Terra Australis Text Classics

In this edited selection of his journals, Matthew Flinders, Australia’s greatest navigator and the man who named our island continent, describes in captivating detail his epic mission to map our shores between 1796 and 1803.

Terra Australis - the southern land - was one of the most widespread concepts in European geography from the sixteenth to the eighteenth centuries, although the notion of a land mass in the southern seas had been prevalent since classical antiquity. Despite this fact, there has been relatively little sustained scholarly work on European concepts of Terra Australis or the intellectual background to European voyages of discovery and exploration to Australia in the eighteenth and nineteenth centuries. Through interdisciplinary scholarly contributions, ranging across history, the visual arts, literature and popular culture, this volume considers the continuities and discontinuities between the imagined space of Terra Australis and its subsequent manifestation. It will shed new light on familiar texts, people and events - such as the Dutch and French explorations of Australia, the Batavia shipwreck and the Baudin expedition - by setting them in unexpected contexts and alongside unfamiliar texts and people. The book will be of interest to, among others, intellectual and cultural historians, literary scholars, historians of cartography, the visual arts, women's and post-colonial studies.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

Narrative of a voyage to Terra Australis, undertaken for the purpose of completing the discovery of that vast country, and prosecuted in the years 1801, 1802 and 1803. Originally published in 1814.

The fiddle at the Pacific Pastoral meat-packing works was a nice little earner for all concerned until Herb Gardiner reported finding a body in number 3 chiller. An accident, of course, but just the excuse a devious political operator might grab to stir up trouble with the unions. Enter Murray Whelan, minder and fixer for the Minister of Industry.

Winner of the Patrick White Literary Award, 1999. Introduction by Wayne Macauley. There is no book in Australian literature like The Plains. In the two decades since its first publication, this haunting novel has earned its status as a classic. A nameless young man arrives on the plains and begins to document the strange and rich culture of the plains families. As his story unfolds, the novel becomes, in the words of Murray Bail, ‘a mirage of landscape, memory, love and literature itself’. Gerald Murnane was born in Melbourne in 1939. He has been a primary teacher, an editor and a university lecturer. His debut novel, Tamarisk Row (1974), was followed by ten other works of fiction, including The Plains and most recently Border Districts. In 1999 Murnane won the Patrick White Award and in 2009 he won the Melbourne Prize for Literature. He lives in western Victoria. Wayne Macauley is the author of three novels, Blueprints for a Barbed-Wire Canoe (2004), Caravan Story (2007) and The Cook (2011), and the short fiction collection Other Stories (2010). He lives in Melbourne. ‘Murnane is quite simply one of the finest writers we have produced.’ Peter Craven ‘A distinguished, distinctive, unforgettable novel.’ Shirley Hazzard ‘Gerald Murnane is unquestionably one of the most original writers working in Australia today and The Plains is a fascinating and rewarding book...The writing is extraordinarily good, spare, austere, strong, often oddly moving.’ Australian ‘A piece of imaginative writing so remarkably sustained that it is a subject for meditation rather than a mere reading...In the depths and surfaces of this extraordinary fable you will see your inner self eerily reflected again and again.’ Sydney Morning Herald ‘The Plains has that peculiar singularity that can make literature great.’ Ed Wright, Australian, Best Books of 2015 ‘Murnane touches on foibles and philosophy, plays with the makings of a fable or allegory, and all the while toys with tone, moving easily from earnest to deadpan to lightly ironic, a meld of Buster Keaton, the Kafka of the short stories, and Swift in A Modest Proposal...A provocative, delightful, diverting must-reread.’ STARRED Review, Kirkus Reviews ‘Known for its sharp yet defamiliarizing take on the landscape and an aesthetic of purity historically associated with it, The Plains is uniformly described as a masterpiece of Australian literature. Look closer, though, and it's a haunting nineteenth-century novel of colonial violence captured inside the machine's test-pattern image—a distant, unassuming house on the plains.’ BOMB

Dark Places, a companion novel to Lilian’s Story, is the tale of a man with a comically grand exterior who believes he has the right, and the duty, to conquer the mocking flesh of any woman. Even his own daughter.