Tales Of The South Pacific

When the Japanese attacked Pearl Harbor, James A. Michener was an obscure textbook editor working in New York. Within three years, he was a naval officer stationed in the South Pacific. By the end of the decade, he was an accomplished author, well on the way to worldwide fame. Michener’s first novel, Tales of the South Pacific, won the Pulitzer Prize. Richard Rodgers and Oscar Hammerstein used it as the basis for the Broadway musical South Pacific, which also won the Pulitzer. How this all came to be is the subject of Stephen May’s Michener’s South Pacific. An award-winning biographer of Michener, May was a featured interviewee on the fiftieth-anniversary DVD release of the film version of the musical. During taping, he realized there was much he didn’t know about how Michener’s experiences in the South Pacific shaped the man and led to his early work. May delves deeply into this formative and turbulent period in Michener’s life and career, using letters, journal entries, and naval records to examine how a reserved, middle-aged lieutenant known as "Prof" to his fellow officers became one of the most successful writers of the twentieth century.

The island nations of the South Pacific have an incredible oral history, their folklore and myths past down through the generations. This book is a fantastic collection of stories from such a vast area as the south pacific but share a common heritage. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Roslyn Jolly is Lecturer in English at the University of New South Wales, Australia. She is the author of Henry James: History, Narrative, Fiction (OUP, 1993).

James A. Michener, the master of historical fiction, revisits the scenes of his first great work, Tales of the South Pacific, the Pulitzer Prize winner that brought him international acclaim. In this sequel collection, Michener once again evokes the magic of the extraordinary isles in the Pacific—from Fiji and Guadalcanal to New Zealand and Papua New Guinea—through stories that burst with adventure, charm, and local color. For Michener’s many fans around the globe, Return to Paradise is a precious second look at a land of enchantment by one of the most gifted storytellers of the twentieth century. Praise for Return to Paradise “A brilliant book and a worthy successor to Tales of the South Pacific.”—The Atlanta Constitution “This is a book that should be read by everyone. . . . All who have seen the South Pacific will find on every page the odors of frangipani, copra, blood, and beer.”—The New York Times “There’s drama and pathos and adventure and humanity . . . and a very high degree of excellence. Michener can write.”—Kirkus Reviews

In this lively satire of contemporary South Pacific life, we meet a familiar cast of characters: multinational experts, religious fanatics, con men, "simple" villagers, corrupt politicians. In writing about this tiny world of flawed personalities, Hau‘ofa displays his wit and range of comic resource, amply exercising what one reviewer called his “gift of seeing absurdity clearly."

Rodgers and Hammerstein's Tony and Pulitzer Prize-winning musical "South Pacific" has remained a mainstay of the American musical theater since it opened in 1949, and its powerful message about racial intolerance continues to resonate with twenty-first century audiences. Drawing on extensive research in the Rodgers and the Hammerstein papers, including Hammerstein's personal notes on James A. Michener's Tales of the South Pacific, Jim Lovensheimer offers a fascinating reading of "South Pacific" that explores the show's complex messages and demonstrates how the presentation of those messages changed throughout the creative process. Indeed, the author shows how Rodgers and especially Hammerstein continually refined and softened the theme of racial intolerance until it was more acceptable to mainstream Broadway audiences. Likewise, Lovensheimer describes the treatment of gender and colonialism in the musical, tracing how it both reflected and challenged early Cold War Era American norms. The book also offers valuable background to the writing of "South Pacific," exploring the earlier careers of both Rodgers and Hammerstein, showing how they frequently explored serious social issues in their other works, and discussing their involvement in the political movements of their day, such as Hammerstein's founding membership in the Hollywood Anti-Nazi League. Finally, the book features many wonderful appendices, including two that compare the original draft and final form of the classic songs "I'm Gonna Wash That Man Right Out-a My Hair" and "I'm In Love With a Wonderful Guy." Thoroughly researched and compellingly written, this superb book offers a rich, intriguing portrait of a Broadway masterpiece and the era in which it was created.

Tales of the South Pacific is the iconic, Pulitzer Prize–winning masterpiece that inspired a Broadway classic and launched the career of James A. Michener, one of America’s most beloved storytellers. This thrilling work invites the reader to enter the exotic world of the South Pacific and luxuriate in the endless ocean, the coconut palms, the waves breaking into spray against the reefs, the full moon rising behind the volcanoes. And yet here also are the men and women caught up in the heady drama of World War II: the young Marine who falls for a beautiful Tonkinese girl; the Navy nurse whose prejudices are challenged by a French aristocrat; and all the soldiers and sailors preparing for war against the seemingly peaceful backdrop of a tropical paradise. Praise for James A. Michener and Tales of the South Pacific “Truly one of the most remarkable books to come out of [World War II] . . . Michener is a born storyteller.”—The New York Times “Riveting and emotional . . . Ever since James Michener wrote Tales of the South Pacific, the dreamers among us have been searching for our own Bali Ha’i.”—The Washington Post “Atmospheric . . . [Tales of the South Pacific marks] the beginning of Michener’s long exploration of what happens when cultures connect, or fail to.”—Los Angeles Times “Few writers changed the face of American fiction as profoundly as did James Michener.”—San Francisco Chronicle