Strip Jack

The fourth Inspector Rebus novel from the No.1 bestselling author of A SONG FOR THE DARK TIMES - 'unmatched in the field of British crime fiction' THE TIMES. Gregor Jack, MP, well-liked, young, married to the fiery Elizabeth - to the outside world a very public success story. But Jack's carefully nurtured career plans take a tumble after a 'mistake' during a police raid on a notorious Edinburgh brothel. Then Elizabeth disappears, a couple of bodies float into view where they shouldn't, and a lunatic speaks from his asylum... Initially Rebus is sympathetic to the MP's dilemma - who hasn't occasionally succumbed to temptation? - but with the disappearance of Jack's wife the glamour surrounding the popular young man begins to tarnish. Someone wants to strip Jack naked and Rebus wants to know why...

Jack Doyle is on the run from two merciless enforcers sent after him by thye loansharks. Jack flees to the Costa del Sol, where he meets Frank Nolan, a journalist. When Frank dies unexpectedly, Jack borrows his identity and takes his place.

This monograph seeks to recover and assess the critically neglected comic strip work produced by the Irish painter Jack B. Yeats for various British publications, including Comic Cuts, The Funny Wonder, and Puck, between 1893 and 1917. It situates the work in relation to late-Victorian and Edwardian media, entertainment and popular culture, as well as to the evolution of the British comic during this crucial period in its development. Yeats’ recurring characters, including circus horse Signor McCoy, detective pastiche Chubblock Homes, and proto-superhero Dicky the Birdman, were once very well-known, part of a boom in cheap and widely distributed comics that Alfred Harmsworth and others published in London from 1890 onwards. The repositioning of Yeats in the context of the comics, and the acknowledgement of the very substantial corpus of graphic humour that he produced, has profound implications for our understanding of his artistic career and of his significant contribution to UK comics history. This book, which also contains many examples of the work, should therefore be of value to those interested in Comics Studies, Irish Studies, and Art History.

Jack Kent (1920–1985) had two distinct and successful careers: newspaper cartoonist and author of children’s books. For each of these he drew upon different aspects of his personality and life experiences. From 1950 to 1965 he wrote and drew King Aroo, a nationally syndicated comic strip beloved by fans for its combination of absurdity, fantasy, wordplay, and wit. The strip’s DNA was comprised of things Kent loved—fairytales, nursery rhymes, vaudeville, Krazy Kat, foreign languages, and puns. In 1968, he published his first children’s book, Just Only John, and began a career in kids’ books that would result in over sixty published works, among them such classics as The Fat Cat and There’s No Such Thing as a Dragon. Kent’s stories for children were funny but often arose from the dark parts of his life—an itinerant childhood, an unfinished education, two harrowing tours of duty in World War II, and a persistent lack of confidence—and tackled such themes as rejection, isolation, self-doubt, and the desire for transformation. Jack Kent: The Wit, Whimsy, and Wisdom of a Comic Storyteller illuminates how Kent’s life experiences informed his art and his storytelling in both King Aroo and his children’s books. Paul V. Allen draws from archival research, brand-new interviews, and in-depth examinations of Kent’s work. Also included are many King Aroo comic strips that have never been reprinted in book form.

Ian Rankin is considered by many to be Scotland's greatest living crime fiction author. Most well known for his Inspector Rebus series--which has earned critical acclaim as well as scores of fans worldwide--Rankin is a prolific author whose other works include spy thrillers, nonfiction books and articles, short stories, novels, graphic novels, audio recordings, television/film, and plays. This companion--the first to provide a complete look at all of his writings--includes alphabetized entries on Rankin's works, characters, and themes; a biography; a chronology; maps of Rebus' Edinburgh; and an annotated bibliography. A champion of both Edinburgh and Scotland, Rankin continues to combine engaging entertainment with socio-political commentary showing Edinburgh as a microcosm of Scotland, and Scotland as a microcosm of the world. His writing investigates questions of Scottish identity, British history, masculinity, and contemporary culture while providing mystery readers with complex, suspenseful plots, realistic character development, and a unique mix of American hard-boiled and procedural styles with Scottish dialects and sensibilities.

Jill is 35-45 lbs overweight, strong and healthy from outdoor work as a landscape architect and happy with herself as she is. Jack, a hunk, but if you got to know him, was a highly intelligent and decent man. Coming home one night, depressed, after another failed relationship with another Barbie doll, he goes onto his deck, takes his guitar and sings a love song to the starry night asking, crying for the universe to send him a soul-mate. The next morning, a fire breaks out in the kitchen of a woman in the district where Jack is assistant fire chief. The woman, noticing that Jack wore no wedding band, asked him if would consider a blind date with her close friend Jill. They meet: are chary at first, begin to open up to each other, no game-playing, discover the essence of each other and in 10 days of fun and sincere communication, they decide to marry. In Part 2, they really get to know each other, their friends and plan an off-the-wall wedding. In Part 3, a family and other off-the-wall stuff and making a good life.