Tattooed On My Soul

For more than forty years the Institute for Oral History at Baylor University has dutifully gathered the flesh-and-blood memories of the World War II generation in the state of Texas. Tattooed on My Soul brings together seventeen of the most compelling narratives from Baylor’s extensive collection of more than five thousand interviews. Taken together, these selections provide an authentic and powerful mosaic of those critical years and offer intimate glimpses into the reality and meaning of the war for those who fought it. For them, World War II is more than history. And when they tell their stories, it becomes more than facts and dates, victories and defeats for those who listen. Representing a cross-section of Texas’ population and a wide range of wartime assignments, these recollections reveal the personal perspectives on many events and figures of World War II. On land, in air, and by sea, in the Pacific and in Europe, they fought for America’s future. With the clear ring of authenticity and a surprising immediacy, even after all these years, their stories make a global war personal.

The souls of men and women have chosen this season in history to speak in a unique and special way. The soul is writing its secrets on the live canvas of the skin with permanent ink... with tattoos. Many see a person covered in tattoos walk by and harbor a snarky and judgmental response, when in fact the tattoos just told a very personal story. The stories of pain, loss, hope, and other sentiments of great importance are revealed on the skin of the wearer. And those without tattoos may very well have missed a loud, yet intimately revealing, message. The first book, God and Tattoos: Why Are People Writing on Themselves? and this new edition, both take a look at the WHY. After 1000 tattoo interviews and several tattoo parlors and conventions across the nation, Dr. Allan Dayhoff shares his research, and his love for his many new tattooed friends.

Among Christian devotional works, My Utmost for His Highest stands head and shoulders above the rest, with more than 13 million copies sold. But most readers have no idea that Oswald Chambers's most famous work was not published until ten years after his death. The remarkable person behind its compilation and publication was his wife, Biddy. And her story of living her utmost for God's highest is one without parallel. Bestselling novelist Michelle Ule brings Biddy's story to life as she traces her upbringing in Victorian England to her experiences in a WWI YMCA camp in Egypt. Readers will marvel at this young woman's strength as she returns to post-war Britain a destitute widow with a toddler in tow. Refusing personal payment, Biddy proceeds to publish not just My Utmost for His Highest, but also 29 other books with her husband's name on the covers. All the while she raises a child alone, provides hospitality to a never-ending stream of visitors and missionaries, and nearly loses everything in the London Blitz during WWII. The inspiring story of a devoted woman ahead of her times will quickly become a favorite of those who love true stories of overcoming incredible odds, making a life out of nothing, and serving God's kingdom.

Father Boyle started Homeboy Industries nearly 20 years ago, which has served members of more than half of the gangs in Los Angeles. This collection presents parables about kinship and the sacredness of life drawn from Boyle's years of working with gangs.

You may not have a single tattoo on your body—or you may have run out of space for new ones. Either way, God offers something far more permanent than ink on skin. In Isaiah 43, God declares eternal promises of His love ... four tattoos for your soul: You Are Mine I Will Be With You I Love You I Created You for My Glory Engraved by the hand of the Master, these soul tattoos will never fade.

Mind, Brain, and Free Will presents a powerful new case for substance dualism (the theory that humans consist of two parts body and soul) and for libertarian free will (that humans have some freedom to choose between alternatives, independently of the causes which influence them). Richard Swinburne begins by analysing the criteria for one event or substance being the same event or substance as another one, and the criteria for an event being metaphysically possible; and then goes on to analyse the criteria for beliefs about these issues being rational or justified. Given these criteria, he then proceeds to argue that pure mental events (including conscious events) are distinct from physical events and interact with them. He claims that no result from neuroscience or any other science could show that there is no such interaction, and illustrates this claim by showing that recent scientific work (such as Libet's experiments) has no tendency whatever to show that our intentions do not cause brain events. Swinburne goes on to argue for agent causation, that-to speak precisely-it is we, and not our intentions, that cause our brain events. It is metaphysically possible that each of us could acquire a new brain or continue to exist without a brain; and so we are essentially souls. Brain events and conscious events are so different from each other that it would not be possible to establish a scientific theory which would predict what each of us would do in situations of moral conflict. Hence given a crucial epistemological principle (the Principle of Credulity), we should believe that things are as they seem to be: that we make choices independently of the causes which influence us. According to Swinburne's lucid and ambitious account, it follows that we are morally responsible for our actions.

Sometimes to find yourself, you need a nudge; other times, a violent shove. The world foists preconceptions on us, fitting us with its straightjacket, preventing us from being who we truly were meant to be. A Soul's Tattoo: Life's Ink is the startling story of a woman unexpectedly discovering who she really is. Nora is at a make-or-break point in her career, and the decision made for her jars her world, causing her to step outside her comfort zone. But, by that simple step, she lets the powers-that-be know who she really is, before she even knows herself. Her life takes one surreal turn after another. Nora meets Alex, a tattoo artist, with demons. He inks her, and their lives are never the same. Nora strives for anonymity; Alex thrives on exposing the bad guys. But, in life, it's not which team you're on, but which side. Nora and Alex are in for the ride of their lives.

"In this provocative work full of intriguing female characters from tattoo history, Margot Mifflin makes a persuasive case for the tattooed woman as an emblem of female self-expression." —Susan Faludi Bodies of Subversion is the first history of women’s tattoo art, providing a fascinating excursion to a subculture that dates back into the nineteenth-century and includes many never-before-seen photos of tattooed women from the last century. Author Margot Mifflin notes that women’s interest in tattoos surged in the suffragist 20s and the feminist 70s. She chronicles: * Breast cancer survivors of the 90s who tattoo their mastectomy scars as an alternative to reconstructive surgery or prosthetics. * The parallel rise of tattooing and cosmetic surgery during the 80s when women tattooists became soul doctors to a nation afflicted with body anxieties. * Maud Wagner, the first known woman tattooist, who in 1904 traded a date with her tattooist husband-to-be for an apprenticeship. * Victorian society women who wore tattoos as custom couture, including Winston Churchill’s mother, who wore a serpent on her wrist. * Nineteeth-century sideshow attractions who created fantastic abduction tales in which they claimed to have been forcibly tattooed. “In Bodies of Subversion, Margot Mifflin insightfully chronicles the saga of skin as signage. Through compelling anecdotes and cleverly astute analysis, she shows and tells us new histories about women, tattoos, public pictures, and private parts. It’s an indelible account of an indelible piece of cultural history.” —Barbara Kruger, artist