Tevye The Dairyman And The Railroad Stories

Of all the characters in modern Jewish fiction, the most beloved is Tevye, the compassionate, irrepressible, Bible-quoting dairyman from Anatevka, who has been immortalized in the writings of Sholem Aleichem and in acclaimed and award-winning theatrical and film adaptations. And no Yiddish writer was more beloved than Tevye’s creator, Sholem Rabinovich (1859–1916), the “Jewish Mark Twain,” who wrote under the pen name of Sholem Aleichem. Beautifully translated by Hillel Halkin, here is Sholem Aleichem’s heartwarming and poignant account of Tevye and his daughters, together with the “Railroad Stories,” twenty-one tales that examine human nature and modernity as they are perceived by men and women riding the trains from shtetl to shtetl.

A sparkling and eye-opening history of the Broadway musical that changed the world In the half-century since its premiere, Fiddler on the Roof has had an astonishing global impact. Beloved by audiences the world over, performed from rural high schools to grand state theaters, Fiddler is a supremely potent cultural landmark. In a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America. It is a story of the theater, following Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut in one of the last big book musicals, and his ultimate destination—a major Hollywood picture. Solomon reveals how the show spoke to the deepest conflicts and desires of its time: the fraying of tradition, generational tension, the loss of roots. Audiences everywhere found in Fiddler immediate resonance and a usable past, whether in Warsaw, where it unlocked the taboo subject of Jewish history, or in Tokyo, where the producer asked how Americans could understand a story that is "so Japanese." Rich, entertaining, and original, Wonder of Wonders reveals the surprising and enduring legacy of a show about tradition that itself became a tradition. Wonder of wonders, miracle of miracles.

Tevye's Daughters is the book that was made into the blockbuster play and movie, "Fiddler on the Roof." This movie brought us such famous and universally recognizable songs as "If I were a Rich Man," "Matchmaker, Matchmaker Make me a Match," "Tradition" and "Sunrise, Sunset." Trvye the dairyman is one of the most delightful and amusing characters in all of fiction, and this chronicle of Tevye and his daughters is, beyond question, the great Jewish humorist's masterpiece. Tevye was baffled by his daughters. That he had seven daughters and no sons-well, that was God's will, and Tevye loved them all dearly. And the girls-ah, their world revolved around papa and they gave him all their devotion. But as they grew up, they saw that the world was big and changing, that there were other ideas and other people. What made it so difficult for Tevye was not that they were such fine and lovely girls - dark-eyed Beilke, laughing Sprintze, brave Hodel - but that they had minds and wills of their own. Tevye couldn't quite understand that - it wasn't supposed to be that way. His gay heart was heavy at times, and the girls mixed tears with their laughter. When you have read this book, you will know why many Jews refer to Sholom Aleichem not as "the great Jewish humorist," but rather as one of "the greatest writers of our time." There are short stories in this book too: "If I Were Rothschild," "The Littlest of Kings," and a dozen others that display Sholom Aleichem's wonderful storytelling gift at its best.

Paul Kriwaczek begins this illuminating and immensely pleasurable chronicle of Yiddish civilization during the Roman empire, when Jewish culture first spread to Europe. We see the burgeoning exile population disperse, as its notable diplomats, artists and thinkers make their mark in far-flung cities and found a self-governing Yiddish world. By its late-medieval heyday, this economically successful, intellectually adventurous, and self-aware society stretched from the Baltic to the Black Sea. Kriwaczek traces, too, the slow decline of Yiddish culture in Europe and Russia, and highlights fresh offshoots in the New World.Combining family anecdote, travelogue, original research, and a keen understanding of Yiddish art and literature, Kriwaczek gives us an exceptional portrait of a culture which, though nearly extinguished, has an influential radiance still.

"After Anatevka follows Sholom Aleichem's timeless character, Tevye the milkman, as he moves his family from Russia to a kibbutz in Palestine. Tevye, the wisecracking, Bible-quoting man of God, tells the story against the backdrop of the conflict between Jews and Arabs in the Holy Land prior to the establishment of the State of Israel"--Back cover.

“In The Third Daughter, Talia Carner ably illuminates a little-known piece of history: the sex trafficking of young women from Russia to South America in the late 19th century. Thoroughly researched and vividly rendered, this is an important and unforgettable story of exploitation and empowerment that will leave you both shaken and inspired.” —Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris The turn of the 20th century finds fourteen-year-old Batya in the Russian countryside, fleeing with her family endless pogroms. Desperate, her father leaps at the opportunity to marry Batya to a worldly, wealthy stranger who can guarantee his daughter an easy life and passage to America. Feeling like a princess in a fairytale, Batya leaves her old life behind as she is whisked away to a new world. But soon she discovers that she’s entered a waking nightmare. Her new “husband” does indeed bring her to America: Buenos Aires, a vibrant, growing city in which prostitution is not only legal but deeply embedded in the culture. And now Batya is one of thousands of women tricked and sold into a brothel. As the years pass, Batya forms deep bonds with her “sisters” in the house as well as some men who are both kind and cruel. Through it all, she holds onto one dream: to bring her family to America, where they will be safe from the anti-Semitism that plagues Russia. Just as Batya is becoming a known tango dancer, she gets an unexpected but dangerous opportunity—to help bring down the criminal network that has enslaved so many young women and has been instrumental in developing Buenos Aires into a major metropolis. A powerful story of finding courage in the face of danger, and hope in the face of despair, The Third Daughter brings to life a dark period of Jewish history and gives a voice to victims whose truth deserves to finally be told.

Finds Reisel, the daughter of a poor cantor, and Liebel, a rich man's son, falling under the spell of a traveling Yiddish acting company and separated by managers who would exploit their talents.