a fortuitous conjunction of factors: abundant material, a cadre of expert artisans, and almost unlimited financing. This period provided an atmosphere not only conducive to the building of public spaces, homes, bridges, walls, and an assortment of other stonework, but encouraged some exceptional expressions of the stoneworkers' art. Many of these artistic fabrications remain a testimony to the skills and tastes of their creators and add a distinctive element to the particular ambiance that makes Santa Barbara the special place that it is.

The readers of the first two editions of Stone: Properties, Durabi lity in Man's Environment, were mostly architects, restoration architects of buildings and monuments in natural stone, profes sionals who sought basic technical information for non-geologists. The increasing awareness of rapidly decaying monuments and their rescue from loss to future generations have urged this writer to update the 1973 and 1975 editions, now unavailable and out of print. Due to the 20-year-Iong interval, extensive updating was necessary to produce this new book. The present edition concentrates on the natural material stone, as building stone, dimension stone, architectural stone, and decorative field stones. Recently, the use of stone for thin curtain walls on buildings has become fashionable. The thin slabs exposed to anew, unknown complexity of stresses, resulting in bowing of crystalline marble, has attracted much negative pUblicity. The costs of replacing white slabs of marble on entire buildings with its legal implications have led construction com panies into bankruptcy. We blame many environmental problems on acid rain. Does acid rain really accelerate stone decay that much? Stone preservation is being attempted with an ever-increasing number of chemicals applied by as many specialists to save crumbling stone. Chemists filled this need during a time of temporary job scarcity, while the general geologist missed this opportunity; he was too deeply involved in the search for fossil fuels and metals.

This study explores the relationship between nomadic communities in the Black Desert of north-eastern Jordan (c. 300 BC and 900 AD) and the landscapes they inhabited and extensively modified. This book focuses on the architectural features created in the landscape some 2000 years ago which were used and revisited on multiple occasions.

The world's most artful and skillful stone architecture is found at Tiahuanaco at the southern end of Lake Titicaca in Bolivia. The precision of the stone masonry rivals that of the Incas to the point that writers from Spanish chroniclers of the sixteenth century to twentieth-century authors have claimed that Tiahuanaco not only served as a model for Inca architecture and stone masonry, but that the Incas even imported stonemasons from the Titicaca Basin to construct their buildings. Experiments aimed at replicating the astounding feats of the Tiahuanaco stonecutters--perfectly planar surfaces, perfect exterior and interior right angles, and precision to within 1 mm--throw light on the stonemasons' skill and knowledge, especially of geometry and mathematics. Detailed analyses of building stones yield insights into the architecture of Tiahuanaco, including its appearance, rules of composition, canons, and production, filling a significant gap in the understanding of Tiahuanaco's material culture.