Take One

Could they change the world - before the world changes them? Filmmakers Chase Ryan and Keith Ellison left the mission field of Indonesia for the mission field of Hollywood with a dream bigger than both of them. Now they have done the impossible; raised enough money to produce a feature film with a message that could change the world. But as Chas...

NOW A CBC TELEVISION SERIES WINNER OF THE MARGARET AND JOHN SAVAGE FIRST BOOK AWARD FOR NON-FICTION SHORTLISTED FOR THE KOBO EMERGING WRITER PRIZE LONGLISTED FOR THE RBC TAYLOR PRIZE SHORTLISTED FOR THE STEPHEN LEACOCK MEMORIAL MEDAL FOR HUMOUR A hilarious story of family, getting into trouble, and finding one's place in the world. What could be better than growing up in the 1980s? How about growing up in 1980s Newfoundland, which—as Mark Critch will tell you—was more like the 1960s. Take a trip to where it all began in this funny and warm look back on his formative years. Here we find a young Mark trick-or-treating at a used car lot, getting locked out of school on a fourth-floor window ledge, faking an asthma attack to avoid being arrested by military police, trying to buy beer from an untrustworthy cab driver, shocking his parents by appearing naked onstage—and much more. Best known as the "roving reporter" for CBC's This Hour Has 22 Minutes, Mark Critch has photo-bombed Justin Trudeau, interviewed Great Big Sea's Alan Doyle (while impersonating Alan Doyle), offered Pamela Anderson a million dollars to stop acting, and crashed White House briefings. But, as we see in this playful debut, he's been causing trouble his whole life. Son of a Critch captures the wonder and cluelessness of a kid trying to figure things out, but with the clever observations of an adult, and the combination is perfect.

Jerusalem, Take One! Memoirs of a Jewish Filmmaker is a behind-the-scenes look at the life of documentary filmmaker Alan Rosenthal, the maker of over sixty films including Day of Peace, Out of the Ashes, A Nation Is Born, and On the Brink of Peace. As a witness to so much recent Israeli history through a camera's viewfinder, Rosenthal himself makes as much of an interesting subject as the events he documents. Born in London in 1936, Rosenthal studied law at Oxford before beginning his work in television directing in Israel and the United States. By the 1960s he was an established young filmmaker who had participated in the filming of the Eichmann trial in Jerusalem in 1961. He returned in 1968, initially for just one year, as part of a team invited by the Israeli government to set up the first television network; that year turned into the thirty-plus years that inspired this book. The Eichmann trial, the development of Israel Television, the Oslo agreement, the search for the menorah from the Second Temple, the history of Zionism on the television screen, and the Yom Kippur War and Project Renewal are but a few of the recent moments in Israeli history that Rosenthal and his camera have witnessed. As he recalls these events with humor and wit, Rosenthal's words recapture the emotions and feel of those times as vividly as his lens recorded their passing. This is a memoir, not a history textbook, and Rosenthal himself is the true subject of the book's most intensely personal and introspective moments, stories of growth and learning, of England and family, of love and loss, of ideological disappointment and renewed hope. Rosenthal's tale is one of progress toward the man he wishes to be, the films he feels he must make, and the cultural identity he seeks to develop for himself and all Jewish people.

Moira’s afraid her parents might get upset if they find out she invited the whole school to her birthday party... so she just doesn’t tell them. The big day arrives, and grades 1, 2, 3, 4, 5, 6, annnnd kindergarten all come knocking down her door. Before long, the house is a total disaster and Moira’s parents are going crazy trying to figure out how to get enough pizzas and birthday cake to feed everyone. Just leave it to Moira—she’ll figure it all out, and even get the house cleaned up in the process! A newly designed Classic Munsch picture book introduces this charming tale of the world’s most boisterous birthday to a new generation of young readers.

“Ready One… Take One” The Life of a Video Producer/Director By: Doug Kennedy “Ready One… Take One” The life of a video producer/director is about a man’s time spent in the television industry as a producer/director and the stories and people involved. There are some interesting stories and names in the industry that people will know. The author lived and experienced everything in the book, and these are his experiences and no one else’s.

