The Abyssinian Art Of Louis Agassiz Fuertes In The Field Museum

This book documents the paintings and drawings executed by Louis Agassiz Fuertes during the Field Museum of Natural History's seven-month expedition to Ethiopia (Abyssinia) in 1926-27. During that time Fuertes completed 70 field watercolors that illustrate 55 species of birds and four species of mammals. He also executed 34 pencil drawings, which illustrate 13 species of mammals and 11 species of birds, plus numerous miscellaneous sketches and small watercolors. This book identifies and describes the biology of all 69 species of birds and mammals illustrated by Fuertes and includes 32 color reproductions of Fuertes's watercolors that were published as a limited-edition album in 1930 by the Field Museum. The 60,000-word text provides brief summaries of all these species' ecology, behavior, and reproductive biology as well as information about their current populations and conservation status. A review of Fuertes's life, his influence on modern bird and wildlife art, and his participation in and artistic contributions to the Field Museum's Abyssinian Expedition is also included, as well as more than 250 bibliographic citations.

Among birds, swans are relatively long-lived species and are also among the most strongly monogamous, having prolonged pair and family bonds that strongly influence their reproductive and general social behavior, which, in combination with their beauty and elegance, contribute to the overall high degree of worldwide human interest in them. This volume of more than 59,000 words describes the distributions, ecology, social behavior, and breeding biologies of the four species of swans that breed or have historically bred in North America, including the native trumpeter and tundra swans, the introduced mute swan, and the marginally occurring whooper swan. Also included are 5 distribution maps, 15 drawings, 27 photographs by the author, and a reference section of nearly 1,000 literature citations.

George Miksch Sutton is one of the best known and most beloved bird artists of the twentieth century. This marvelous book presents thirty-five paintigs of downy chicks, nestlings, and fledglings painted from life by Sutton. The exquisite watercolrs, housed in the Field Museum of Natural History, span three decades and depict nineteen species of North American birds. Many of the paintings are reproduced here for the first time. Sutton was fond of painting young birds from life and of recording their developmental changes. Marked by delicate bruskwork and subtle color variations, his paintings document characteristic features of the birds’ species as well as capturing the poses and attributes that make each bird seem so unique. Some paintings show not only juvenal plumage but also head portraits of adult plumage. The nineteen species include familiar garden birds such as cardinals, Great Plains inhabitants such as the grassland sparrows, and upland and wetland birds, including bobwhites, moorhens, and sandpipers. In his introduction to the collection, ornithologist Paul Johnsgard discusses Sutton’s contributions to bird art and to ornithology. And is essays accompanying the paintings, Johnsgard describes his and Sutton’s personal encounters with the birds. A tribute to Sutton’s genius as both an artist and an ornithologist, Baby Bird Portraits will be welcomed by ornithologists, bird enthusiasts, and Sutton’s legion of admirers.

George Miksch Sutton is one of the best known and most beloved bird artists of the twentieth century. This marvelous book presents thirty-five paintigs of downy chicks, nestlings, and fledglings painted from life by Sutton. The exquisite watercolrs, housed in the Field Museum of Natural History, span three decades and depict nineteen species of North American birds. Many of the paintings are reproduced here for the first time. Sutton was fond of painting young birds from life and of recording their developmental changes. Marked by delicate bruskwork and subtle color variations, his paintings document characteristic features of the birds’ species as well as capturing the poses and attributes that make each bird seem so unique. Some paintings show not only juvenal plumage but also head portraits of adult plumage. The nineteen species include familiar garden birds such as cardinals, Great Plains inhabitants such as the grassland sparrows, and upland and wetland birds, including bobwhites, moorhens, and sandpipers. In his introduction to the collection, ornithologist Paul Johnsgard discusses Sutton’s contributions to bird art and to ornithology. And is essays accompanying the paintings, Johnsgard describes his and Sutton’s personal encounters with the birds. A tribute to Sutton’s genius as both an artist and an ornithologist, Baby Bird Portraits will be welcomed by ornithologists, bird enthusiasts, and Sutton’s legion of admirers.