Taxidermy

Explicit instructions for preparing and mounting dead animals and tanning skins and furs.

A humorous look at what happens when taxidermy goes terribly wrong, by the founder of the hit website crappytaxidermy.com. A relaxed toad enjoying a smoke and a brew. A cat with eerily flexible front legs. A smiling lion with receding gums. Whether you choose to laugh or cringe at these spectacularly bad attempts at taxidermy, you won't be able to tear your eyes away from the curiosities inside. This volume brings together the very best of the worst (along with a DIY "Stuff Your Own Mouse" lesson by an Insect Preparator from the American Museum of Natural History), showcasing the most perverse yet imaginative anatomical reconstructions of the animal kingdom you'll ever see.

Shortlisted for the 2017 Text Prize Lottie collects dead creatures and lovingly cares for them, hoping to preserve them, to save them from disintegration. Her father understands—Lottie has a scientific mind, he thinks. Her aunt wants it to stop, and she goes to cruel lengths to make sure it does. And her mother? Lottie’s mother died long ago. And Lottie is searching for a way to be close to her. The Art of Taxidermy is a heartbreaking verse novel exploring love and death, grief and beauty, and the ways we try to make sense of it all. Sharon Kernot writes poetry and fiction. Her work has appeared in a variety of journals, magazines and anthologies including Island, Mascara Literary Journal, Best Australian Poems, and Australian Love Stories. ‘Completely mesmerising, fresh and unexpected.’ Diana Sweeney, winner of 2013 Text Prize ‘An intense exploration of grief.’ Steven Herrick ‘[An] exquisite lyrical verse novel...[A] sharply evocative tale.’ West Weekend ‘The work couples the swift, clipped charm of a verse novel and the unpredictable beauty of the Australian landscape in a captivating manner that showcases an author entirely comfortable with her form...Lingers in the mind for weeks afterwards.’ Tulpa Magazine ‘Kernot has created an intriguing tale of mystery and the imagination with a haunting ambience that the ghost of Edgar Allan Poe would recognise and admire...this is a delightful story about grief transformed and the urge to resurrect and to re-create.’ Saturday Paper ‘This book is beautifully written...while the novel is about grief, it is also about the importance of remembering and keeping the memory of loved ones alive.’ Magpies Magazine ‘In lyrical language, Kernot draws a comparison between the Australian bush and death: both are beautiful and desolate at once.’ Readings ‘Kernot’s writing is imbued with life and grace and moments of infectious joy.’ SA Weekend

From style wilderness to height of cool, taxidermy has staged an extraordinary comeback. No longer confined to stately homes, stuffed animals are appearing everywhere from modern apartments to luxury department stores. High-profile artists have rejuvenated the medium and museums have dusted down their historic collections and put them back on display. Illustrated with stunning photography that explores this rich artform, past and present, this title is the most comprehensive and beautiful survey of taxidermy ever produced.

Taxidermy, once the province of natural history and dedicated to the pursuit of lifelike realism, has recently resurfaced in the world of contemporary art, culture, and interior design. In Speculative Taxidermy, Giovanni Aloi offers a comprehensive mapping of the discourses and practices that have enabled the emergence of taxidermy in contemporary art. Drawing on the speculative turn in philosophy and recovering past alternative histories of art and materiality from a biopolitical perspective, Aloi theorizes speculative taxidermy: a powerful interface that unlocks new ethical and political opportunities in human-animal relationships and speaks to how animal representation conveys the urgency of addressing climate change, capitalist exploitation, and mass extinction. A resolutely nonanthropocentric take on the materiality of one of the most controversial mediums in art, this approach relentlessly questions past and present ideas of human separation from the animal kingdom. It situates taxidermy as a powerful interface between humans and animals, rooted in a shared ontological and physical vulnerability. Carefully considering a select number of key examples including the work of Nandipha Mntambo, Maria Papadimitriou, Mark Dion, Berlinde De Bruyckere, Roni Horn, Oleg Kulik, Steve Bishop, Snæbjörnsdóttir/Wilson, and Cole Swanson, Speculative Taxidermy contextualizes the resilient presence of animal skin in the gallery space as a productive opportunity to rethink ethical and political stances in human-animal relationships.

A beautiful waterfowl source book for carvers, taxidermists, ornithologists, and waterfowl enthusiasts. Close-up photographs show detailed feather patterns, color, and species information. Full species descriptions accompany these beautiful and important illustrations. A comprehensive state-by-state guide for observing the waterfowl in natural habitats includes national and local wildlife refuges, zoos, and other preserves.

From sixteenth-century cabinets of wonders to contemporary animal art, The Breathless Zoo: Taxidermy and the Cultures of Longing examines the cultural and poetic history of preserving animals in lively postures. But why would anyone want to preserve an animal, and what is this animal-thing now? Rachel Poliquin suggests that taxidermy is entwined with the enduring human longing to find meaning with and within the natural world. Her study draws out the longings at the heart of taxidermy—the longing for wonder, beauty, spectacle, order, narrative, allegory, and remembrance. In so doing, The Breathless Zoo explores the animal spectacles desired by particular communities, human assumptions of superiority, the yearnings for hidden truths within animal form, and the loneliness and longing that haunt our strange human existence, being both within and apart from nature.