The Alibi

In this suspenseful Southern thriller and #1 New York Times bestseller, an ambitious prosecutor investigates a high-stakes case after Charleston's most powerful real estate magnate is murdered. The sensational murder of powerful tycoon Lute Pettijohn has rocked Charleston. Prosecutor Hammond Cross sees his chance to become the city's next district attorney . . . but only if he can put a killer behind bars. Hammond's investigation turns up more than one person who wants Pettijohn dead. But when the prime suspect turns out to be a mysterious woman who holds a secret that could shatter Hammond's ambitions, he faces a moral dilemma and a haunting question: Was he set up to be the perfect alibi?

Fifteen-year-old Christine is visiting her eccentric great-aunt in historic Witcombe, where a pickpocket has been victimizing tourists. Aunt Maude owns an antique store and also runs the town’s ghost walk, which gives Christine the opportunity to meet local characters and visitors, including a mysterious young man who seems to know far too much about the crimes. When the pickpocket targets Aunt Maude’s store, Christine is determined to find out who is behind the thefts. Her search takes her through the nooks and crannies of the quaint town full of stories, and she unearths more than one surprise.

"When This American Life's Serial podcast by Sarah Koenig was first released in 2014 no one could have known it would become one of the most listened to of all time with over 175 million downloads. The story of a possibly innocent man convicted of murder gripped listeners all over the world. Now, in Confessions of a Serial Alibi, Asia McClain Chapman shares her memories of the victim Hae Min Lee, accused murderer Adnan Syed and witness Jay Wilds as well as her private conversations with Sarah Koenig and prosecutor Kevin Urick, among others. She openly and honestly addresses many of the questions that have been directed toward her as well as sharing personal insight into her actions." -- Dust jacket.

The “master of heart-pounding suspense”—New York Times bestseller Phillip Margolin—returns with a new legal thriller starring Robin Lockwood. A young woman accuses a prominent local college athlete of rape. Convicted with the help of undisputable DNA evidence, the athlete swears his innocence and threatens both his lawyer and his accuser as he's sent to prison. Not long after, there's another rape and the DNA test shows that the same person committed both rapes—which is seemingly impossible since the man convicted of the first rape was in prison at the time of the second one. Now, the convicted athlete, joined by a new lawyer, is granted a new trial and bail. Shortly thereafter, his original lawyer disappears and his law partner is murdered. Robin Lockwood is a young lawyer with a prestigious small law firm and a former MMA fighter who helped pay for Yale Law School with her bouts. She is representing the victim of the first rape for her civil lawsuit against her rapist, who is now convinced the rapist is stalking her and trying to intimidate her. At the same time, another client is up on a murder charge—one that should be dismissed as self-defense—but the D.A. trying the case is determined to bring it to trial. Now she has to mastermind two impossible cases, trying to find the hidden truth that links the two of them. Phillip Margolin, the master of the legal thriller, returns in one of his twistiest, most compelling crime novels yet.

Perfect for fans of Lisa Jewell, New York Times bestselling author Christina Dodd delivers an all-new thriller, featuring a bold and brash female protagonist. WRONG JOB Eighteen-year-old Evelyn Jones lands a job in small-town Alaska, working for a man in his isolated mountain home. But her bright hopes for the future are shattered when Donald White disappears, leaving her to face charges of theft, embezzlement—and a brutal double murder. Her protestations of innocence count for nothing. Convicted, she faces life in prison…until fate sends her on the run. WRONG NAME Evie's escape leaves her scarred and in hiding, isolated from her family, working under an alias at a wilderness camp. Bent on justice, intent on recovering her life, she searches for the killer who slaughters without remorse. WRONG ALIBI At last, the day comes. Donald White has returned. Evie emerges from hiding; the fugitive becomes the hunter. But in her mind, she hears the whisper of other forces at work. Now Evelyn must untangle the threads of evidence before she’s once again found with blood on her hands: the blood of her own family… “This is Dodd at her brilliant best.” —Booklist (starred review) on Strangers She Knows Don't miss POINT LAST SEEN, an all-new thriller by New York Times bestselling author Christina Dodd featuring a strong female protagonist, a chilling villain, and twisty secrets that will keep you turning the pages. Perfect for fans of Lisa Jewell, Jayne Ann Krentz and Sandra Brown. Perfect for fans of Lisa Jewell, Karin Slaughter and Sandra Brown and will have readers keeping the lights on all night.

READ THE SENSATIONAL BLOCKBUSTER THAT STARTED IT ALL! Take it from the top in #1 New York Times bestselling author Sue Grafton's knockout thriller that introduced detective Kinsey Millhone—and a hot new attitude—to crime fiction... A IS FOR AVENGER A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. A twice-divorced loner with few personal possessions and fewer personal attachments, she's got a soft spot for underdogs and lost causes. A IS FOR ACCUSED That's why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she's out on parole and needs Kinsey's help to find the real killer. But after all this time, clearing Nikki's bad name won't be easy. A IS FOR ALIBI If there's one thing that makes Kinsey Millhone feel alive, it's playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer—and sharper—than she imagined. "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw "P" Is for Peril "Q" Is for Quarry "R" Is for Ricochet "S" Is for Silence "T" Is for Trespass "U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"

She was a vision. She was a siren. She was a nightmare. She was dead. Now he needed her to disappear. And he knew just how to make it happen. The Palm Beach elite go to great lengths to protect their own—and their own no longer includes Elena Estes. Once upon a time a child of wealth and privilege, Elena turned her back on that life. Betrayed and disillusioned by those closest to her, she chose the life of an undercover cop, the hunt for justice her own personal passion. Then a tragic, haunting mistake ended her career. Now Elena exists on the fringes of her old life, training horses for a living. But a shocking event is about to draw her back into the painful vortex she’s fought so hard to leave behind. First she finds the body—a young woman used, murdered, and dumped in a canal. Not just a victim, but a friend. As Elena delves into her dead friend’s secret life, she discovers ties not only to the Russian mob but also to a group of powerful and wealthy Palm Beach bad boys known for giving each other alibis to cover a multitude of sins. A group that includes a man Elena once knew very well—her former fiancé, Bennett Walker, a man she knows has already escaped justice at least once in his life. Finding her friend’s killer will put Elena at odds with her old life, with her new lover, and with herself. But she is determined to reveal the truth—a truth that will shock Palm Beach society to its core, and could very well get her killed.

In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s.