The Age Of Glamour

A lavish coloring book featuring the dazzling designs of the Art Deco era Art Deco designs encompass a huge range of styles, techniques, and media. Throughout the boom and bust of the 1920s and 1930s, Art Deco defined modern style while drawing on the design traditions of the past. The Age of Glamour showcases the breadth of the era, from abstract designs to intricate patterns and fashion plates. International in scope, the book features designs by Georges Barbier and Robert Bonfils from the V&A’s outstanding collection. Full-color reproductions of the original designs are interspersed among more than forty line drawings for readers to color in. A short introduction places the designs in their historic and artistic context, and thumbnails at the end of the book identify all the images. Art Deco remains enduringly popular for its eclecticism, rich colors, and bold use of line and shape. The era is still a rich source of inspiration and has influenced countless artists and taste makers.

Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930s against the background of contemporary American cultural history. Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.

In photographs only seen briefly as part of studio press kits distributed upon release of a new film, these long-lost stills of Hollywood’s leading ladies have been reverently rendered into color portraits that not only evoke a treasured past of beauty and glamour, but also seem comfortably familiar to the contemporary eye. These posed photos have been chosen not only for their bespoke sensuality, but also for how the discrete addition of color has elevated a black and white still to a kind of artistic grace, prompting rediscovery of classic Hollywood’s most beautiful women. Actresses portrayed here include Julie Andrews, Anna Mae Wong, Audrey Hepburn, Ingrid Bergman, Bette Davis, Carole Lombard, Carroll Baker, Joan Crawford, Marion Davies, Angie Dickinson, Eva Marie Saint, and many others.

A stunning look at the profound impact of the jet plane on the mid-century aesthetic, from Disneyland to Life magazine Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below. Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.

Glamour is an alluring but elusive concept. We most readily associate it with fashion, industrial design, and Hollywood of the Golden Age, and yet it also shaped the language and interests of high modernism. In Glamour in Six Dimensions, Judith Brown looks at the historical and aesthetic roots of glamour in the early decades of the twentieth century, arguing that glamour is the defining aesthetic of modernism. In the clean lines of modernism she finds the ideal conditions for glamour-blankness, polish, impenetrability, and the suspicion of emptiness behind it all. Brown focuses on several cultural products that she argues helped to shape glamour's meanings: the most significant perfume of the twentieth century, Chanel No. 5; the idea of the Jazz Age and its ubiquitous cigarette; the celebrity photograph; the staging of primitivism; and the invention of a shimmering plastic called cellophane. Alongside these artifacts, she takes up the development, refinement, and analysis of glamour in Anglo-American poetry, film, fiction, and drama of the period. Glamour in Six Dimensions thus asks its reader to see the proximity between the vernacular and elite cultures of modernism, and particularly how glamour was animated by artists working at the crossroads of the mundane and the extraordinary: Wallace Stevens, F. Scott Fitzgerald, Virginia Woolf, Josephine Baker, D. H. Lawrence, Gertrude Stein, Nella Larsen, and others.

Relax and enjoy The coloring book features Wladyslaw T. Benda's illustrations of exotic and mysterious girls that graced the covers of famous American art deco magazines, such as Life, Hearst's International, Theatre Magazine, Ladies' Home Journal, Cosmopolitan, etc. In the 1920s every magazine sought the look of the American Beauty that W. T. Benda (born in Poznan, Poland 1873 - died in New York City 1948) was famous for. Features: 38 light grayscale pictures all full-page images are single sided medium weight acid-free paper suitable for colored pencils, markers, chalk pastels, gel pens, aquarellable pencils, markers etc. all images are perfectly centered and fit exquisitely into a frame: 8"x10" all images are easy to remove by cutting along the line indicated on the page GREAT FUN & ENJOYMENT for all skill levels printed in USA with love Benda gained fame as a leading artist in the golden age of American illustration during the golden age of Hollywood glamour. He specialized in girl's and woman's portraits with exotic sensual features. He also became an acclaimed designer of theatrical costumes and masks. Benda's fame as a world-class mask creator even took him to Hollywood. In 1932 the artist created the original mask design for the Metro-Goldwyn-Mayer's adventure movie "The Mask of Fu Manchu".

Being a glamour goddess has never been so easy! Transform yourself from drab to fab with this nifty guide to all things glamorous! Whether you want to have the shiniest hair or convince people you're a celebrity, this book will show you how! Being a glamour goddess has never been so easy. Inside this handy guide you'll find instructions on how to host a spa party, create your own style, exit a limo gracefully, make your own body glitter, persuade your best friend to lend you her clothes, put on a fashion show, make your own jewelry box, and much, much more

A Forged Glamour, which takes its title from a poem, is an exploration of the lives and deaths of ironworking communities renowned for their spectacular material culture, who lived in modern-day East and North Yorkshire, between the 4th and 1st centuries BC. It evaluates settlement and funerary evidence, analyses farming and craftwork, and explores what some of their ideas and beliefs might have been. It situates this regional material within the broader context of Iron Age Britain, Ireland and the near Continent, and considers what manner of society this was. In order to do this it makes use of theoretical ideas on personhood, and relationships with material culture and landscape, arguing that the making of identity always takes work. It is the character, scale and extent of this work (revealed through objects as small as a glass bead, or as big as a cemetery; as local as an earthenware pot or as exotic as coral-decoration) which enables archaeologists to investigate the web of relations which made up their lives, and explore the means of power which distinguished their leaders.