That S Gotta Hurt

In That's Gotta Hurt, the orthopaedist David Geier shows how sports medicine has had a greater impact on the sports we watch and play than any technique or concept in coaching or training. Injuries among professional and college athletes have forced orthopaedic surgeons and other healthcare providers to develop new surgeries, treatments, rehabilitation techniques, and prevention strategies. In response to these injuries, sports themselves have radically changed their rules, mandated new equipment, and adopted new procedures to protect their players. Parents now openly question the safety of these sports for their children and look for ways to prevent the injuries they see among the pros. The influence that sports medicine has had in effecting those changes and improving both the performance and the health of the athletes has been remarkable. Through the stories of a dozen athletes whose injuries and recovery advanced the field (including Joan Benoit, Michael Jordan, Brandi Chastain, and Tommy John), Dr. Geier explains how sports medicine makes sports safer for the pros, amateurs, student-athletes, and weekend warriors alike. That's Gotta Hurt is a fascinating and important book for all athletes, coaches, and sports fans.

The concept of framing has been pivotal in research on social interaction among anthropologists, sociologists, psychologists, and linguists. This collection shows how the discourse analysis of frames can be applied to a range of social contexts. Tannen provides a seminal theoretical framework for conceptualizing the relationship between frames and schemas as well as a methodology for the discourse analysis of framing in interaction. Each chapter makes a unique theoretical contribution to frames theory while showing how discourse analysis can elucidate the linguistic means by which framing is accomplished in a particular interactional setting. Applied to such a wide range of contexts as a medical examination, psychotic discourse, gender differences in sermon performance, boys' "sportscasting" their own play, teasing among friends, a comparison of Japanese and American discussion groups, and sociolinguistic interviews, the discourse analysis of framing emerges here as a fruitful new avenue for interaction analysis.

Finally, a crossword dictionary with all the words solvers need--and none of the ones they don't! When it comes to puzzle dictionaries, it's the "quality" of what's inside that counts. To make the dictionary even easier to use, the most popular answers stand out in easy-to-see red, while charts highlight frequently sought-after information such as Oscar winners and Popes' names. Crossword fans will keep this right next to their favorite puzzles!

Falsely accused of heaven's first homicide, five churlish cherubim escape to New York in pursuit of the renegade archangel Abbadon on the eve of the Apocalypse! Befriended by exotic-dancer Mary and chased by unstoppable Seraphim terminators, the Cherubs alone stand against hell's hordes as Satan prepares to make war, not love! * Bryan Talbot is an award-winning graphic-novel pioneer and innovator. * Mark Stafford is one of the UK's hottest indie artists! * Features Cherubs!: Hell on Earth, a previously unpublished four-issue series.

National radio talk show host Gallagher provides a careful study into the psyche of the liberal mind, using humor and irony to both entertain and instruct.

In New American Stories, the beautiful, the strange, the melancholy, and the sublime all comingle to show the vast range of the American short story . In this remarkable anthology, Ben Marcus has corralled a vital and artistically singular crowd of contemporary fiction writers. Collected here are practitioners of deep realism, mind-blowing experimentalism, and every hybrid in between. Luminaries and cult authors stand side by side with the most compelling new literary voices. Nothing less than the American short story renaissance distilled down to its most relevant, daring, and unforgettable works, New American Stories puts on wide display the true art of an American idiom.

The Troubleshooters return in the latest thriller from New York Times bestselling author Suzanne Brockmann! Some Kind of Hero showcases Brockmann’s signature white-knuckle suspense, romantic twists, and sexy Navy SEALs. Navy men don’t come tougher than Lieutenant Peter Greene. Every day he whips hotshot SEAL wannabes into elite fighters. So why can’t he handle one fifteen-year-old girl? His ex’s death left him a single dad overnight, and very unprepared. Though he can’t relate to an angsty teen, he can at least keep Maddie safe—until the day she disappears. Though Pete’s lacking in fatherly intuition, his instinct for detecting danger is razor sharp. Maddie’s in trouble. Now he needs the Troubleshooters team at his back, along with an unconventional ally. Romance writer Shayla Whitman never expected to be drawn into a real-world thriller—or to meet a hero who makes her pulse pound. Action on the page is one thing. Actually living it is another story. Shay’s not as bold as her heroines, but she’s a mother. She sees the panic in her new neighbor’s usually fearless blue eyes—and knows there’s no greater terror for a parent than having a child at risk. It’s an ordeal Shay won’t let Pete face alone. She’s no highly trained operative, but she’s smart, resourceful, and knows what makes teenagers tick. Still, working alongside Pete has its own perils—like letting the heat between them rise out of control. Intimate emotions could mean dangerous, even deadly, consequences for their mission. No matter what, they must be on top of their game, and playing for keeps . . . or else Pete’s daughter may be gone for good. Praise for Some Kind of Hero “With brilliant sexual chemistry, laugh-out-loud humor, riveting action, and flawlessly rendered characters, Brockmann’s latest quickly draws readers back into her high-stakes Troubleshooters world. . . . Beautifully written and as heart-gripping as it is satisfying.”—Library Journal (starred review) “Well worth the wait. Jam-packed with adrenaline-fueled action and sizzling sexual tension, this is grade-A romantic suspense that will delight RITA award–winning Brockmann’s dedicated core of fans as well, and lure new readers.”—Booklist (starred review)

SCORING THE SCREEN: THE SECRET LANGUAGE OF FILM MUSIC Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo, To Kill a Mockingbird, Patton, The Untouchables, or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music. This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): “If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”