Take A Cold Tub Sir

Drawing on a wealth of illustrations form the original issues, and with engaging glimpses of board-room deliberations and office routine in earlier times, Jack Cox tells the paper's own story. He traces its history from the rattling adventures and bracing advice of the Victorian era to the practical hobbies and technical know-how of the post-War world, showing how it won the trust and love of the readers who will remember it with affection.

Much has been written regarding the New Woman in the fin de siècle and the changes women’s groups fought so hard to achieve. However, the social and gender changes demanded by women as the nineteenth century drew to a close necessitated a corresponding change in traditional masculinities. Redefinition of the male role was not easily negotiated in an era of rampant patriarchy and Victorian supremacy; the distinct boundaries between male and female social space made this increasingly problematic for both genders. Some Victorian men, who had seen the public sphere as exclusively theirs, felt both their masculinity and male privilege threatened and were confused by women’s challenges and their attempted encroachment into what had previously been perceived as solely male domains. While many female authors explored possibilities for the New Woman figure, as the fin de siècle approached, male authors began to consider how masculinities might respond to changing gender dynamics. Authors such as Sir Arthur Conan Doyle and Bram Stoker, amongst others, addressed ways in which their male characters could negotiate a quandary of masculinities under threat by alterations to conventional gender spheres while remaining “manly” in situations which required a rethinking of many of their basic tenets during this time of flux. This book examines the opinions of women within both the dominant and reverse discourses, and parallels them with ideas surrounding changes in masculinities that began to emerge in male-authored texts. As such, it details an often vociferous negotiation of volatile issues which led to a major upheaval of gender roles in the approach to a new century that demanded changes which were difficult to achieve.

Arthur Mee (1875-1943), best remembered as the creator of The Children's Encyclopaedia, was more than a popular editor, journalist and travel writer; for a generation of young readers and their parents, the name Arthur Mee truly meant something. Formany in his audience, the narratives and discourses embedded within his writing tied together and legitimised a trinity of beliefs that lay at the heart of his nonconformist faith and character: God, England and Empire. Despite the enormous appeal of his many published works, which during the first half of the twentieth century saw him become a household name and a major publishing brand, Mee has remained an ethereal figure. In Arthur Mee, the first full-length account of Mee's life since 1946, Crawford draws upon a range of Mee's correspondence to offer for the first time a realistic picture of the man at work and at home as an antidote to the overly romanticised image attached to his name. The book places Mee's work within the wider cultural, political and social context of an England undergoing unparalleled societal change and technological advancement. Scholars of the history of education, children's literature and beyond will find much of interest in these pages, and childhooddevotees to Mee's publications may well find themselves transported back to a time of wonder, imagination and hope.

Originally published in 1991. Focusing on ‘boys' own’ literature, this book examines the reasons why such a distinct type of combative masculinity developed during the heyday of the British Empire. This book reveals the motives that produced this obsessive focus on boyhood. In Victorian Britain many kinds of writing, from the popular juvenile weeklies to parliamentary reports, celebrated boys of all classes as the heroes of their day. Fighting fit, morally upright, and proudly patriotic - these adventurous young men were set forth on imperial missions, civilizing a savage world. Such noble heroes included the strapping lads who brought an end to cannibalism on Ballantyne's "Coral Island" who came into their own in the highly respectable "Boys' Own Paper", and who eventually grew up into the men of Haggard's romances, advancing into the Dark Continent. The author here demonstrates why these young heroes have enjoyed a lasting appeal to readers of children's classics by Stevenson, Kipling and Henty, among many others. He shows why the political intent of many of these stories has been obscured by traditional literary criticism, a form of criticism itself moulded by ideals of empire and ‘Englishness’. Throughout, imperial boyhood is related to wide-ranging debates about culture, literacy, realism and romance. This is a book of interest to students of literature, social history and education.