Summer Garden Glory

Detailed planting plans and detailed plant directories are featured in a guide to planning and planting a garden that provides year-round interest through continual change and constant color

Spanning the period from Elizabeth I's reign to Charles II's restoration, this study argues the garden is a primary site evincing a progressive narrative of change, a narrative that looks to the Edenic as obtainable ideal in court politics, economic prosperity, and national identity in early modern England. In the first part of the study, Amy L. Tigner traces the conceptual forms that the paradise imaginary takes in works by Gascoigne, Spenser, and Shakespeare, all of whom depict the garden as a space in which to imagine the national body of England and the gendered body of the monarch. In the concluding chapters, she discusses the function of gardens in the literary works by Jonson, an anonymous masque playwright, and Milton, the herbals of John Gerard and John Parkinson, and the tract writing of Ralph Austen, Lawrence Beal, and Walter Blithe. In these texts, the paradise imaginary is less about the body politic of the monarch and more about colonial pursuits and pressing environmental issues. As Tigner identifies, during this period literary representations of gardens become potent discursive models that both inspire constructions of their aesthetic principles and reflect innovations in horticulture and garden technology. Further, the development of the botanical garden ushers in a new world of science and exploration. With the importation of a new world of plants, the garden emerges as a locus of scientific study: hybridization, medical investigation, and the proliferation of new ornamentals and aliments. In this way, the garden functions as a means to understand and possess the rapidly expanding globe.

What have cultural anthropologists, historical geographers, landscape ecologists and environmental artists got in common? Along with eight other disciplines, from domains as diverse as planning and design, the arts and humanities as well as the social and natural sciences, they are all fields of importance to the theory and practice of landscape architecture. In the context of the EU funded LE:NOTRE Project, carried out under the auspices of ECLAS, the European Council of Landscape Architecture Schools, international experts from a wide range of related fields were asked to reflect, each from their own perspective, on the interface between their discipline and landscape architecture. The resulting insights presented in this book represent an important contribution to the development the discipline of landscape architecture, as well as suggesting new ways in which future collaboration can help to create a greater interdisciplinary richness at a time when the awareness of the importance of the landscape is growing across a wide range of disciplines. Exploring the Boundaries of Landscape Architecture is the first systematic attempt to explore the territory at the boundaries of landscape architecture. It addresses academics, professionals and students, not just from landscape architecture but also from its neighbouring discipline, all of whom will benefit from a better understanding their areas of shared interest and the chance to develop a common language with which to converse.

The epic and monumental love story Paullina Simons began with her adored international bestseller The Bronze Horseman comes to a breathtaking conclusion. The Summer Garden is the third volume in Simons’s magnificent trilogy—a Russian Thorn Birds—which follows a love that survived the terrible siege of Leningrad during World War Two, a heartbreaking separation and a glorious reunion in America, only to be supremely tested by the hatred, fear, and uncertainty of the Cold War. You will never forget the lovers Tatiana and Alexander and their story of enduring love and commitment, and you will cherish every moment spent in The Summer Garden.

Islamic gardens are enchanting places. Just the names of some of the most beautiful gardens in the world - the Alhambra, the Generalife, the Shalimar - conjure up images of calm and even divine beauty. No visitor is left untouched by their magic. This new paperback edition of The Art of the Islamic Garden is an introduction to the design, symbolism and making of an Islamic Garden and it examines that magic, describes the component parts which allow a deeper understanding of the beauty. Topics covered include: history, symbolism and the Quran in relation to the traditional Islamic garden; significance of design and layout of the garden explained, geometry, hard landscaping and architectural elements and aguide to designing the garden with water, and recommendations for trees, shrubs and flowers. There is a unique account of the design and planting of HRH The Prince of Wales' Carpet Garden at Highgrove.