Taipei Spring 2023 Vol 31

Stories from Taipei, the Capital city of TAIWAN. A quarterly magazine to tell stories from the capital of Taiwan. Produced entirely in English and Japanese, the magazine explores a variety of topics, including culture, hotspots, lifestyle, and features on people. It offers the world an approachable and informative introduction to Taipei.

TAIPEI ISSUE 2023 Spring Cozy city, Cozy life Every city has its own unique charm, and Taipei is no exception, having long been world-famous for its gourmet cuisine as well as its friendliness, safety, and convenience. In the last decade, international media has repeatedly named Taipei one of the most livable cities in the world, as more and more people from around the globe make this place their home.

This book focuses on the background, migration, and settlement of new migrants in China. It also examines the status of their social networks, the role of urban society, social security, and future planning. Based on semi-structured interviews, the book analyzes these aspects of new urban migrants and argues that: - Intellectual migrants, with their strong educational background, are willing to engage in urbanization and have clear entry strategies. - Labor migrants find it is challenging for labor migrants to receive the same welfare as citizens and they are subject to significant segregation in urban societies due to existing policies and market economy conditions. - Operational migrants have stronger settlement and family-oriented tendencies compared to labor migrants.

This book explores the use of Confucianism by the Chinese Communist Party in its assertion of political legitimacy. Confucian thought offers an enduring framework for political legitimacy in East Asian societies, including China. All states strive to acquire legitimacy, and despite once denouncing Confucianism as the remnants of feudal poison, the Party is turning towards Confucianism as part of its legitimation efforts. This suggests that the Party is suffering from an ideological void in terms of legitimacy and legitimation due to the diminishing relevance of Marxism in Chinese societal practices. The book will devise a non-liberal legitimacy framework, drawing on the ideas of Habermas and Bernard Williams, to examine the legitimacy of the Party, and use an analysis of the elite discourse to determine the nature of the Confucian turn, in a sharp polemic that will interest scholars of Chinese politics, of the role of traditional beliefs in Asian modernity, and in China's future.

The basis for the movie High Resolution From one of this generation's most talked about and enigmatic writers comes a deeply personal, powerful, and moving novel about family, relationships, accelerating drug use, and the lingering possibility of death. Taipei by Tao Lin is an ode--or lament--to the way we live now. Following Paul from New York, where he comically navigates Manhattan's art and literary scenes, to Taipei, Taiwan, where he confronts his family's roots, we see one relationship fail, while another is born on the internet and blooms into an unexpected wedding in Las Vegas. Along the way—whether on all night drives up the East Coast, shoplifting excursions in the South, book readings on the West Coast, or ill advised grocery runs in Ohio—movies are made with laptop cameras, massive amounts of drugs are ingested, and two young lovers come to learn what it means to share themselves completely. The result is a suspenseful meditation on memory, love, and what it means to be alive, young, and on the fringe in America, or anywhere else for that matter.

The Spring and Autumn is an annals text composed of brief records covering the period 722–479 BCE and written from the perspective of the ancient Chinese state of Lu. A long neglected part of the Chinese canon, it is traditionally ascribed to Confucius, who is said to have embedded his evaluations of events within the text. However, the formulaic and impersonal records do not resemble the repository of moral judgments that they are alleged to be. Driven by her discovery that the Spring and Autumn is governed by a system of rules, Newell Ann Van Auken argues that Lu record-keepers—not a later editor—produced the formally regular core of the text. She demonstrates that the Spring and Autumn employs formulaic phrasing and selective omission to encode the priorities of Lu and to communicate the relative importance of individuals, states, and events, and that many of its records are derived from diplomatic announcements received in Lu from regional states and the Zhou court. The Spring and Autumn is fundamentally a document designed to enhance the prestige of Lu, and its records reveal a profound concern with relative rank, displaying an idealized hierarchy that positions the state of Lu and its rulers at the apex. By establishing the Spring and Autumn as a genuine Bronze Age record, this book transforms our understanding of its significance and purpose, and also offers new approaches to the study of ancient annals in early China and elsewhere.

While celebrating the centenary of the “annus mirabilis” of modernism, we now encounter modernism after postmodernist, poststructuralist, postcolonial, critical race, feminist, queer and trans writing and theory. Out of the figures, narratives and concepts they have developed, a less universal, more global, decentred, context-specific, interconnected modernism emerges. In “after modernism” the meanings of “after” include periodisation, homage and critique. This book attends to neglected genealogies and intertexts—“high” and “low,” yet offering unacknowledged ontological, epistemological, conceptual and figurative resources. How have artists of the Global South negotiated the hierarchical division of art capital into Western high art vs. Global-South culture? Modernity’s location has been the Western metropolis, but other origin stories have been centring slavery, colonialism, the nation-state. If modernity did not originate once, why not multiple and still-to-come modernities? Instead of a universalizable Western modernity vs. local non-Western traditions, the contributors to this book discern multiple modern traditions. Rather than reifying their heterogeneity, the authors tunnel for lost transnational connections. The nation-state and the citizen have together defined Western modernity and the “civilized.” Yet they have required the gender binary, gender and sexual normativity, assimilation, exclusion, forced migration, partition, segregation. In-between the public and the private, humans and the natural world, this book explores a multiple, relational modern subjectivity, collectivity and cosmic interconnectivity, whose space is indivisible, entangled, ever folding and unfolding. It was originally published as a special issue of the journal Angelaki.

Introduction -- Part I. The lexical picture. Names as implements; Picturing names -- Part II. The empirical impression. The style of antiquity; Agents of change; Nominal empiricism -- Part III. The schematic thing. Substance into schema; Nominal casting -- Conclusion.