Stories In Stone

Certain symbols abound in modern Western culture that are instantly recognizable: the cross signifies Christianity, the six-pointed Star of David is revered by Jews, the golden arches frequently means it's time for lunch. Other symbols, however, require a bit of decoding-particularly those found in cemeteries. Cemeteries are virtual encyclopedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person- date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book Stories in Stone: The Complete Guide to Cemetery Symbolism by noted author Douglas Keister, the secrets of cemetery symbolism are finally revealed. For instance, did you know that it is quite rare to see a sunflower on a tombstone? Did you know that the human foot symbolizes humility and service since it consistently touches the earth? Or the humble sheaf of wheat-while it is often used to denote someone who has lived a long and fruitful life, do you know other meanings it might carry? Stories in Stone provides history along with images of a wide variety of common and not-so-common cemetery symbols, and offers an in-depth examination of stone relics and the personal and intimate details they display-flora and fauna, religious icons, society symbols, and final impressions of how the deceased wished to be remembered. Douglas Keister has created a practical field guide that is compact and portable, perfect for those interested in family histories and genealogical research, and is the only book of its kind that unlocks the language of symbols in a comprehensive and easy-to-understand manner. Douglas Keister has photographed fourteen award-winning, critically acclaimed books (including Red Tile Style: America's Spanish Revival Architecture, The Bungalow: America's Arts & Crafts Home, and Storybook Style: America's Whimsical Homes of the Twenties) earning him the title "America's most noted photographer of historic architecture." He also writes and illustrates magazine articles and contributes photographs and essays to other books, calendars, posters, and greeting cards. Doug lives in Chico, California, and travels frequently to photograph and lecture on historic architecture and photography.

The scope of Stories in Stone stretches from the footsteps of Native American hunters centuries ago to a description of William B. Umstead State Park today. However, the main focus is on the oral history of the last generation of pre-Park area residents and of the people that built the Park. Their words narrate four mapped walks to former home sites and other traces of the community. The work of naturalists, folklorists, journalists, historians, photographers, and artists fill out the background of a place and its people.Stories in Stone preserves memories dating between 1870 and 1942 from the farming community that once lived in Wake County, North Carolina's William B. Umstead State Park. This nearly 6,000-acre Piedmont woodland lies between the cities of Chapel Hill, Raleigh, and Durham, which for the Research Triangle.

Most people do not think to observe geology from the sidewalks of a major city, but all David B. Williams has to do is look at building stone in any urban center to find a range of rocks equal to any assembled by plate tectonics. In Stories in Stone, he takes you on explorations to find 3.5-billion-year-old rock that looks like swirled pink-and-black taffy, a gas station made of petrified wood, and a Florida fort that has withstood three hundred years of attacks and hurricanes, despite being made of a stone that has the consistency of a granola bar. Williams also weaves in the cultural history of stone, explaining why a white fossil-rich limestone from Indiana became the only building stone used in all fifty states; how in 1825, the construction of the Bunker Hill Monument led to America’s first commercial railroad; and why when the same kind of marble used by Michelangelo clad a Chicago skyscraper it warped so much after nineteen years that all 44,000 panels of it had to be replaced. This love letter to building stone brings to life the geology you can see in the structures of every city.

In 1866, Alexander Dunlop, a free black living in Williamsburg Virginia, did three unusual things. He had an audience with the President of the United States, testified in front of the Joint Congressional Committee on Reconstruction, and he purchased a tombstone for his wife, Lucy Ann Dunlop. Purchases of this sort were rarities among Virginia’s free black community—and this particular gravestone is made more significant by Dunlop’s choice of words, his political advocacy, and the racialized rhetoric of the period. Carved by a pair of Richmond-based carvers, who like many other Southern monument makers, contributed to celebrating and mythologizing the “Lost Cause” in the wake of the Civil War, Lucy Ann’s tombstone is a powerful statement of Dunlop’s belief in the worth of all men and his hopes for the future. Buried in 1925 by the white members of a church congregation, and again in the 1960s by the Colonial Williamsburg Foundation, the tombstone was excavated in 2003. Analysis, conservation, and long-term interpretation were undertaken by the Foundation in partnership with the community of the First Baptist Church, a historically black church within which Alexander Dunlop was a leader. “Stories in Stone: Memorialization, the Creation of History and the Role of Preservation” examines the story of the tombstone through a blend of object biography and micro-historical approaches and contrasts it with other memory projects, like the remembrance of the Civil War dead. Data from a regional survey of nineteenth-century cemeteries, historical accounts, literary sources, and the visual arts are woven together to explore the agentive relationships between monuments, their commissioners, their creators and their viewers and the ways in which memory is created and contested and how this impacts the history we learn and preserve.

