T Dot Griots

Birthed at the popular open-mic series, La Parole, T-Dot Griots is an intimate journey through previously undocumented Canadian experiences, reporting from Toronto's black communities in fiction, poetry, articles, plays and songs. The book features contributions by over forty writers of African descent, either raised in or residing in Toronto. The griot is a West African storyteller, traditionally responsible for presiding over all of the important milestones in the life a community. T Dot Griots is a window into the communities occupied by black Canadian artists depicting their experiences living in the African diaspora. The griot carried the important function of preserving the community's history and culture through songs and recitations. Now transported across the Atlantic Ocean, non-traditional methods of expression emerge to document the existence of a little known group of people: the black community of Toronto. Toronto is widely acknowledged as the world's most culturally diverse city. T Dot Griots was produced to portray the rich cultural diversity existing within its African communities. The anthology brings together spoken word poets and PhD's, hip hop artists and playwrights, students and professionals. The book voices issues of racial inequality and immigrant experiences. It illustrates numerous spiritual vantage points and political commentaries. Most of all it is an unapologetically accurate representation of an ever growing canon of writers making Toronto their home, who wish to acknowledge the many facets of African-Canadian identity. Immerse yourself in the words, work and life of East, West and Southern Africans. Plunge into the hybridized dialect of Caribbean natives and descendents. Wade through generations of celebrated cast of Toronto's outspoken voices. Listen to the T Dot Griot tell the tale of the ages in a proudly Canadian style.

Listening Up, Writing Down, and Looking Beyond is an interdisciplinary collection that gathers the work of scholars and performance practitioners who together explore questions about the oral, written, and visual. The book includes the voices of oral performance practitioners, while the scholarship of many of the academic contributors is informed by their participation in oral storytelling, whether as poets, singers, or visual artists. Its contributions address the politics and ethics of the utterance and text: textualizing orature and orality, simulations of the oral, the poetics of performance, and reconstructions of the oral.

More than one hundred contemporary black poets laugh at and cry about, pray for and curse, flee and return to the South in this collection of poems, which features contributions by Nikki Giovanni, Kevin Young, Cornelius Eady, Sonia Sanchez, and other notables. Simultaneous.

The latest work from pioneering scholar George Elliott Clarke, Directions Home is the most comprehensive analysis of African-Canadian texts and writers to date. Building on the discoveries of his critically acclaimed Odysseys Home, Clarke passionately analyses the beautiful complexities and haunting conundrums of this important body of literature. Directions Home explores the trajectories and tendencies of African-Canadian literature within the Canadian canon and the socio-cultural traditions of the African Diaspora. Clarke showcases the importance of little-known texts, including church histories and slave narratives, and offers studies of autobiography, crime and punishment, jazz poetics, and musical composition. The collection also includes studies of significant contemporary writers such as George Boyd and Dionne Brand, and trailblazing African-Canadian intellectuals like A.B. Walker and Anna Minerva Henderson. With its national, bilingual, and historical perspectives, Directions Home is an essential guide to African-Canadian literature.

The Black Prairie Archives: An Anthology recovers a new regional archive of “black prairie” literature, and includes writing that ranges from work by nineteenth-century black fur traders and pioneers, all of it published here for the first time, to contemporary writing of the twenty-first century. This anthology establishes a new black prairie literary tradition and transforms inherited understandings of what prairie literature looks and sounds like. It collects varied and unique work by writers who were both conscious and unconscious of themselves as black writers or as “prairie” people. Their letters, recipes, oral literature, autobiographies, rap, and poetry- provide vivid glimpses into the reality of their lived experiences and give meaning to them. The book includes introductory notes for each writer in non-specialist language, and notes to assist readers in their engagement with the literature. This archive and its supporting text offer new scholarly and pedagogical possibilities by expanding the nation’s and the region’s archives. They enrich our understanding of black Canada by bringing to light the prairies' black histories, cultures, and presences.

Presents more than 100 diverse holidays and festivals observed by Americans of African descent, exploring their history, customs, and symbols. Also includes a chronology, bibliography, and index.

Nominated for an NAACP Image Award in "Outstanding Literary Work - Poetry" and Writers Digest Publishing Award, Check the Rhyme: An Anthology of Female Poets & Emcees is a cross-generational volume of poetry, featuring the work of fifty thought provoking and inspirational women writers, lyricists and spoken word artists from diverse cultures and backgrounds. Check the Rhyme features eighteen chapters, revealing poetry that is a representation of both emerging and established poets who write on a variety of themes including: beauty and self esteem, empowerment for youth, hip hop culture, history, love relationships, and more. The pages of Check the Rhyme are filled with insights, experiences and challenges of women who walk the warrior path, intending to shape the world with the passion that fuels their dreams.

Performing Female Blackness examines race, gender, and nation in Black life using critical race, feminist and performance studies methodologies. This book examines what private and public performances of female blackness reveal about race, gender, and nation and considers how the land widely known as Canada shapes these performances. By exploring Black expressive culture in familial, literary, and performance settings, Naila Keleta-Mae theorizes that “perpetual performance” forces people who are read as female and Black to always be figuratively on stage regardless of cultural, political, or historical contexts. Written in poetry, prose, and journal form and drawing from the author’s own life and artistic works, Performing Female Blackness is ideal not only for scholars, educators, and students of the humanities, social sciences, and fine arts but also for artists and the general public too.