Summary Of Tom Wolfe S The Electric Koolaid Acid Test

"Tom Wolfe's seminal portrait of Ken Kesey, one of the most magnetic figures of the counterculture movement of the 1960s, and his band of Merry Pranksters"--

Please note: This is a companion version & not the original book. Book Preview: #1 The city of San Francisco is bouncing down the hill, and thousands of people are looking at the crazed truck that is carrying Kesey and his friends. They are terrified of the law, and they are sitting up in plain view of thousands of already startled citizens. #2 I knew little about Kesey at the time, other than that he was a highly regarded 31yearold novelist and in a lot of trouble over drugs. He wrote One Flew Over the Cuckoo’s Nest in 1962, which was made into a play in 1963. He was always included with Philip Roth and Joseph Heller and Bruce Jay Friedman as one of the young novelists who might go all the way. #3 I began asking around about where I could find Young Novelist RealLife Fugitive. Everyone I talked to knew for certain that he was in Puerto Vallarta. I flew to San Francisco and went to the San Mateo County jail, where I met with a waiting room full of cheerful anticipation. #4 I was allowed to visit Kesey in jail. He was standing up with his arms folded over his chest and his eyes focused on the wall. He had a big neck and massive jaws. He looked like Paul Newman except that he was more muscular and had thicker skin.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The city of San Francisco is bouncing down the hill, and thousands of people are looking at the crazed truck that is carrying Kesey and his friends. They are terrified of the law, and they are sitting up in plain view of thousands of already startled citizens. #2 I knew little about Kesey at the time, other than that he was a highly regarded 31-year-old novelist and in a lot of trouble over drugs. He wrote One Flew Over the Cuckoo’s Nest in 1962, which was made into a play in 1963. He was always included with Philip Roth and Joseph Heller and Bruce Jay Friedman as one of the young novelists who might go all the way. #3 I began asking around about where I could find Young Novelist Real-Life Fugitive. Everyone I talked to knew for certain that he was in Puerto Vallarta. I flew to San Francisco and went to the San Mateo County jail, where I met with a waiting room full of cheerful anticipation. #4 I was allowed to visit Kesey in jail. He was standing up with his arms folded over his chest and his eyes focused on the wall. He had a big neck and massive jaws. He looked like Paul Newman except that he was more muscular and had thicker skin.

From "America's nerviest journalist" (Newsweek)--a breath-taking epic, a magnificent adventure story, and an investigation into the true heroism and courage of the first Americans to conquer space. "Tom Wolfe at his very best" (The New York Times Book Review) Millions of words have poured forth about man's trip to the moon, but until now few people have had a sense of the most engrossing side of the adventure; namely, what went on in the minds of the astronauts themselves - in space, on the moon, and even during certain odysseys on earth. It is this, the inner life of the astronauts, that Tom Wolfe describes with his almost uncanny empathetic powers, that made The Right Stuff a classic.

Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase 'radical chic' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program's money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.

A sprawling collection of essays about the subcultures of the 1960s by Tom Wolfe, the revolutionary journalist and novelist When Tom Wolfe smashed his way onto the literary scene in 1965 with The Kandy-Kolored Tangerine-Flake Streamline Baby, he transformed reporting in American popular culture. For his next project, Wolfe traveled from La Jolla to London in search of new lifestyles. The result is The Pump House Gang (published simultaneously with The Electric Kool-Aid Acid Test in 1968): a collection of essays that chronicles life at the end of the 1960s, written with all the panache and perceptiveness that made Wolfe one of our greatest American journalists. Running throughout The Pump House Gang is a central theme of Wolfe’s writing: status. In pieces about Hugh Hefner, Natalie Wood, and a gang of affluent teenage surfers, among others, Wolfe discusses the 1960s phenomenon of retreating from conventional social hierarchies, which he calls “starting your own league.” Dancers, motorcyclists, lumpen-dandies, and stay-at-homes—everybody’s doing it. Except for die-hards in the crumbling old social worlds of New York and London, where the confusion is so great that nobody can tell whether this is really the path to the top they’ve taken or just the service elevator. Dazzlingly brilliant as a stylist, daringly provocative as a commentator, and always entertaining, in The Pump House Gang, Wolfe is thoroughly, completely himself.

Only yesterday boys and girls spoke of embracing and kissing (necking) as getting to first base. Second base was deep kissing, plus groping and fondling this and that. Third base was oral sex. Home plate was going all the way. That was yesterday. Here in the Year 2000 we can forget about necking. Today's girls and boys have never heard of anything that dainty. Today first base is deep kissing, now known as tonsil hockey, plus groping and fondling this and that. Second base is oral sex. Third base is going all the way. Home plate is being introduced by name. And how rarely our hooked-up boys and girls are introduced by name!-as Tom Wolfe has discovered from a survey of girls' File-o-Fax diaries, to cite but one of Hooking Up's displays of his famed reporting prowess. Wolfe ranges from coast to coast chronicling everything from the sexual manners and mores of teenagers... to fundamental changes in the way human beings now regard themselves thanks to the hot new field of genetics and neuroscience. . . to the inner workings of television's magazine-show sting operations. Printed here in its entirety is "Ambush at Fort Bragg," a novella about sting TV in which Wolfe prefigured with eerie accuracy three cases of scandal and betrayal that would soon explode in the press. A second piece of fiction, "U. R. Here," the story of a New York artist who triumphs precisely because of his total lack of talent, gives us a case history preparing us for Wolfe's forecast ("My Three Stooges," "The Invisible Artist") of radical changes about to sweep the arts in America. As an espresso after so much full-bodied twenty-first-century fare, we get a trip to Memory Mall. Reprinted here for the first time are Wolfe's two articles about The New Yorker magazine and its editor, William Shawn, which ignited one of the great firestorms of twentieth-century journalism. Wolfe's afterword about it all is in itself a delicious draught of an intoxicating era, the Twistin' Sixties. In sum, here is Tom Wolfe at the height of his powers as reporter, novelist, sociologist, memoirist, and-to paraphrase what Balzac called himself-the very secretary of American society in the 21st century.

"An excellent book by a genius," said Kurt Vonnegut, Jr., of this now classic exploration of the 1960s from the founder of new journalism. "This is a book that will be a sharp pleasure to reread years from now, when it will bring back, like a falcon in the sky of memory, a whole world that is currently jetting and jazzing its way somewhere or other."--Newsweek In his first book, The Kandy-Kolored Tangerine-Flake Streamline Baby (1965) Wolfe introduces us to the sixties, to extravagant new styles of life that had nothing to do with the "elite" culture of the past.