Terror Culture Politics

Taking a critical look at the politics of American culture in the wake of the 2001 terrorist attacks, contributors offer a multi-disciplinary approach in their examination of how our existing cultural patterns, have shaped our response to it.

This book re-examines the role of the sublime across a range of disparate cultural texts, from architecture and art, to literature, digital technology, and film, detailing a worrying trend towards nostalgia and arguing that, although the sublime has the potential to be the most powerful uniting aesthetic force, it currently spreads fear, violence, and retrospection. In exploring contemporary culture, this book touches on the role of architecture to provoke feelings of sublimity, the role of art in the aftermath of destructive events, literature’s establishment of the historical moment as a point of sublime transformation and change, and the place of nostalgia and the returning of past practices in digital culture from gaming to popular cinema.

This book analyzes the methods, effects, and mechanisms by which international relations reach the US citizen. Deftly dissecting the interrelationships of national identity formation, corporate ‘news and opinion’ dissemination, and the quasi-academic apparatus of war justification - focusing on the Bush administration's exploitation of the fear and insecurity caused by 9/11 and how this has manifested itself in the US media (especially the tabloid populist media). Debrix explains how all serve to defend and produce state power and develops a model of tabloidized international relations, where responses are both organized by, and supportive of, a strong centralized US government. The field of International Relations sorely needs such analytics, in so far as it explains how people in their everyday lives relate to transnational issues. Tabloid Terror critically covers a wide variety of US popular culture from the Internet to Fox News; analyzes diverse authors as Julia Kristeva, J.G. Ballard and Robert Kaplan and takes into account renowned international relations interlocutors as Don Imus, Bill O’Reilly, and Tommy Franks.

This scathing critique of U.S. political culture is a brilliant analysis of the Iran-contra scandal. Chomsky offers a message of hope, reminding us that resistance is possible, necessary, and effective.

Since the infamous events of 9/11, the fear of terrorism and the determination to strike back against it has become a topic of enormous public debate. The 'war on terror' discourse has developed not only through American politics but via other channels including the media, the church, music, novels, films and television, and therefore permeates many aspects of American life. Stuart Croft suggests that the process of this production of knowledge has created a very particular form of common sense which shapes relationships, jokes and even forms of tattoos. Understanding how a social process of crisis can be mapped out and how that process creates assumptions allows policy-making in America's war on terror to be examined from new perspectives. Using IR approaches together with insights from cultural studies, this book develops a dynamic model of crisis which seeks to understand the war on terror as a cultural phenomenon.

This book argues that neoliberalism is not simply an economic theory but also a set of values, ideologies, and practices that works more like a cultural field that is not only refiguring political and economic power, but eliminating the very categories of the social and political as essential elements of democratic life. Neoliberalism has become the most dangerous ideology of our time. Collapsing the link between corporate power and the state, neoliberalism is putting into place the conditions for a new kind of authoritarianism in which large sections of the population are increasingly denied the symbolic and economic capital necessary for engaged citizenship. Moreover, as corporate power gains a stranglehold on the media, the educational conditions necessary for a democracy are undermined as politics is reduced to a spectacle, essentially both depoliticizing politics and privatizing culture. This series addresses the relationship among culture, power, politics, and democratic struggles. Focusing on how culture offers opportunities that may expand and deepen the prospects for an inclusive democracy, it draws from struggles over the media, youth, political economy, workers, race, feminism, and more, highlighting how each offers a site of both resistance and transformation.

E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a need to draw meaning from personal experience and to communicate what happens to others, she examines the forms that are used to bridge the experience.

E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a need to draw meaning from personal experience and to communicate what happens to others, she examines the forms that are used to bridge the experience.