The compelling sequel to No More Time-Outs finds Wisdom Jones accepting the terms of a deadly proposition from his old enemy: a life for a life. Wisdom Jones’s mother needs a kidney and the only donor is one of his old enemies, Highnoon, who offers the organ for the chance to kill Wisdom. Jones accepts the proposition, but issues a stipulation of his own: he wants one week to intervene in the lives of his trifling family members and steer them away from a pathway of destruction. With only a limited time on earth, Wisdom is left with the task of saving the marriage of his only sister from the wrath of her thuggish lover. The next ones will be tricky, but somehow, Wisdom must manage to convince his baby brother to give up the crack pipe and persuade his elder brother from living a very dangerous lifestyle. But the true test will lie in convincing his television evangelist father that pimping from the pulpit can be costly; a forbidden appetite that could ultimately turn fatal. Take One for the Team leaves Wisdom Jones matching wits with deadly adversaries in an attempt to free his family from the hand of destruction and deliver them into the land of righteousness.

Adrian Kerridge has been part of the British recording industry for the past 50 years. His revolutionary and often forthright approach within the music industry has put him at the centre of the recording world for half a century. As owner of the eminent Lansdowne Studios - birth place of the Dave Clark Five, and home to numerous household name artists and session stories as well as the cofounding father of the CADAC console brand - he witnessed first-hand the technological changes of an industry transitioning from analogue tape to multi-track to digital recording and editing in the 80s and forwards; was a forerunner in the 60s of the then experimental practice of direct injection – now widely employed by sound engineers and laid the foundations for a more modern upfront sound that was lacking in the 50s and early 60s. Renown for creating unique sonic signature for bands and other recording artists, Adrian's approach to recording was unlike anything the industry had seen in the years previous. He recorded "hot" while his contemporaries were more conservative in their approach. This book traces his personal journey from war time Britain to the swinging 60s taking in the technical and social changes that were to shape the way music was recorded. It tells the story of a choir boy from West London who fell in love with Jazz and landed a job at a music shop. A chance invitation to sit in on a studio recording of the Sydney Lipton band sparked in Adrian an interest that was to put him on a path from choir boy to the foremost "Ears" in the business. Adrian describes how his first job at IBC London, one of the UK's largest independent recording studios at the time, led him to work with the legendary and sometimes volatile Joe Meek. Working with Joe gave Adrian crucial insights into the talented engineer's innovative techniques, which he describes in technical and personal detail, After a brief stint of National Service, Adrian returned to the recording industry but instead of resuming his old job at IBC he was offered a job alongside Joe Meek at a completely new London studio – Lansdowne Recording Studios – with producer Denis Preston, who ran his own Record Supervision jazz label. Adrian describes his experience of working with Joe and Denis, becoming responsible for his own sessions, and the studios' prolific output. He paints the picture of Joe's complex character, as well as his ground breaking and highly successful recording techniques. Joe's premature departure from Lansdowne meant Adrian suddenly found himself catapulted into the job of senior engineer and solely responsible for running the studios. It was during this time that Adrian, along with the Dave Clark Five, led the British "invasion" of the U.S. music scene in the 1960s pioneering new audio techniques using equipment considered primitive by today's standards. Adrian relates how in the early 1960s, the Dave Clark Five first came into the studio, and how his contribution to the band's development helped create their signature "Tottenham Sound". He provides unique insights into the recording of numerous hits such as "Glad All Over" which resulted in huge success for the band knocking the Beatles' song "I want to hold your hand" off the top of the U.K. charts in January 1964, going on to sell 2.5M copies. Nowadays you can get a number one with 10-20,000 copies. He describes his intriguing experiences in Germany and Belgium, recording material for the KPM Music Library and other music libraries.

A WASHINGTON POST BEST BOOK OF THE YEAR From the author of A Million Nightingales (“a writer of exceptional gifts and grace”—Joyce Carol Oates) comes a luminous new novel about the forces that tear families apart and the ties that bind them together. Fantine Antoine is a travel writer, a profession that keeps her happily away from her Southern California home. When she returns to mark the fifth anniversary of the murder of her closest childhood friend, Glorette, she finds herself pulled into the tumultuous life of Glorette’s twenty-two-year-old son—and Fantine’s godson—Victor. After getting involved in a shooting, Victor has fled to New Orleans. Together with her father, Fantine follows Victor, determined to help him avoid the criminal future that he suddenly seems destined for. On this journey her father will reveal the wrenching secrets of his past, and Fantine will be compelled to question the most essential choices she’s made in her life.