Tamed

Few of Shakespeare's comedies have proved more popular and enduring than The Taming of the Shrew - and yet it has come to seem one of Shakespeare's more controversial plays. An analysis of the drama that is attentive to its theatrical challenges and stage history allows a better understanding of its power to provoke such diverse responses. How might Katerina's final speech be staged in the twenty-first century? Must it be played for irony, or are her words sincere? How might other characters on stage respond to her account of a woman's duty to her husband? This Handbook provides students and theatre-goers with a performance-oriented guide to the drama. Its commentary explores the action scene by scene, drawing on discussions elsewhere in the book of Shakespeare's cultural and historical moment, and the play's continued fortunes on the stage and screen. Margaret Jane Kidnie equips readers with the skills and materials with which to explore the variety of ways in which this 'troubling comedy' or 'light tragedy' might take on meaning today for modern audiences.

The Taming of the Shrew has puzzled, entertained and angered audiences, and it has been reinvented many times throughout its controversial history. Offering a focused overview of key emerging ideas and discourses surrounding Shakespeare's problematic comedy, the volume reveals and debates how contemporary readings and adaptions of the play have sought to reconsider and resolve the play's contentious portrayal of gender, power and identity. Each chapter has been carefully selected for its originality and relevance to the needs of students, teachers and researchers. Key themes and issues include: · Gender and Power · History and Early Modern Contexts · Performance and Politics · Adaptation and Afterlife All the essays offer new perspectives and combine to give readers an up-to-date understanding of what's exciting and challenging about The Taming of the Shrew.

Explores dramatic, narrative and polemical versions of the 'taming of the shrew' story, from the Middle Ages to the Restoration, in light of recent historical work on the position of early modern women in society. Its essays address shrew narratives as an extended cultural dialogue debating issues of gender and sexual politics.

Winner of the 2010 Sigourney Award! Quinodoz brings together views of eminent analysts to present a comprehensive approach to the experience of loneliness, anxiety about which commonly leads people to analysis and which stems from unresolved anxiety about separation.

Sinceits founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.

A literary analysis of the play 'The Taming of the Shrew.' Includes information on the history and culture of Elizabethan England.

In Oshiwambo, the elephant is likened to the most challenging situation that people can face. If an elephant appears in the morning, all planned activities are put on hold and the villagers join forces to deal with it. For Tshiwa Trudie Amulungu, the elephant showed up on many mornings and she had no choice but to tame it. Growing up in a traditional household in northern Namibia, and moving to a Catholic school, Amulungu’s life started within a very ordered framework. Then one night in 1977 she crossed the border into Angola with her schoolmates and joined the liberation movement. Four months later she was studying at the UN Institute for Namibia in Lusaka Zambia, later going on to study in France. Amulungu recounts the cultural shocks and huge discoveries she made along her journey with honesty, emotion and humour. She draws the reader into her experiences through a close portrayal of life, friends and community in the different places where she lived and studied in exile. This is a compelling story of survival, longing for home, fear of the return, and overcoming adversity in strange environments. It is also a love story that brought two families and cultures together.