Tales Of Time

Dealing with the most translated work of German literature, the Tales of the brothers Grimm (1812-1815), this book discusses their history, notably in relation to Denmark and subsequently other nations from 1816 to 1986. The Danish intelligentsia responded enthusiastically to the tales and some were immediately translated into Danish by a nobleman and by the foremost Romantic poet. Their renditions remained in print for a century and embued the tales with high prestige. This book discusses translators, approaches, and other parameters such as copyright, and changes in target audiences. The tales’ social acceptability inspired Hans Christian Andersen to write his celebrated fairytales. Combined, the Grimm and Andersen tales came to constitute the ‘international fairytale’.This genre was born in processes of translation and, today, it is rooted more firmly in the world of translation than in national literatures. This book thus addresses issues of interest to literary, cross-cultural studies and translation.

Fifteen-year-old Lucas Kane's life is forever changed when a new girl, Aza, comes to his tiny hometown of Crestone, Colorado and reveals to him the truth about his father who abandoned him when he was an infant. Aza takes Lucas to a training center in Sedona, Arizona where he learns he is the son of an archangel and the pawn in a battle between angels and demons. His adventure takes him across the Southwestern United States where he learns of Native American folklore and how it relates to his own story.

A new era in Canadian poetry began in 1880 with the publication of Charles G.D. Roberts’ Orion and Other Poems. He was just twenty years old. Roberts was soon acknowledged as leader of the so-called Confederation Poets—Bliss Carman, Duncan Campbell Scott, and Archibald Lampman. During his long lifetime he wrote hundreds of poems as well as novels, histories, short stories, translations, and essays; he also originated the realistic animal story popularized by Ernest Thompson Seton. He awed literary critics with the versatility of his writing and shocked staid Canadians with the escapades of an unconventional private life. Married at twenty in his native New Brunswick, Roberts soon after began a series of romantic entanglements. While his wife, May, raised the children in Fredericton, he swanned around New York, Havana, and the capitals of Europe. He experienced the Bohemian life of Washington Square around the turn of the century and lived in Montparnasse long before it became famous as an expatriate haven. In 1907 he sailed off to Europe and stayed for eighteen years. When he finally returned aboard the Berengaria in 1925 for a reading tour, he was lionized from coast to coast. For almost two decades he remained a prominent figure in Canadian literary and social circles. He was national president of the Canadian Authors’ Association from 1927 to 1929, and in 1935 he was knighted. At the age of eighty-three, just three weeks before his death in 1943, he married for a second time. Perhaps over-praised as a writer in his own lifetime, Roberts’ reputation has since languished. His main literary achievement, Adams concludes, was in being the first Canadian writer to come to terms with the Canadian landscape, influencing his contemporaries to see their own surroundings with fresh and discerning eyes. The story of his personal life, recounted here fully and objectively for the first time, adds a vivid portrait to the gallery of Canada’s literary pioneers.

In recent years numerous films, television series, comic books, graphic novels and video games have featured time travel narratives, with characters jumping backward, forward and laterally through time. No rules govern time travel in these stories. Some characters move by machine, some by magic, others by unexplained means. Sometime travelers can alter the timeline, while others are prevented from causing temporal aberrations. The fluid forms of imagined time travel have fascinated audiences and prompted debate since at least the 19th century. What is behind our fascination with time travel? What does it mean to be out of one's own era? How do different media tell these stories and what does this reveal about the media's relationship to time? This collection of new essays--the first to address time travel across a range of media--answers these questions by locating time travel narratives within their cultural, historical and philosophical contexts. Texts discussed include Doctor Who, The Terminator, The Georgian House, Save the Date, Back to the Future, Inception, Source Code and others.

It is of no importance, the name of the little provincial city where Captain Mercadier—twenty-six years of service, twenty-two campaigns, and three wounds—installed himself when he was retired on a pension. Two more geese, strolling in the grass across the bottom of the page. It was quite like all those other little villages which solicit without obtaining it a branch of the railway; just as if it were not the sole dissipation of the natives to go every day, at the same hour, to the Place de la Fontaine to see the diligence come in at full gallop, with its gay cracking of the whips and clang of bells. It was a place of three thousand inhabitants—ambitiously denominated souls in the statistical tables—and was exceedingly proud of its title of chief city of the canton. It had ramparts planted with trees, a pretty river with good fishing, a church of the charming epoch of the flamboyant Gothic, disgraced by a frightful station of the cross, brought directly from the quarter of Saint Sulpice. Every Monday its market was gay with great red and blue umbrellas, and countrymen filled its streets in carts and carriages. But for the rest of the week it retired with delight into that silence and solitude which made it so dear to its rustic population. Its streets were paved with cobble-stones; through the windows of the ground-floor one could see samplers and wax-flowers under glass domes, and, through the gates of the gardens, statuettes of Napoleon in shell-work. The principal inn was naturally called the Shield of France; and the town-clerk made rhymed acrostics for the ladies of society.

Celebrating the 100th anniversary of the first issues of Weird Tales Magazine, 100 Years of Weird is a masterful compendium of new and classic stories, flash fiction, essays, and poems from the giants of speculative fiction, including R. L. Stine, Laurell K. Hamilton, Ray Bradbury, H. P. Lovecraft, Tennessee Williams, and Isaac Asimov. Marking a century of uniquely peculiar storytelling, each part of this anthology features a different genre from Cosmic Horror, Sword and Sorcery, Space Opera, to the Truly Weird—things too strange to publish elsewhere, and the magazine’s raison d’etre. Landmark stories such as “The Call of Cthulhu”, “Worms of the Earth”, and “Legal Rites” stand beside original stories and insightful essays from today’s masters of speculative fiction. This visually stunning hardcover edition is a collector’s dream, illustrated throughout with classic full color and black & white art from past issues of Weird Tales Magazine.

DigiCat Publishing presents to you this special edition of "Last Tales" by Karen Blixen. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In Tales in the Key of Life, a father and daughter writing team partner to share a collection of diverse short stories that touch upon love, betrayal, innocence, horror, and murder as a group of eclectic characters face a variety of challenges, each in their own unique way. Tiffaney knows that fate controls her life. While attempting to find reasons behind the sudden deaths of both her parents, Tiffaney embarks on a journey with her fianc to fulfill her mothers last wishwhere the supernatural is about to collide with a life-altering reality. Karen is drowning amid a life of routines. After she reaches for a life preserver she hopes will bring more excitement into her blah days, she soon discovers that her rescue may cost her more than she is willing to pay. Horace is determined not to use cocaine again. But as he waits in his van for yet another innocent child to rescue, Horace knows he is addicted to something far worse than drugs. Tales in the Key of Life is a compilation of seven short tales that lead others into the minds of individuals who will do whatever it takes to survive lifes greatest trials.