Tallulah S Ice Skates

When Tallulah goes ice skating with her brother, Beckett, and best friend, Kacie, she learns that having fun can be more important than being the best.

Her father and her uncle were U.S. congressmen. Her grandfather was a U.S. senator. Although born to privilege in Alabama and groomed in a convent school, Tallulah Bankhead resolved not to be just another southern belle. Quickly she rose to the top and became an acclaimed actress of London's West End and on the Broadway stage. Her performances in many plays of the 1920s brought her to the notice of Hollywood. She starred in such Paramount films as My Sin, Faithless, The Devil and the Deep, and Thunder Below. Even though she won a New York Film Critics Circle Award for her leading role in Alfred Hitchcock's Lifeboat (1944), she never achieved the prominence in movies that she enjoyed in the theater and on radio. On the New York stage she originated the starring roles of Regina Giddens in Lillian Hellman's The Little Foxes and of Sabina in Thornton Wilder's The Skin of Our Teeth. Tallulah, like Eudora, Flannery, and Coretta, was a southern woman identifiable by her first name. Her flamboyant public personality may be the most fully realized and memorable character Bankhead ever played. She became famous for her snappy repartee, candid quotes, and scandalous lifestyle. She was disposed to remove her clothes and chat in the nude. Overfond of Kentucky bourbon and wild parties, she was a lady baritone who called everybody “Dahling.” In Tallulah, first published in 1952 and a New York Times bestseller for twenty-six weeks, Bankhead's literary voice is as lively and forthright as her public persona. She details her childhood and adolescence, discusses her dedication to the theater, and presents amusing anecdotes about her life in Hollywood, New York, and London. Along with a searing defense of her lifestyle and rambunctious habits, she provides a fiercely opinionated, wildly funny account of American stage at a time when the movies were beginning to cast theater into eclipse. This is not only a memoir of an independent woman but also an inside look at American entertainment during a golden age.

Tallulah is frustrated because the grownups will not let her try dancing in toe shoes yet, so she sneaks a pair out of the wastebasket and tries on her own.

This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.

I never forget a face … but in your case I'll make an exception How many times have you found yourself struck dumb with anger, unable to think of the perfect repost only to come up with something wonderful later when your adversary has gone and any retort seems like sour grapes? The French call it ‘L’espirit de l’escalier’, meaning the moment at the bottom of the stairs when the rage-induced paralysis clears and suddenly you know exactly what you should have said, but alas, the right moment has passed. Avoid being caught out again with ‘The Art of the Put-Down’, a collection of the world’s best put downs from history’s greatest wits: including Abraham Lincoln, Winston Churchill, Oscar Wilde, Groucho Marx, Mae West and Dorothy Parker. They just don’t make insults like they used to, so plunder the past for great comebacks and watch your office nemesis wither with shame when you leave them lost for words.

Tallulah is thrilled to play a mouse in a professional production of The Nutcracker and works very hard to be the most marvelous mouse of all, but opening night brings some surprises.

This is a book for those who unashamedly want manners in the world. They are the essence of living together. And we are struggling to find rules that we can agree on in a new world where change and uncertainty are a way of life and personal responsibility is at a disastrous low. No-one wants to bow and scrape to the rhythms of outdated etiquette any more.We need to seek out the original social purpose of manners and apply the principles to life today. We need rules of respect for each other and an agreement to stick to them. Combining an appeal to history, anthropology and common sense with a witty disdain for the sillier snobberies of the traditionalists, Simon Fanshawe has borrowed the format of Erasmus's great work on behaviour, De Civilitate Morum Puerilum, and created a modern basis for good manners. So it doesn't matter if you pass the port to the right or the left as long as it goes in one direction and that way everyone gets a drink. Hold your knife any way you want except as a weapon so strangers will never feel threatened at your table. Date, eat, work, speak, dress, talk on your mobile, tip, text, take your children to eat out in any way you like as long as you do it in a way that respects other people. This is a campaign. Join now and march.

A vital state of beautiful shores, natural bayous, vibrant history, unpretentious people, and amazing food and music culture, Louisiana’s attractions are limitless. A vital state of beautiful shores, natural bayous, vibrant history, unpretentious people, and amazing food and music culture, Louisiana’s attractions are limitless. You can trust the author—a Baton Rouge travel writer—to guide you to the nicest lodgings and the best restaurants, opening up the secrets of her home state to travelers. Rest assured that a great travel experience awaits you.