Strange Terrain

"The fairies" of Newfoundland oral tradition are variously envisioned, encountered and interpreted, and this study presents some of these concepts and experiences. Dr. Rieti describes the specific contexts in which fairy experiences are recounted and the manner in which they are told, keeping the narrators at center stage. She also seeks their meaning in cultural themes such as the human relationship with nature, and relationships between people. Comparative material sets the subject in historical and international perspective and demonstrates the remarkable tenacity of these very old yet modern tales. Strange Terrain--winner of the 1992-93 Raymond Klibansky Prize, awarded by the Canadian Federation for the Humanities and Social Sciences.

Thirty years after its original publication, a special anniversary edition of Barbara Rieti's iconic work Strange Terrain: The Fairy World in Newfoundland.

" Whether called "the good people," "the little people," or simply "them," fairies are familiar from their appearances in Shakespeare's plays, Disney's films, and points in between. In many cultures, however, fairies are not just the stuff of distant legend or literature: they are real creatures with supernatural powers. The Good People presents nineteen essays that focus on the actual fairies of folklore -- fairies of past and living traditions who affected, and still affect, people's lives in myriad ways.

The authorities told folk what they ought to believe, but what did they really believe? Throughout Scottish history, people have believed in fairies. They were a part of everyday life, as real as the sunrise, and as incontrovertible as the existence of God. While fairy belief was only a fragment of a much larger complex, the implications of studying this belief tradition are potentially vast, revealing some understanding of the worldview of the people of past centuries. This book, the first modern study of the subject, examines the history and nature of fairy belief, the major themes and motifs, the demonising attack upon the tradition, and the attempted reinstatement of the reality of fairies at the end of the seventeenth century, as well as their place in ballads and in Scottish literature.

Midwestern Strange chronicles B.J. Hollars's exploration of the mythic, lesser-known oddities of flyover country. The mysteries, ranging from bipedal wolf sightings to run-ins with pancake-flipping space aliens to a lumberjack-inspired "Hodag hoax," make this book a little bit X-Files, a little bit Ghostbusters, and a whole lot of Sherlock Holmes. Hollars's quest is not to confirm or debunk these mysteries but rather to seek out these unexplained phenomena to understand how they complicate our worldview and to discover what truths might be gleaned by reexamining the facts in our "post-truth" era. Part memoir and part journalism, Midwestern Strange offers a fascinating, funny, and quirky account of flyover folklore that also contends with the ways such oddities retain cultural footholds. Hollars shows how grappling with such subjects might fortify us against the glut of misinformation now inundating our lives. By confronting monsters, Martians, and a cabinet of curiosities, we challenge ourselves to look beyond our presumptions and acknowledge that just because something is weird, doesn't mean it is wrong.

The authorities told folk what they ought to believe, but what did they really believe? Throughout Scottish history, people have believed in fairies. They were a part of everyday life, as real as the sunrise, and as incontrovertible as the existence of God. While fairy belief was only a fragment of a much larger complex, the implications of studying this belief tradition are potentially vast, revealing some understanding of the worldview of the people of past centuries. This book, the first modern study of the subject, examines the history and nature of fairy belief, the major themes and motifs, the demonising attack upon the tradition, and the attempted reinstatement of the reality of fairies at the end of the seventeenth century, as well as their place in ballads and in Scottish literature.

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