Style And Structure In Biblical Hebrew Narrative

The pages of the Hebrew Bible are filled with stories - short and long, funny and sad, histories, fables, and morality tales. The ancient narrators used a variety of stylistic devices to structure, to connect, and to separate their tales - and thus to establish contexts within which meaning comes to light. What are these devices, and how do they guide our reading and our understanding of the text? Style and Structure in Biblical Hebrew Narrative explores some of the answers and shows scriptural interpretation can be a matter of style." Part one of Style and Structure in Biblical Hebrew Narrative examines a wide variety of symmetrical patterns biblical Hebrew narrative uses to organize its units and subunits, and the interpretive dynamics those patterns can imply. Part two addresses the question of boundaries between literary units. Part three examines devices that biblical Hebrew narrative uses to connect consecutive literary units and subunits. Chapters in Part One: Structures of Organization are "Reverse Symmetry," "Forward Symmetry," "Alternating Repetition," "Partial Symmetry," "Multiple Symmetry," "Asymmetry." Chapters in Part Two: Structures of Disjunction are "Narrative Components," "Repetition," and "Narrative Sequence." Chapters in Part Three: Structures of Conjunction are "Threads," "Links: Examples," "Linked Threads: Examples," "Hinges: Examples," and "Double-Duty Hinges: Examples." Jerome T. Walsh, PhD, is a professor of theology and religious studies at the University of Botswana. He is the author of 1 Kings in the Berit Olam (The Everlasting Covenant) Studies in Hebrew Narrative and Poetry series for which he is also an associate editor. "

The Old Testament's stories are intriguing, mesmerizing, and provocative not only due to their ancient literary craft but also because of their ongoing relevance. In this volume, well suited to college and seminary use, Jerome Walsh explains how to interpret these narrative passages of Scripture based on standard literary elements such as plot, characterization, setting, pace, point of view, and patterns of repetition. What makes this book an exceptional resource is an appendix that offers practical examples of narrative interpretation- something no other book on Old Testament interpretation offers.

Adultery, though not an umbrella concept for all the sexual prohibitions in the Hebrew Bible, enjoys a certain pride of place. Remarkably, it is the one sexual prohibition attested in all biblical genres, which makes it very representative in the Hebrew Bible. It is the only Hebrew biblical sexual prohibition explicitly mentioned in the Decalogue. A solid understanding of Hebrew biblical adultery, therefore, is an important step towards grasping the vital role of human sexuality in the Hebrew Bible, both in terms of inter-human relationships and the relationship between the human and the divine. Without prejudice to the contents of the Hebrew biblical lexicons and theological dictionaries, this work aims at providing a comprehensive understanding of adultery in the Hebrew Bible: its meaning, punishments and the implications thereof. Among others, it corrects some wrong assumptions about the concept of adultery in the Hebrew Bible, and provides a balanced and unbiased Hebrew biblical conception of adultery and the implications thereof for todays couples.

"In this book Walsh sheds new, if not always more positive, light on Ahab, king of Israel during the ninth century BCE."--BOOK JACKET.

Sixty-six colleagues, friends, and former students of Edward L. Greenstein present essays honoring him upon his retirement. Throughout Greenstein's half-century career he demonstrated expertise in a host of areas astonishing in its breadth and depth, and each of the essays in these two volumes focuses on an area of particular interest to him. Volume 1 includes essays on ancient Near Eastern studies, Biblical Hebrew and Northwest Semitic languages, and biblical law and narrative. Volume 2 includes essays on biblical wisdom and poetry, biblical reception and exegesis, and postmodern readings of the Bible.

This study breaks new ground in describing how various linguistic and pragmatic mechanisms affect both the form of the narrative clause and the arrangement of the grammatical elements. The various possible forms that a narrative clause can take are classified in terms of their 'topic-comment' and 'focus-presupposition', and it is argued that the way in which these are articulated dictates the word order in the clause. The outcome of the study demonstrates that the traditional binary distinction between foreground and background, based purely on verb forms, is inadequate. A new model is offered showing how foregrounding is achieved by exploiting cognitive structures or by using specific evaluative devices.