Sucker S Kiss

During the San Francisco earthquake of 1906, seven-year-old Thomas Moran finds himself accidentally embarking on a career in pickpocketing. In the following years he becomes a master of his dubious craft and grows to manhood traveling from state to state across America. His picaresque journey takes him through Prohibition and the Depression; into the desperate highs of the Hootchy-Kootchy and the dying vineyards of California, accompanied by an array of richly drawn characters frantically clutching at the crumbling American dream. Italian and Chinese gangsters, con artists, corrupt clergy, and speakeasy bootleggers all have a part to play in Tommy's destiny, but it is Effie, the great love of his life, who offers him the chance to change his future, and tries to save him from himself. Colorfully written, engaging, and richly evocative of an extraordinary period in American history, The Sucker's Kiss marks the literary debut of master storyteller Alan Parker.

After an abusive marriage, Claire has no intention of ever getting involved again--especially not with the guilty secret she carries inside. Michael lost the wife of his dreams and knows such a relationship can never possibly happen again. Or can it? Enter a father who sees beyond his daughter's anger and pain to her need, three little imps (Claire's two elementary-age boys and Michael's little son) determined to bring their reluctant parents together, and a Heavenly Father who really does know best. One by one the barriers between them crumble until only her secret keeps them apart. Will pride and unforgiveness keep two stubborn individuals apart or will they listen to their hearts and the nudging of God's Spirit?

A collection of essays on nature, naturalists, and the natural history of fishes in central Appalachia. A nature lover’s paradise, central Appalachia supports a diversity of life in an extensive network of waterways and is home to a dazzling array of fish species. This book focuses not only on the fishes of central Appalachia but also on the fascinating things these fishes do in their natural habitats. An ecological dance unfolds from a species and population perspective, although the influence of the community and the ecosystem also figures in the text. Stuart A. Welsh’s essays link central Appalachian fishes with the complexities of competition and predation, species conservation, parasitic infections, climate change, public attitudes, reproductive and foraging ecology, unique morphology, habitat use, and nonnative species. The book addresses a selection of the families of central Appalachian fishes, including lampreys, gars, freshwater eels, pikes, minnows, suckers, catfishes, trouts, trout-perches, sculpins, sunfishes, and perches. These essays often refer to the works of naturalists who contributed to our knowledge of nature during previous centuries and who recorded their discoveries when science writing was less concise than it is today. Although many of these works are nearly forgotten, these early naturalists built a strong knowledge base that supports much of our current science and thus merits reexamination. Most people are not scientists, but many have an interest in nature and are, in their own way, naturalists. This book is for those people willing to peer beneath the water’s surface.

First in the series that’s “a winning blend of mystery and the paranormal, with a little humor and romance thrown in for good measure” (Juliet Blackwell, New York Times bestselling author). When something goes bump in the night . . . it’s most likely a plumbing problem. But fake medium Eleanor Wilde is happy to investigate and cleanse your home of spectral presences—for a fee. Hey, it’s a living . . . Ellie has an ailing sister to care for and working as a ghost hunter who doesn’t believe in ghosts helps cover the bills. When she’s lucky, it also pays for the occasional tropical vacation. On her latest job, though, she may be in for some genuine scares. The skeptical, reserved, and very rich Nicholas Hartford III has flown her all the way to his family’s ancestral estate in England—supposedly haunted by a phantom named Xavier. Nicholas thinks it’s all just as much a crock as Ellie’s business is, but his mother is sure that Xavier is real, and he’s willing to employ Ellie if she can put a stop to the nonsense. But when an actual dead body appears—and subsequently disappears—at Castle Hartford, she’ll have to apply her talent for trickery and psychological insight to solve a flesh-and-blood murder. “A fun story with likable characters and a plot that kept me guessing until the end.” —Rose Pressey, USA Today bestselling author “Berry mixes a cunning whodunit with sly humor in what promises to be a winning paranormal series.” —Publishers Weekly (starred review)

The offbeat musicals Fame 1980), Pink Floyd--The Wall (1982), The Commitments 1991) and Evita (1996)... The stylized biopics Midnight Express (1978), Mississippi Burning (1988), The Road to Wellville (1994) and Angela's Ashes (1999)... The visceral social dramas Shoot the Moon (1982), Birdy (1984), Come See the Paradise (1990) and The Life of David Gale (2003)... The one-of-kind genre films Bugsy Malone (1979) and Angel Heart (1987)... These are the films of British director, writer, producer and cartoonist Sir Alan Parker. Among many awards and a knighthood, Parker is the founding director of the Director's Guild of Great Britain, and in 2013 won the honorary British Academy of Film and Television Arts Fellowship Award. Parker is known for his humility as a director and has never considered himself an auteur: "I have total admiration for film crews. They are the true heroes of the filmmaking process, not directors." He has worked alongside producer Alan Marshall, cinematographer Michael Seresin and the late film editor, Gerry Hambling. This book is the first study of his complete body of feature films (1976-2003).

A broad and riveting cultural history of physiognomy, exploring how the desire to divine deeper meaning from our looks has compelled humans for millennia. How do you read a face? For thousands of years, artists, philosophers, and scientists have explored the question of what our outer appearance might reveal about our inner selves. In The Language of the Face, a marvelously comprehensive exploration of the pseudoscience of physiognomy, Frank Gonzalez-Crussi considers over a millennium’s worth of primary sources to paint a splendid portrait of the face’s cultural symbology. Gonzalez-Crussi, an acclaimed pathologist and writer, transcends disciplines with a singular balance of depth and levity. Blending literary analysis of both ancient and modern texts with the insights of medical anthropology, his narrative ranges from an investigation into “nasal semiotics”—a subject whose legacy persists most destructively in myths of racial typology—to equally astute analyses of the thrills of the erotic kiss, the diagnostic art of astrology, and the enlightening qualities of supposed ugliness. While our appearances may ultimately be no more than surface-level signifiers of identity, Gonzalez-Crussi’s work is anything but superficial in its treatment of the consummately human urge to find profound meaning amidst seemingly arbitrary attributes. As rigorously researched as it is wildly entertaining, The Language of the Face is a vibrant contribution to both the emerging field of medical humanities and the popular understanding of aesthetics and physiology at large.