Ten Years On Unabridged

Fitzgerald won fame and fortune for his first novel, This Side of Paradise. It is an immature work but was the first novel to anticipate the pleasure-seeking generation of the Roaring Twenties. A similar novel, The Beautiful and Damned increased his popularity. The Great Gatsby was less popular than Fitzgerald's early works, but it was his masterpiece and the first of three successive novels that give him lasting literary importance. The lively yet deeply moral novel centers around Jay Gatsby, a wealthy bootlegger. It presents a penetrating criticism of the moral emptiness Fitzgerald saw in wealthy American society of the 1920's. Fitzgerald's next novel, Tender Is the Night, is a beautifully written but disjointed account of the general decline of a few glamorous Americans in Europe. The book failed because readers during the Great Depression of the 1930s were not interested in Jazz Age "parties." Fitzgerald died before he completed The Love of the Last Tycoon, a novel about Hollywood life. Critics generally agree that Fitzgerald's early success damaged his personal life and marred his literary production. This success led to extravagant living and a need for a large income. It probably contributed to Fitzgerald's alcoholism and the mental breakdown of his wife, Zelda. The success also probably led to his physical and spiritual collapse. Fitzgerald spent his last years as a scriptwriter in Hollywood. Francis Scott Key Fitzgerald (1896 – 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age, a term he coined.

This carefully crafted ebook: "Complete Novels of Fyodor Dostoyevsky (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. Fyodor Dostoyevsky (1821-1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment (1866), The Idiot (1869), Demons (1872) and The Brothers Karamazov (1880). Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature. Table of Contents: NOVELS AND NOVELLAS: Poor Folk The Double The Landlady Netochka Nezvanova Uncle's Dream The Village of Stepanchikovo The Insulted and Humiliated The House of the Dead Notes from Underground Crime and Punishment The Gambler The Idiot The Permanent Husband The Possessed (Demons) The Raw Youth (The Adolescent) The Brothers Karamazov ESSAYS ON DOSTOYEVSKY: A SURVEY OF RUSSIAN LITERATURE by Isabel Florence Hapgood DOSTOYEVSKY AND HIS MESSAGE TO THE WORLD by Zinaida Vengerova ON RUSSIAN NOVELISTS by William Lyon Phelps Extract from 'AN OUTLINE OF RUSSIAN LITERATURE' by Maurice Baring BIOGRAPHY Fyodor Dostoyevsky, A Study by Aimée.

This carefully crafted ebook: "Nostromo - A Tale of the Seaboard (Unabridged Deluxe Edition)" is formatted for your eReader with a functional and detailed table of contents. Nostromo: A Tale of the Seaboard is a 1904 novel, set in the fictitious South American republic of "Costaguana". Conrad set his novel in the mining town of Sulaco. The book has more fully developed characters than any other of his novels, but two characters dominate the narrative: Señor Gould and the eponymous anti-hero, the "incorruptible" Nostromo. In his "Author's Note" Conrad relates how, as a young man of about seventeen, while serving aboard a ship in the Gulf of Mexico, he heard the story of a man who had stolen, single-handedly, "a whole lighter-full of silver". But Conrad forgot about the story until some twenty-five years later when he came across a travelogue in a used bookshop in which the author related how he worked for years aboard a schooner whose master claimed to be that very thief who had stolen the silver. F. Scott Fitzgerald said, "I'd rather have written Nostromo than any other novel." Joseph Conrad (1857-1924), was a Polish author who wrote in English after settling in England. Conrad is regarded as one of the greatest novelists in English, though he did not speak the language fluently until he was in his twenties. He wrote stories and novels, often with a nautical setting, that depict trials of the human spirit in the midst of an indifferent universe. He was a master prose stylist who brought a distinctly non-English tragic sensibility into English literature. Contents: Nostromo: A Tale of the Seaboard Memoirs & Letters: A Personal Record; or Some Reminiscences The Mirror of the Sea Notes on Life & Letters Biography and Critical Essays: Joseph Conrad (A Biography) by Hugh Walpole Joseph Conrad by John Albert Macy A Conrad Miscellany by John Albert Macy Joseph Conrad by Virginia Woolf

"New York Times"-bestselling author and beloved "Today" show co-anchor tells the incredible stories of people who, when faced with impossibly challenging or tragic life situations, persevere--and even thrive.

The Republic itself is nothing at the start of Plato's most famous and influential book. It does not exist. Not only does it not exist in actuality, but it does not exist in theory either. It must be built. It's architect will be Socrates, the fictional persona Plato creates for himself. In the first episode Socrates encounters some acquaintances during the festival of Bendis. His reputation for good conversation already well-established, Socrates is approached by some dilettante philosopher acquaintances and drawn into a dialogue. The discussion quickly moves to justice thanks to Socrates. The other philosophers, including Thrasymachus, Polermarchus, Glaucon, and Adeimantus enthusiastically consent to such a worthy topic. However, it is unlikely at this point that any of these philosophers save Socrates, of course anticipates the ambition and enormity of their undertaking.In Book I, Socrates entertains two distinct definitions of justice. The first is provided by Polermarchus, who suggests that justice is "doing good to your friends and harm to your enemies." The definition, which is a version of conventionally morality, is considered. Very soon though, its faults are clearly apparent. It is far to relative to serve as a formulation of the justice. Moreover, its individual terms are vulnerable; that is to say, how does one know who is a friend and who an enemy? And are not friends as much as enemies capable of evil? And when a friend acts wickedly, should he not be punished? And next, what does it mean that an action is good or bad? The perils of giving credence to false appearances is introduced early on as a major theme. It will be dealt with at length in the succeeding books. Thus surely an idea as noble as justice will not stand on such precarious ground. Socrates is dissatisfied. A second definition, offered by Thrasymachus, endorses tyranny. "Obedience to the interest of the stronger," is likewise mined for its value, shown to be deficient, and discarded. Tyranny, Socrates demonstrates employing several analogies, inevitably results in the fragmentation of the soul. Benevolent rule, on the other hand, ensures a harmonious life for both man and State. Justice is its means and good is its end. That "justice is the excellence of the soul" is Socrates' main conclusion. But there are too many presumptions. Although his auditors have troubled refuting his claims, Socrates knows he has been too vague and that should they truly wish to investigate the question of justice, he will have to be more specific. Book I ends with yet another question. Is the just life more pleasurable, more rewarding than the unjust? Rather all at once the philosophers have inundated themselves. But the first book has succeeded in one major way. It has established the territory of the over-arching argument of the entire work;The philosophers continue the debate in Book II by introducing a new definition that belongs more to political philosophy than pure philosophy: that justice is a legally enforced compromise devised for the mutual protection of citizens of a state. In other words, justice is a fabrication of the State that prevents citizens from harming one another. Socrates is certainly up to the challenge. He dislikes the idea that justice does not exists naturally, but that it must be externally and superficially imposed to discourage unjust behavior. Adeimantus' mentioning of the State seems fortuitous, but it is as if Socrates has been waiting for it all along. Uncertain whether they can arrive at an acceptable definition of justice any other way, Socrates proposes they construct a State of which they approve, and see if they might not find justice lurking in it somewhere. This State arises, Socrates says, "out of the needs of mankind." And the immense project of building a State from its very foundation has officially commenced. Basic necessities are addressed first, then the primitive division of labor, followed...

"Knox works to keep his family together as they move from Hong Kong back to northern California during the initial outbreak of the coronavirus."--