Tapamveni

Tapamveni is a Hopi word meaning hammered mark. This book is a study of the rock art in the Petrified Forest region.

Un ensemble de réflexions et de témoignages sur la diversité des pratiques en matière de prise en compte du patrimoine dans les différentes aires géographiques et culturelles. Présentation des acteurs, des enjeux, des conflits autour de cette notion, des politiques patrimoniales urbaines, des approches de la restauration et de l'esthétique patrimoniale, des nouveaux objets et nouvelles approches.

Ancient star lore exploring the mysterious location of Pueblos in the American Southwest, circa 1100 AD, that appear to be a mirror image of the major stars of the Orion constellation. Many readers are familiar with the correlation between the pyramids of Egypt and the stars of Orion. Beginning in 1100 A.D. on the Arizona desert, the Hopi constructed a similar pattern of villages that mirrors all the major stars in the constellation. "As Above, so Below." The Orion Zone explores this ground-sky relationship and its astounding global significance. Packed with diagrams, maps, astronomical charts, and photos of ruins and rock art, this useful guidebook decodes the ancient mysteries of the Pueblo Indian world.

ArizonaÕs San Pedro Valley is a natural corridor through which generations of native peoples have traveled for more than 12,000 years, and today many tribes consider it to be part of their ancestral homeland. This book explores the multiple cultural meanings, historical interpretations, and cosmological values of this extraordinary region by combining archaeological and historical sources with the ethnographic perspectives of four contemporary tribes: Tohono OÕodham, Hopi, Zuni, and San Carlos Apache. Previous research in the San Pedro Valley has focused on scientific archaeology and documentary history, with a conspicuous absence of indigenous voices, yet Native Americans maintain oral traditions that provide an anthropological context for interpreting the history and archaeology of the valley. The San Pedro Ethnohistory Project was designed to redress this situation by visiting archaeological sites, studying museum collections, and interviewing tribal members to collect traditional histories. The information it gathered is arrayed in this book along with archaeological and documentary data to interpret the histories of Native American occupation of the San Pedro Valley. This work provides an example of the kind of interdisciplinary and politically conscious work made possible when Native Americans and archaeologists collaborate to study the past. As a methodological case study, it clearly articulates how scholars can work with Native American stakeholders to move beyond confrontations over who ÒownsÓ the past, yielding a more nuanced, multilayered, and relevant archaeology.

An illustrated overview of the rock art of the Colorado Plateau includes 207 color photos, mini-essays for each site, and an introductory essay examining the history of these petroglyphs and pictographs.

Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.