Stop Time

First published in 1967, Stop-Time was immediately recognized as a masterpiece of modern American autobiography, a brilliant portrayal of one boy's passage from childhood to adolescence and beyond. Here is Frank Conroy's wry, sad, beautiful tale of life on the road; of odd jobs and lost friendships, brutal schools and first loves; of a father's early death and a son's exhilarating escape into manhood.

A novel about love, loss and living in the moment, from the bestselling author of The Humans The first rule is that you don’t fall in love. There are other rules too, but that is the main one. No falling in love. No staying in love. No daydreaming of love. Because otherwise, of course, you slowly lose your mind . . . Tom Hazard has a dangerous secret. He may look like an ordinary forty-one-year-old, but he was born in 1581. Owing to a rare condition, he’s been alive for centuries. From Shakespeare’s England to Jazz Age Paris to voyaging the Pacific alongside Captain Cook, Tom has seen a lot, and he now craves an ordinary life. Always changing his identity to stay alive, Tom now has the perfect cover—working as a history teacher at a London school. Here, he can teach the kids about wars and witch hunts as if he’d never witnessed them first-hand. He can try to tame the past that is quickly catching up with him. The only thing Tom can’t do is fall in love. How to Stop Time is a wild, bittersweet, time-travelling story about losing and finding yourself, about the certainty of change, about the mistakes humans are doomed to repeat. And about the lifetimes it can take to learn how to live.

Manuscript and galley proofs of "Across the Years: Memories of a Virginian," by Virginius Dabney.

In this astonishing story that “reads like a thriller and is so, so timely” (BuzzFeed) Ariana Neumann dives into the secrets of her father’s past: “Like Anne Frank’s diary, it offers a story that needs to be told and heard” (Booklist, starred review). In 1941, the first Neumann family member was taken by the Nazis, arrested in German-occupied Czechoslovakia for bathing in a stretch of river forbidden to Jews. He was transported to Auschwitz. Eighteen days later his prisoner number was entered into the morgue book. Of thirty-four Neumann family members, twenty-five were murdered by the Nazis. One of the survivors was Hans Neumann, who, to escape the German death net, traveled to Berlin and hid in plain sight under the Gestapo’s eyes. What Hans experienced was so unspeakable that, when he built an industrial empire in Venezuela, he couldn’t bring himself to talk about it. All his daughter Ariana knew was that something terrible had happened. When Hans died, he left Ariana a small box filled with letters, diary entries, and other memorabilia. Ten years later Ariana finally summoned the courage to have the letters translated, and she began reading. What she discovered launched her on a worldwide search that would deliver indelible portraits of a family loving, finding meaning, and trying to survive amid the worst that can be imagined. A “beautifully told story of personal discovery” (John le Carré), When Time Stopped is an unputdownable detective story and an epic family memoir, spanning nearly ninety years and crossing oceans. Neumann brings each relative to vivid life, and this “gripping, expertly researched narrative will inspire those looking to uncover their own family histories” (Publishers Weekly).

In a coolly dispassionate voice, Ann Marlowe has created a mock dictionary in order to dissect her addiction to - and her eventual rejection of - heroin. Each entry, varying from the anecdotal to the analytical, describes the allure and the degradation of the drug, set against the story of her own life. Without glamorizing it, she explores the seduction of the drug and honestly reveals heroin's temporary deep satisfaction, before finally casting the drug aside as a failed, even abusive, lover, a negligent spouse, a one-way ultimately doomed relationship. Her journey through heroin is a cerebral tale grounded in an exploration of emotional life. Throughout, her tone is ironic and searching and her alphabetical voyage provides an insight into the twilight world of drug addiction.

We’re all struggling to find time in our lives, but somehow there’s never enough to go around. We’re too tired to think, too wired to focus, less efficient than we want to be, and guilty about not getting enough time with our loved ones. We all know that we feel starved for time, but what are we actually doing about it? Precious little. In The Art of Stopping Time, New York Times bestselling author Pedram Shojai guides us towards success with what he calls Time Prosperity—having the time to accomplish what you want in life without feeling compressed, stressed, overburdened, or hurried. So how do we achieve this Time Prosperity? We learn to Stop Time. To do that, Shojai walks us though a 100-day Gong, which is based on the Chinese practice of designating an amount of time each day to perform a specific task. The ritual helps you become mindful, train your mind, instill new habits, and fundamentally transform your relationship with time. We can find moments of mental awareness while in the shower, eating a snack, listening to podcasts, and even while binge-watching our favorite TV shows. He shares how to use Gongs to reprogram your habits, reduce stress, increase energy, exercise the ancient practice of mindfulness, and become a master of your time. Whether you do one per day, a bunch at a time, or read the whole book in one sitting, practicing the Gongs is a dedicated act of self-love that snaps us out of our daily trance and brings the light of awareness to our consciousness. The more we practice, the more we wake up, and the better off we are.

An awesome adventure about a boy who makes time stop -- or so he thinks. Ten-year-old Tristan Burberry has endured many hours of unpleasantness lately. Time spent pinned under the disapproving gaze of his new teacher, time spent trudging through the mall after his older sister, and time spent sitting with the school bully on the bus. Tristan hates time. So he makes it stop. Or so he thinks... When the world comes to a confused standstill, Tristan thinks it's his fault. In actual fact, time has stopped because the Time Keeper, who has been making time for centuries, has quit, fed up with people's lack of appreciation. Then, unfortunately, the Time Keeper gets kidnapped by the nefarious Time Bandits. Tristan, along with his sister Bella, sets out on a long and complicated journey to find him, hoping to get time back. In the tradition of Roald Dahl, The Time Time Stopped is a funny and far-fetched adventure. With wonderful illustrations by Ashley Spires throughout, readers will love this whimsical look at one of the central preoccupations of our lives: time.

“It’s a losing battle: my words have no chance against time. Sometimes, unable to catch up with imagination, I leave the battle, candle in hand, in complete darkness.” — from “Trying Again to Stop Time" Jalal Barzanji chronicles the path of exile and estrangement from his beloved native Kurdistan to his chosen home in Canada. His poems speak of the tension that exists between the place of one’s birth and an adoptive land, of that delicate dance that happens in the face of censorship and oppression. In defiance of Saddam Hussein’s call for sycophantic political verse, he turns to the natural world to reference a mournful state of loss, longing, alienation, and melancholy. Barzanji’s poetry is infused with the richness of the Middle East, but underlying it all is a close affinity to Western Modernists. In those moments where language and culture collide and co-operate, Barzanji carves out a strong voice of opposition to political oppression. Readers will return to his work again and again, just as viewers return to a favourite painting. “Like contemporary poets Taslima Nasrin, Adonis, Yehuda Amichai, and Shuntaro Tanikawa, Barzanji’s is a voice in which the native willingly mutates into the global.” — Sabah A. Salih, Translator “The Kurdish question stands tall in our age as yet another emblematic paradigm of the violence enacted on a people in the name of the nation-state. Barzanji’s poetry is lovely, with frequent piercing tender moments and visions of the daily and the ordinary. The translation reads smoothly and naturally, highlighting the spoken quality of the poems, the loving and wounded quality of their speaker.” — Fady Joudah, translator of Ghassan Zaqtan's Like a Straw Bird It Follows Me, and Other Poems, winner of the 2013 International Griffin Poetry Prize