Tereska Her Photographer

"'Tereska and her photographer: a story' is a photobook that presents a fictional story by Carole Naggar about the extraordinary parallel lives of Magnum photographer and co-founder David 'Chim' Seymour and Tereska Adwentowska, a young Polish girl who was the subject of Chim's most famous photograph. In September 1948, while on assignment for UNICEF to report on Europe's children, Chim photographed Tereska at a primary school in Warsaw, Poland. Millions of readers saw Tereska's picture when it was published in Life magazine in December of the same year, and were moved by her plight. She had received a shrapnel wound during the Wola massacre, and her image became emblematic of children’s fate during World War II. In the aftermath of the war, Chim tried to discover her full name and story. However, both Chim and Tereska met absurd deaths before ever meeting again. Based on historical facts, Tereska and her Photographer is a fiction built as a small opera, where all the characters in Chim and Tereska’s lives bring their various voices to the narrative. They include: Tereska, Chim, Tereska’s parents (whose father was a Freedom Fighter during Warsaw’s Uprising), Doctor Stanislaw Wiktor Sierpiński (a survivor of Otwock’s massacre), Enrique Meneses, Jr. (a journalist who explored Chim and journalist Jean Roy’s deaths in Egypt), and several others. The book’s chronology is nonlinear, weaving vignettes from 1948 and the present with those from Chim’s youth and Tereska’s early childhood. David 'Chim' Seymour’s photographs, along with several anonymous historical images, are inventively presented and arranged by award-winning book designer Ricardo Báez with striking typography by Juan Mercerón."--Publisher's website.

First Digital Edition; Grier Rating: A*** This is the true-life story of what happens when scores of young girls live intimately together in a French military barracks. Many of these girls, utterly innocent and inexperienced, meet other women who have lived every type of existence. Their problems, their temptations, their fights and failures are those faced by all women who are forced to live together during dangerous and stressful times. The girls who chose Tereska Torres, the author, as their confidante poured out to her their most intimate feelings, their secret thoughts. With all of its revelations and tenderness, Women’s Barracks is an important book because it tells a story that had never been truly told before--the story of women in war. It also has the special distinction of being the first “lesbian pulp” novel ever published and became a record-breaking bestseller. This autobiographical novel takes place in London, England during World War II. The terror of the V-1 and V-2 rocket bombings, and the resulting fires and destruction, are an unknown experience to most readers. The women enduring these events were not even 20 years old when they first arrived. Many volunteered to be there. They were French, or of French heritage, and wanted to be part of the effort to help protect France from invasion by the Nazis. Throughout it all, passions flare, long-standing taboos are tossed to the wind, and passionate relationships are begun between older, more experienced butch officers and the young, inexperienced femme girls under their charge. In her telling of these women’s stories, Torres remains nonjudgmental of the lesbian relationships these women explored. Perhaps as a result, Women’s Barracks was banned in several states for being obscene. The House Select Committee on Current Pornographic Materials denounced the book in 1952 as an illustration of how the newly emerging paperback industry was breeding and promoting moral depravity. By today’s standards, of course, the book is somewhat tame; however, the eroticism and honesty with which Torres writes immerses the reader in the love, tenderness, loyalty and passion that women share with each other.

The first complete illustrated bibliography of 1,000 iconic photobooks created by members of the renowned photo agency Published on the occasion of Magnum Photos' seventieth anniversary, this fascinating in-depth survey brings Magnum's history alive through the genre of the photobook ? an essential vehicle for photographers to share their work. Its pages include unpublished behind-the-scenes material, together with ephemera from the photographers' archives about the making of their books. With an introduction by Fred Ritchin and texts by Carole Naggar, this book explores the evolution of the photobook, as well as the important role that Magnum has played in the history of documentary photography.

Fed by thrilling recent discoveries from Saul Leiter's vast archive, In My Room provides an in-depth study of the nude, through intimate photographs of the women Leiter knew. Showing deeply personal interior spaces, often illuminated by the lush natural light of the artist's studio in New York City's East Village, these black-and-white images reveal the unique collaboration between Leiter and his subjects. In the 1970s, Leiter planned to make a book of his nudes, but never realized the project in his lifetime. Now we are granted a first-time look at this body of work, which Leiter began on his arrival in New York in 1946 and chipped away at over the next two decades. Leiter, who was also a painter, incorporates abstract elements into these photographs and often shows the influence of his favorite artists, including Bonnard, Vuillard and Matisse. The prolific Leiter, who painted and took pictures fervently up to his death, worked in relative obscurity well into his eighties. Leiter preferred solitude in life, and resisted any type of explanation or analysis of his work. With In My Room, Leiter ushers viewers into his private world while retaining his strong sense of mystery.

Interdisciplinary study of collective violence offering insights into darker side of humanity.

Lusty career girls! Scandalous exploits! And guaranteed job satisfaction. "Madcap" Maxie Mainwaring has been leading a gay life in Bay City, courtesy of her wealthy parents' generous allowance. Then she's discovered in the powder room at the Daughters of the American Pioneers Annual Luncheon, boldly exploring new territory with a female attendee. Maxie gets an ultimatum: move back to the Mainwaring Manse, or pay her own way. Plenty of girls can testify to Maxie's enthusiasm and talent--but can the "dilettante debutante" earn a paycheck? Over the course of one adventurous summer, Maxie will hone her skills with the help of acquaintances old and new, including: Velma, a comely dry cleaning mogul with some dirty secrets Stella, the aspiring novelist who has a way with more than words Kathy, an FBI agent who views Maxie as a definite person of interest Lon, the laconic loner who knows more than she tells And Pamela, the businesswoman with a body made for pleasure From gritty school cafeterias to cosmopolitan magazine offices, Maxie is discovering new positions and getting valuable hands-on experience--and love could be the most exciting job perk of all. . .

"Chim picked up his camera the way a doctor takes his stethoscope out of his bag, applying his diagnosis to the condition of the heart. His own was vulnerable."—Henri Cartier-Bresson Among the great masters of European photography, Chim endures as a legend. Along with Henri Cartier-Bresson, Robert Capa, and George Rodger, he co-founded photojournalism's famous cooperative, Magnum Photos, and occupies a special place in the canon. This retrospective monograph gathers hundreds of rolls of film Chim shot shortly after World War II for UNICEF. One of Chim's best-known projects, this series was printed by Life in 1948 and by UNICEF is 1949. However, myriad images were left unpublished, hidden from the public audience. Chim: Children of War, created in close collaboration with Chim's estate, unveils many of these never-before-seen photographs, further cementing Chim as one of the most influential photographers of our time, an image-maker whose emotional empathy remains unmatched. David Seymour (Chim) was born in Warsaw, Poland. He later moved to Paris to study art and soon gravitated to photography to begin his life's work—a tableau of haunting social portraits and critiques of the twentieth century's turbulent events. Chim was killed by gunfire while on assign¬ment in the Suez in 1956. Carole Naggar is a poet and photography historian based in New York City. Born in Cairo, Egypt, Naggar has authored many works on photographers and their medium, including books on George Rodger, Werner Bischof, and Chim. She has been a regular contributor to Aperture since 1988.