Includes a folded comprehensive cemetery gazetteer to the cemeteries in all five New York boroughs and southern Westchester County, glued to the inside back cover.

The intrigue of death in the City of Love Paris, city of lights, city of love, city of magic, city of art, city of death. Around twelve million people call the Paris metropolitan area home, and millions more call it their permanent home, including upwards of seven million in the catacombs in the Montparnasse district. The cemeteries and monuments in Stories in Stone Paris cut across a wide swath of the last two hundred years of Paris history. With this field guide in hand, discover the funerary architecture, memorials and symbolism within twenty-eight of Paris’ notable resting places, including GPS coordinates for many gravesites. Douglas Keister has authored more than thirty-five critically acclaimed books. His wealth of books on architecture has earned him the title “America’s most noted photographer of historic architecture.” His book Stories in Stone: A Field Guide to Cemetery Symbolism has garnered a number of glowing reviews. Keister has also authored additional cemetery guides titled Forever Dixie, Forever L.A., and Stories in Stone New York. He lives in Chico, California.

Vasily Konovalenko’s unique, dynamic, and theatrical sculptures stand alone in the gem-carving world—bawdy but not salacious, political but not diplomatic, boisterous and exuberant yet occasionally sensitive. Stories in Stone offers the first comprehensive treatment of the life of this little-known Russian artist and the remarkable history of his wonderful sculptures. Part art catalogue and part life history, Stories in Stone tells the tale of Konovalenko’s impressive works, explaining their conception, creation, and symbolism. Each handcrafted figure depicts a scene from life in the Soviet Union—a bowman hunting snow geese, a woman reposing in a hot spring surrounded by ice, peasants spinning wool, a pair of gulag prisoners sawing lumber—painstakingly rendered in precious stones and metals. The materials used to make the figurines are worth millions of dollars, but as cultural artifacts, the sculptures are priceless. Author Stephen Nash draws upon oral history and archival research to detail the life of their creator, revealing a rags-to-riches and life-imitates-art narrative full of Cold War intrigue, Communist persecution, and capitalist exploitation. Augmented by Richard M. Wicker’s exquisite and revelatory photographs of sixty-five Konovalenko sculptures from museums, state agencies, and private collections around the world, Stories in Stone is a visually stunning glimpse into a unique corner of Russian art and cultural history, the craft and science of gem carving, and the life of a Russian artist and immigrant who loved people everywhere. Co-published with the Denver Museum of Nature & Science, home to the most significant collection of Russian gem-carving sculptures by Vasily Konovalenko in the world.

Rosanne Parry, acclaimed author of A Wolf Called Wander and Heart of a Shepherd, shines a light on Native American tribes of the Pacific Northwest in the 1920s, a time of critical cultural upheaval. Pearl has always dreamed of hunting whales, just like her father. Of taking to the sea in their eight-man canoe, standing at the prow with a harpoon, and waiting for a whale to lift its barnacle-speckled head as it offers its life for the life of the tribe. But now that can never be. Pearl's father was lost on the last hunt, and the whales hide from the great steam-powered ships carrying harpoon cannons, which harvest not one but dozens of whales from the ocean. With the whales gone, Pearl's people, the Makah, struggle to survive as Pearl searches for ways to preserve their stories and skills.