Sudhir Patwardhan The Complicit Observer

Works of modern painter with special reference to the depiction of Bombay, India in them; covers the period, 1975-2004; includes introduction.

Works of modern painter with special reference to the depiction of Bombay, India in them; covers the period, 1975-2004; includes introduction.

A sweeping cultural history of India’s largest city A place of spectacle and ruin, Mumbai exemplifies the cosmopolitan metropolis. It is not just a big city but also a soaring vision of modern urban life. Millions from India and beyond, of different ethnicities, languages, and religions, have washed up on its shores, bringing with them their desires and ambitions. Mumbai Fables explores the mythic inner life of this legendary city as seen by its inhabitants, journalists, planners, writers, artists, filmmakers, and political activists. In this remarkable cultural history of one of the world's most important urban centers, Gyan Prakash unearths the stories behind its fabulous history, viewing Mumbai through its turning points and kaleidoscopic ideas, comic book heroes, and famous scandals—the history behind Mumbai's stories of opportunity and oppression, of fabulous wealth and grinding poverty, of cosmopolitan desires and nativist energies. Starting from the catastrophic floods and terrorist attacks of recent years, Prakash reaches back to the sixteenth-century Portuguese conquest to reveal the stories behind Mumbai's historic journey. Examining Mumbai's role as a symbol of opportunity and reinvention, he looks at its nineteenth-century development under British rule and its twentieth-century emergence as a fabled city on the sea. Different layers of urban experience come to light as he recounts the narratives of the Nanavati murder trial and the rise and fall of the tabloid Blitz, and Mumbai's transformation from the red city of trade unions and communists into the saffron city of Hindu nationalist Shiv Sena. Starry-eyed planners and elite visionaries, cynical leaders and violent politicians of the street, land sharks and underworld dons jostle with ordinary citizens and poor immigrants as the city copes with the dashed dreams of postcolonial urban life and lurches into the seductions of globalization. Shedding light on the city's past and present, Mumbai Fables offers an unparalleled look at this extraordinary metropolis.

In Central Time, Ranjit Hoskote becomes the storyteller of a turbulent epoch. We meet Ovid and Ghalib, poets in exile or eclipse, in these poems, which are by turns elliptical, conversational and narrative. We meet painters who betray their art, and sculptors who are betrayed by theirs. Fascinated by the enigmas of time, memory and evanescence that art invokes, Hoskote addresses a range of artists including Bihzad, Magritte, Masaki Fujihata and Ranbir Kaleka. At the same time, he retains his affection for the natural world, celebrating the textures and intensities of sensuous experience: the roughness of stone, the dance of light, the flowering of touch and the taste of salt and cinnamon. A testament to a present shimmering like a mirage between contested pasts and vexed futures, this book pivots around moments of encounter: a defiant squirrel in Anuradhapura, an enigmatic collection of objects in a Berlin museum or a man discovering a mass grave near Kabul. Written between 2006 and 2014, the hundred poems that form Central Time resonate with the crises of war, genocide, terror, forced migration and the precariousness of belonging.

Vanishing Acts by Ranjit Hoskoté, winner of the Sahitya Akademi Golden Jubilee Award 2004, brings together some of his best poetry, drawn from his three published collections, along with a substantial body of new poems. While continuing to explore the interplay between the epic, devastating sweep of historical events and an intimate, often vulnerable, self, his new poems dwell on emigrants, fugitives, interpreters, double agents—survivors who walk the fragile border between eternity and transience. Experimenting with a variety of forms—ranging from the canticle to the cycle, the adapted sonnet to the passionate apostrophe—Hoskoté expresses the anxieties and delights of a transitive self that constantly shifts location, and evokes strikingly the worlds that can open up at the edges of memory, identity and language.